Anticlimactic story with no real compelling interest.

Perhaps one of the worst movies I've ever seen - definitely the worst "film" I've ever seen. Let me quote the lowest Metacritic critic, who still gave it a 50, by the way, "Even for a French drama, Summer Hours is so slow as to be practically still." How does any film described in that way deserve a 50? This was an exercise in BORING, BORING, BORING! What a waste of 102 minutes of my life. I really tried to get behind it and don't give me the "you can't appreciate finely crafted cinema" crap. This was just bad, yet six critics on Metacritic gave it 100...a 100...yes, I said 100, six of them! Unbelievable!!! Critics like these are like the people out there who "love" cavier or some kind of stinky cheese - give me a G*d damn break!… Expand

I totally agree with KALTJ. The film was a big yawn. The only people I found who enjoyed it were those who had experienced trouble inheriting wealth. They identified with the situation portrayed. I thought the only interesting aspect was that the State's inheritance laws deprived the family of their inheritance. Vive La France.

While this movie is very well done- good acting, interesting cinematography, aesthetically pleasing- it lacks an engaging plot to move the story along. You keep waiting for something to happen to make things a bit more interesting, but this movie is less eventful even than real life.

Excellent film! My only minor complaint was I would have liked to see a little more screen time for Juliette Binoche, but this is minor.

Very engaging with a great aftertaste of having a wonderful glimpse into the lives of three generations. Life moves on for each generation.

A deeply boring, interminably long exercise in naval gazing which somehow expects to be redeemed to American audiences by being shot in France (ooh, it's pretty!) and in French (ooh, it's foreign!). Overwrought, yawning meditations on globalization aside, you'll forgive me if i can't just bring myself to care about a movie in which the central conflict is whether the lead can bear the incredible emotional toll of selling his mother's armoire. This isn't a film, it's a craigslist post.… Expand

Excellent performance from the entire cast. Juliette Binoche shines once again. In a summer cluttered with loud big budget blockbusters, this is truly a breath of fresh air!

Excellent film, one of the best I have seen this year!

Wistful, poignant, low-key re-imagining of The Cherry Orchard.

I thought this was an excellent film with great performances by the entire cast. I really find it interesting how bitter some of these people giving the film low marks. It's not like the characters were all given everything on a silver platter. If I recall, they all have jobs where they appear to work hard and for the most part appear to enjoy what they do. They actually probably won't inherit that much since the mother didn't do things poperly before she died. I don't have a problem with people making money for working hard. If you have a choice of seeing this film or some of the other garbage currently being shown, choose this for sure!… Expand

SUMMER HOURS joins a long line of movies about people coming together over a death in the family, 99 percent of which involve the privileged and somewhat famous, making the any connection to them tenuous at best. their so-called dramas are un-relate-able, unsympathetic, and worse, inspire disgust as characters whom we barely know pore over the valued artifacts and minutiae of burying their own. this director's fascination with this international class of art lovers, designers and financial experts bordered on sycophantic, as he exhaustively put viewers through endlessly familiar scenes with estate lawyers and other sour pusses employed by the death trade, with no discernible point to be made, except a unflattering desire to be one of them; to make sense of their elevated banter, their good old times, and their secrets.… Expand

Ol' man river ain't got nuthin' on Olivier Assayas' gentle portrayal of a family coping with its identity as established in heirloom objects, which in the end must be sacrificed to the effects of globalization and the need for cash, as the generations flow.

I loved this film. It subtly and poingnantly examined the issues confronting all of us in a mobile society, at the end of an era.when family estates and property could be passed on to next generations. In a sense there was a Rashoman quality as each generation dealt differently with the death of the matriarch and what it would mean to their future lives. The acting was superb, especially that of Eloise, the mother's bonne-a-tout-faire, who was perhaps most affected by her death. This is a thinking person's film and not to be taken lightly.… Expand

Structurally, a 19th century tale, updated for 21st century sensibilities. Essentially sentimental, but capturing the angst of families in the throes of global dispersal, Summer Hours coalesces around an earlier generation's obsessions with "stuff"--the material remnants of shared memories. A well-told tale, rings true to life.

My favorite reviewers, Stephanie Zacharek and A.O. Scott, loved it. I hated it. The film's approach to globalization was heavy handed, and the narrative about our relationships to objects, while also heavy handed, ignored the fact that such fetishistic pieces are only available to those with certain means. The lush beauty of the house, the art, the characters, and their clothes made me dislike them even more when they sat around lamenting their "unfortunate" dilemma: to keep this gorgeous house and its contents, or sell it and become even richer. I saw little in the way of meaningful conflict with these characters, and even less in the way of movement or character development. I haven't disliked high art this much since I read my last Henry James novel (but maybe I'm giving away my aesthetic hand here).… Expand