- Critic Score
- Most active
- Publication
- Most clicked
-
90The movie is sleek and shiny as a new bullet, reflecting Scott's patented surplus of style.
-
83There's more to this movie. Like Pitt at his best, it's pretty, gritty, engrossing and fun.
-
80Happily, beneath the film's nostalgic veneer and tooth-rattling visual and aural effects lies a mature ambiguity that's unusual for a holiday blockbuster -- and all but unheard of in a Tony Scott movie.
-
80Serves up a judicious blend of showy action, political intrigue, ticking-clock suspense and intramural CIA one-upsmanship for mainstream entertainment.
-
80With its cast of back-stabbing functionaries and desk jockeys, Spy Game makes the sport and hard work of espionage seem chillingly real.
-
75If you like Redford, Spy Game will be a real treat: a fast electric thriller full of the old Sundance charm and pizzazz.
-
75The movie asks tough, unflinching questions about America's responsibility to maintain world peace -- and the price we are willing to pay in order to accomplish that. Timely stuff, indeed.
-
75The script provides an excellent payoff, although action fans may not agree, because that payoff is the equivalent of a Cheshire cat's grin.
-
75Enormously satisfying and fun to watch.
-
75More than a quarter-century ago, Redford played a young CIA employee in "Three Days of the Condor." Someday, it will make a great living-room double bill with Spy Game -- the actor then and now.
-
75There's something elegiac in Redford's spy who knows he's a dinosaur but still has a few moves left.
-
75Gripping, improbable plot marked by exciting sequences of action.
-
75The film is brimming with plots, counterplots, dossiers, and sinister corrupt priorities, all held together by the telephoto obsidian gloss of Scott's look-ma-no-pauses style.
-
70Manages to be entertaining and reasonably exciting. Scott's style may be slick and tricky but, if this and his last film, "Enemy of the State," are any indication, he's lost the glossy sadism that characterized his previous work.
-
70The supremely attractive leads, exotic locations (Vietnam, Berlin and Beirut) and fetishized violence imbue the whole intelligence game with undeniable glamour.
-
70Entertaining but farfetched, Spy Game might have looked less meretricious a few months back. But the real world has sabotaged its pretense of authenticity. Enjoy it for what it is, a fleet, handsome fantasy of globe-hopping blond demigods.
-
67It's well-plotted, acted with a charismatic flair and right on the zeitgeist.
-
63It is not a bad movie, mind you; it's clever and shows great control of craft, but it doesn't care, and so it's hard for us to care about. To see it once is to plumb to the bottom of its mysteries, and beyond.
-
63Fans of swooping helicopter shots, alleys filled with backlit geysers of steam, and jump-cut editing that makes MTV look like Ingmar Bergman will relish the intercontinental intrigue and huggermugger that is Spy Game.
-
63We don't experience the drama from the inside out because everything is on the surface. Redford is the only one who supplies internal life to Spy Game.
-
60What Spy Game turns out to be is the old reliable family car spruced up around the edges in an attempt to convince a new generation of buyers that it's a hot number.
-
60To make silk purses from turgid passages, Mr. Scott does what he always does, gooses them up with every trick in the big-budget book.
-
60A mess, but it's a rousing mess, with ample humor and action to satisfy the discerning dullard within.
-
50Don't you hate movies where one character is so much smarter than everyone else? That's only one problem with Spy Game, a glossy, suffocatingly predictable star vehicle for Robert Redford and Brad Pitt.
-
50Extremely well-shot espionage thriller that might have worked as an old-fashioned guy's-guy movie if the guys involved had any real, human personality and the espionage were actually thrilling.
-
50Less Bond than simply boring, a tedious and overdirected race-against-time drama with a few espionage elements thrown in.
-
50The problem lies in the calculating pretentiousness of using human misery to make shallow entertainment seem serious. It's worth comparing Spy Game with "The Tailor of Panama," John Boorman's far superior exercise in post-cold-war spycraft.
-
40Reasonably entertaining spy-versus-spy shenanigans were for me partially undercut by the hypocritical pretense that the CIA and its various forms of mischief were somehow being ridiculed.
-
30A dead-chamber misfire, a hollowpoint dud.