- Studio: New Yorker Films
- Release Date: Mar 17, 2006
- Critic Score
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100Actors Laia Marull and Luis Tosar explore the intricate details of a relationship based on the laws of attraction and repulsion, in which the intellect is repeatedly devastated by primal passion.
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90A harrowing drama spun from the most mundane material.
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88What makes the movie fascinating is that it doesn't settle for a soap opera resolution to this story, with Pilar as the victim, Antonio as the villain, and evil vanquished. It digs deeper and more painfully.
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88An extraordinarily truthful and piercing drama.
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88Harrowing, psychologically astute drama.
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80This tale of domestic abuse breaks little new stylistic or psychological ground, but it is a searing, well-acted drama that should strike universal chords.
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75The story isn't exactly new, but Bollain, an actress in her own right, keeps Take My Eyes from sinking into clichés.
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75While hardly glorifying abusive husbands, Take My Eyes, a mesmerizing and deeply disturbing film from Spain, makes an attempt to understand their thought processes.
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75Take My Eyes might look and sound like an earnest message movie, but its bone-deep understanding of the tricky psychology of abuse feels effortlessly authentic.
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A disturbing take on domestic violence.
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70Handles the subject of domestic violence with intelligence and compassion.
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60Marull's Pilar is quietly powerful and agonizingly terrorized as the '50s-style wife muted and bound by duty.
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60The director, Iciar Bollain, who wrote the screenplay with Alicia Luna, invests Antonio with humanity, which would be more impressive if she had paid more attention to exploring the darker recesses of Pilar's inner life.
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50If Take My Eyes explored how a woman could still feel for a man who abused her, it might have gripped us with its difficult truths. But the movie presents Pilar and Antonio's marriage as a stale, neurotic dead end.
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User score distribution:
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Positive: 2 out of 3
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Mixed: 0 out of 3
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Negative: 1 out of 3
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ChadS.8
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KenG.6
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JohnM.0