- Studio: TriStar Pictures
- Release Date: Nov 7, 1997
- Critic Score
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100This twisted space opera serves up carcasses in six-digit figures but is foremost a sendup for the ages.
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Jingoistic politics are not proper or prudent in the pluralistic human society of the 1990s. It's much easier to assuage these baser urges by facing a real nonhuman enemy that just wants to kill you. War is gore. You or them. That message is the real strength of "Starship Troopers," although many may find it morally flawed. No matter, this is powerful entertainment that appeals to our most basic instincts.
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83The movie is sensationally exciting, but its hey-kids-let s-put-on-a-war! story line plays like Beverly Hills, 90210 recast as a military-recruitment film for the Third Reich.
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80A spectacularly gung-ho sci-fi epic that delivers two hours of good, nasty fun.
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75The film's special effects are astonishing, but the most notable and unexpected thing is its tone.
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75Although none of the characters are fleshed out much beyond the comic book level, we nevertheless find our sympathies aligning with them.
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67Wall to wall blood 'n' guts laced with surprisingly keen social satire, much of it targeting the fatuousness of media culture.
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60This is a movie nasty enough to kill off the major characters twice and still manage to serve up a happy ending.
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60Maybe the filmmakers are so lost in their slambang visual effects that they don't give a hoot about the movie's scariest implications. [10 Nov 1997, p.102]
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50Faithfully represents Heinlein's militarism, his Big Brother state, and a value system in which the highest good is to kill a friend before the Bugs can eat him. The underlying ideas are the most interesting aspect of the film.
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50Paul Verhoeven's movie takes more action than ideas from Robert A. Heinlein's 1959 novel, which is just as well, considering the book's goofy suggestion that military veterans should control society from top to bottom.
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50The word "arachnid," as it's said so contemptuously in the movie, begins to sound suspiciously like "Iraqi," and indeed, we soon see the elite bugs are hunkered down in their desert fortress, resisting the mighty air assaults of the Federation. The conclusion of our story involves unearthing the chief bug.
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50What Ed Neumeier's script provides instead is a cheerfully lobotomized, always watchable experience that has the simple-mindedness of a live-action comic book, with no words spoken that wouldn't be right at home in a funny paper dialogue balloon. Not just one comic book either, but an improbable and delirious combination of "Weird Science," "Betty and Veronica" and "Sgt. Rock and His Howling Commandos."
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50A collection of shots and characters designed to circle the globe rather than to say anything much about either the filmmakers or the audience, a triumph of multinational capital at work rather than of people or ideas.
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40What makes the claptrap in Starship Troopers so flabbergasting is that it's monumentally scaled.
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40Pretty actors, grisly critters, brains sucked out of skulls, buckets of green slime and a plot that is half beach blanket bingo, half Iwo Jima.
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40Nothing like the sight of thousands of scuttling, hideous, practically indestructible insects crawling up the sides of a fortress, hellbent on destroying the human race. As they keep coming and coming, theyre the only things in this movie earning your money.
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30In this bizarrely discordant mixture of ultraviolent action footage, bad acting, crisp special effects and futuristic camp, the remnants of Heinlein's rhetoric of military pride stick out like a grimy Marine uniform at a high-toned Hollywood party.
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30An empty videogame of a movie about interplanetary pest control.
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20It's exactly like "Star Wars" -- if you subtract a good story, sympathetic characters, intelligence, wit and moral purpose.
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User score distribution:
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Positive: 12 out of 18
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Mixed: 3 out of 18
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Negative: 3 out of 18
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AndyM.5
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TomT10
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FluxX.1