User Score

Generally favorable reviews- based on 449 Ratings

User score distribution:
  1. Negative: 32 out of 449

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  1. Oct 4, 2012
    Taken represents a wierd oblique encouragement for western authorities to 'take the gloves off' when dealing with middle eastern threats, represented here by Albanian slave traders with a crescent moon tattoos. The other enemies, of course are the corrupt, and decadent French, who for some sin or other are characterised as ammoral devils who would turn a blind eye on western girls being sold into sexual servitude for just a few Euros. Somewhat wierd for a movie that cites a Frenchman in its production. Sadly fact is usually more amazing than fantasy and this movie is no exception. Something based on the real plight of Eastern European women being sold into forced prostitution could have been far more compelling. This movie soon degenerates into a sadistic tirade of the hero beating up and killing dozens of run-of-the mill bad guys. The movie has no pauses, no moments of realisation, nothing interesting or scary. No good dialogue, nothing but the celebration of the killing prowess of a professional killer. Liam Neesen dials in a very unenthusiastic performance looking very much like an actor who lost his wife in a skiing accident, with no interest in the slightest in making a movie glorifying murder, going through the motions because he will get a paycheck so that he can go back and spend quality time trying to live as happily as he can in the shadow of his loss. As far as I can see the whole thing is some kind of propaganda effort trying to reinforce negative stereotypes. The action is the same crap you see in almost every American movie these days. Fight scenes where the hero is good at ramming random household objects up the noses and into the brains of certified 100% guaranteed 'bad guys' who deserved to die. The audience is thus invited to relish and glorify a whole bunch of romantically enhanced butchery, and feel great when the good duy inevitably walks into the sunset, without even bruised knuckles. Since practically everything made in America is made to exactly the same recipe, taken is your standard contemporary American garbage with a Frenchman embarrassing himself in the credits. I'm sure Albanian slave traders are very nasty indeed. A movie that dealt into the hows and whys of that would have been much better than this crap. Don't movie makers understand that incessant violence dilutes the dramatic power of violence. The fear of death is worse than death. There are a thousand creative cliches that advice film makers on what constitutes narrative power. All yellow and red reviews indicate signs of intelligence. Green constitute the mob. Fools all. Expand
  2. Sep 26, 2012
    This movie was long and drawn out, Taken's plot used several cliches and had several awkward moments. Taken was painful to watch.The movie is boring and doesn't get engaging until the end.
  3. Nov 30, 2013
    I saw it last year and I still don't see the hype with this film. A father trying to find his daughter somehow turns into an action epic. Reallly???????????? Don't even get me started on 2
  4. May 28, 2013
    The initial idea was good, a father who does everything to save her daughter, but in practice the film becomes more of a blogbuster summer with cliches mostruosos the Bourne trilogy, and an excess of unnecessary violence.
  5. May 20, 2013
    It's horrible, too unrealistic. Weak guys are always dumb, die stupid. Protagonist always wins the battle easily. I hate it.

Mixed or average reviews - based on 31 Critics

Critic score distribution:
  1. Positive: 15 out of 31
  2. Negative: 6 out of 31
  1. Reviewed by: Bernard Besserglik
    Might do good business at home and abroad among audiences unconcerned with the finer points of characterization or psychological insight.
  2. 40
    You do wonder how this commanding actor (Neeson)--who carries so much more conviction than the plot--felt about delivering the line "I'll tear down the Eiffel Tower if I have to."
  3. Reviewed by: Derek Elley
    Neeson growls his way through the functional dialogue as an unstoppable killing machine in impressive, cold-eyed style.