- Studio: Samuel Goldwyn Films
- Release Date: Feb 8, 2002
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90In recent years, South Korean cinema has fully flowered, producing both uncompromising highly personal films and crisp, intelligent genre movies, with Shiri the most spectacular example of the latter to date.
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80An oddly effective mixture of technical prowess, well-executed cliché, and unexpected political poignancy.
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75A beautifully tooled action thriller about love and terrorism.
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75Compelling, kinetic, fast and furious.
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75This is an unmistakably Asian variant on the action movie, a sleek, slick, entertaining espionage thriller in the John Woo mold.
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63The girl you see stabbing and shooting prisoners and fellow trainees makes the killer from "La Femme Nikita" look like a wuss.
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60Mr. Kang is a gifted choreographer of bloody chaos, but he has enough range and imagination to strew a few interludes of haunting tenderness amid the shell casings and ketchup packs.
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50Americans, for better or worse, have already seen plenty of budget-busting action flicks with half-baked political pretensions.
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Suffers most from being overlong.
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50The all-too-vivid simulation of terrorist attacks, including a prolonged scene of a building collapse in which people are seen plummeting to their deaths and crushed under falling concrete, may strike a very different chord with post-9/11 American audiences.
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50The action looks impressive, even when nothing much is happening beyond local explosions or shattering glass, and the drama turns, affectingly, on a mysterious female sniper with a partitioned soul.
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50The film actually gets to tackle some larger questions than one normally finds in the average fireball drama.
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40Though the two-hour film can go slack with excess explication, Shiri compensates with an overheated drive that forces the myopia of current events toward a broader field of vision.
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40High-powered and gory.
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40Suffers from all the excesses of the genre: gunfights that go on and on and on, a plot that is almost incomprehensible.
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40Thankfully, the final, long action set piece, which owes a debt to "The Manchurian Candidate" among others, is free of such problems. Shiri manages to go out on its most exciting sequence. There are worse ways to go.
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40Shamelessly derivative and politically expedient.
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20A thoroughly awful Korean production which vainly attempts to recast the slam-bang conventions of American action-adventure flicks into the sticky world of contemporary Korean politics.
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