- Studio: Fine Line Features
- Release Date: Dec 22, 2000
- Critic Score
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100You may want to revisit this profanely hilarious Hollywood satire. . .just to catch the zingers the audience often drowns out with laughter. Hollywood corrupts absolutely, and Mamet turns the toxic process into the year's best and smartest comedy.
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100Writer/director David Mamet, who's built a career in both theater and film by being a hyper-manly sort of writer, has crafted a film that is laugh out loud funny and dinner-conversation smart.
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91Bouncing giddily from subplot to subplot and wisecrack to wisecrack, Mamet and company (and this is one of the truest ensemble works in years) satirize the slippery morals of the film racket and the surface-only decency of small town America.
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90A quintessentially wised-up insider comedy, ideally cast and filled with sharp writing from start to finish.
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90A bona fide populist laugh riot.
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88Gently hilarious comedy.
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88Hilarious sweet and sour David Mamet comedy.
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88A snarling satire of Hollywood single-mindedness and its lack of any moral underpinning.
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83Delectably caustic comedy.
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80This is probably the funniest Mamet piece to date (but not the weightiest), and it might be destined to take a seat alongside "The Player" and "Sunset Boulevard" in the front row of movieland satires.
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80Relentlessly funny satire.
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80I laughed a lot at the anti-Hollywood humor and generally had a fine time, in spite of the holier-than-thou hypocrisy that makes this movie easily and even intentionally Mamet's most Hollywoodish picture to date.
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78Mamet does a shrewdly skillful job with these Tinseltown terrors.
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75It's Mamet in a lighthearted mood, playing with dialogue, repeating phrases just because he likes them, and supplying us with a closing line that achieves, I think, a kind of greatness.
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75Mamet's screenplay is full of savvy satire and the cast couldn't be better.
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75A surfeit of farce and fast-talking makes up for a lack of plot.
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75His (Mamet) direction is unobtrusive, unflashy, and always willing to allow the hilarious cast all the room it needs.
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75Mamet finds an angle just new enough to be fresh.
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75As close as anything could be to a light Mamet comedy.
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75Good clean dirty fun.
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70Mamet's jabs at Tinseltown's silken ruthlessness are quietly pointed, and the ensemble cast -- even the brittle and sometimes annoying Pidgeon (Mamet's wife) -- is brilliant.
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Mamet's movie has its moments of wit and warmth, but here he's mostly behind, not ahead of, the curve.
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60At its best, State and Main is fast and sharp, but when a movie like this goes off the rails, it's more disappointing than when a bad movie does.
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58For all its wit and sharp casting, State and Main is way too pleased with itself to be funny or endearing.
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50State and Main is a Hollywood satire as cynical and thickheaded as its supposed targets.
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40A surprisingly unpolished piece of work that plays as though it were written for the stage and only slightly modified for the screen.
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