User Score

Generally favorable reviews- based on 153 Ratings

User score distribution:
  1. Negative: 22 out of 153

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  1. Sep 30, 2014
  2. Jul 26, 2014
    Stylish with a capital S. Park Chan-wook's film language is fantastic. He's in complete command of the medium. While it truly is a superior achievement in the technical categories, I doubt that this is the type of film which will receive much, if any, attention from the Academy. But it ought to. I liked the performances a lot as well.
  3. Sep 2, 2013
    Chan Wook Park, the acclaimed director of the Vengeance Trilogy brings to life a script by Wentworth Miller in a way no other director could making Stoker a must watch. When India (Mia Wasikowska) finds out her father (Dermot Mulroney) has died she is shocked to learn she has an uncle Charlie (Matthew Goode), a suave, sophisticated man who takes an instant interest in her and her mother Evelyn (Nicole Kidman). Completely different from his previous work and a lot more subtle than the previously mentioned trilogy, Stoker is a slick and disturbingly gripping psychological mystery film with a cast so good that everything about it is a pleasure. Chan Wook manages to marry the light and dark aspects of this story so that they meld together into a film that is set almost entirely in the grey. The camera work and the mise en scene help the film feel not of the norm, not of this Earth while also grounding the film in reality. However the film really wouldn't work without the fearless performances of Wasikowska and Goode who seem to have perfectly interpreted Miller's words. Kidman is also fantastic as usual as the sultry yet petrified Evelyn, a character Kidman cuts right to the centre of Ultimately the reason stoker works so well and is so good is because it breaks the mold of the conventional psychological thriller thanks to an inventive and oftentimes surprising script and story that brings out the best in Chan Wook's work as he shows the corruption and fear that Charlie brings in his wake. Expand
  4. Aug 23, 2013
    Disturbing, beautiful and twisted. Stoker is an underrated masterpiece that, though a little confusing and messy at times, is a loving tribute to films that has been made with care and creativity. With great actor and fantastic directing from Park Chan Wook, the genius behind Oldboy, and a great debut from new screenwriter and actor, Wentworth Miller, Stoker is one of this year's best.
  5. Jul 13, 2013
    I cannot express how into this I was. The fantastic acting, terrific cinematography and minimalist filmmaking helps exponentially. I can't really describe it, but suffice it to say that the callous and rigid character adds so much to immense freakiness of it all; lighting, quick cuts and scenes in one shot are so admirable. People need to understand that it isn't just about a mysterious and sociopathic uncle interrupting a girl and her mother's lives. The acting, atmosphere, tone, set pieces, metaphors, symbolism, writing, how the script ties together, directing, cinematography, score, editing, sound design, lighting and more explore the thematic elements of jealousy, maturity, coming of age, growing sexuality, family dynamics, and loss of innocence. Even if you based it off of its surface value and basic plot, it would still be solid due to its flourishes of difference in plot and filmmaking. This is easily the best film of 2013, and one of my favorite films of all time. It's up there with Kubrick and (the latter, of course, since it was based off of Shadow of a Doubt). 9.7/10, masterful, two thumbs up, etc. Expand
  6. Jul 2, 2013
    Cinematic gold. Stoker is hypnotic, stunning, gorgeous, satisfying and stylish. A masterpiece delivered by the director that brought us the film: "Oldboy" which is another amazing piece of cinema. For those of you who don't know, Chan-wook Park is a Korean film maker and Stoker is his first English language film, and this has put him as one of the directors to look our for. The acting is outstanding, the cinematography is stunning, the plot is flawless, and it's not by Quentin Tarantino, but it seems like a Tarantino. I will not recommend this movie to all movie goers, or at least those who do not favor violent films, yet its an amazing movie, film making at it's best. Expand
  7. May 22, 2013
    Love or Hate Wook Park, but you will certainly love Stoker. Bloody, stylized with awesome cutscenes and a well done story of a sexually abused girl by his mom's lover. It's a slow burn, quality thriller. It's graphic brutal violent content can be overwhelming but this movie manages to control it. It's a fun movie in a way. Dark, stylish and brutally good. Stoker is a little bit of everything.
  8. Zal
    Mar 25, 2013
    Dark, chilling, and unpredictable, Stoker was a real treat. The mystery surrounding Uncle Charlie was engaging and the movie did a great job at keeping us in the dark about him. The characters are memorable and well-written. All the performances are fantastically creepy, especially the one given by Matthew Goode. It's not as well constructed as Oldboy, but this is still a fine piece of work by Chan-wook Park. Expand
  9. Mar 20, 2013
    My husband wanted to see the movie because of the NY Times review, while I was put off by the trailer and the mixed critic reviews. We did end up seeing it, and both loved it. It is more of a psychological thriller than the horror/slasher film implied by the trailer. The cinematography was outstanding and the direction wonderful; in fact, now I want to go back and see Oldboy.
  10. Mar 1, 2013
    It's safe to say that fans of the Director will be pleased but so wil regular audiences as well. This is a GREAT thriller which is simultaneous vividly stunning with excellent performances. Look for this to steal some Oscars next year.

Mixed or average reviews - based on 42 Critics

Critic score distribution:
  1. Positive: 24 out of 42
  2. Negative: 4 out of 42
  1. Reviewed by: Connie Ogle
    Mar 25, 2013
    Stoker is the sort of stylish, cerebral movie that engages your brain instead of your emotions, and yet you’re never less than intrigued by the breathtaking visual artistry of this slow-burn thriller.
  2. Reviewed by: Kimberley Jones
    Mar 20, 2013
    Once the film gets cooking, the questions never stop. For instance: When you find the dead body of someone you love, isn’t your first call to the cops?
  3. Reviewed by: Steve Persall
    Mar 20, 2013
    Stoker operates in a perpetual state of dread, a sophisticated Southern gothic that starts out confusing and winds up as a perversely humorous coming-of-age yarn.