Metascore
45

Mixed or average reviews - based on 20 Critics

Critic score distribution:
  1. Positive: 6 out of 20
  2. Negative: 4 out of 20
  1. 75
    A crackling crime drama assembled from a scrap heap of hoary cliches, Takers proves that everything old can sometimes really be new again.
  2. 75
    The style feels a little like that of the recently departed TV show "24," albeit without Kiefer Sutherland, the split screens, and the ticking clock.
  3. The stunt work is amazing, and the pace is breathless enough to keep one watching right up to the somewhat ambiguous conclusion.
  4. 67
    The heist movie genre gets a hip-hop makeover in Takers, a movie loaded with as much style as ammunition.
  5. 63
    You could make a worse choice for a late- summer popcorn movie than Takers, a Michael Mann-ish heist thriller with a pulse-pounding foot chase and some terrific stunt work offsetting its hackneyed plot and dialogue.
  6. Noisy, unsubtle, but it gets the job done.
  7. The casting, from lead roles to supporting, is uniformly terrific.
  8. It runs the stopwatch on a chase sequence to a comical extreme and takes way, way too long to take its final bow, in the process burning off any residual goodwill.
  9. Reviewed by: Brian Lowry
    50
    A respectable but watered-down heist movie that, given the Los Angeles setting, either owes a debt to director Michael Mann or suggests an unusually violent and action-packed episode of "Entourage."
  10. 50
    The performers are given stock types to play, and Elba and Dillon, at least, can do a little with that.
  11. Reviewed by: Claudia Puig
    50
    The dialogue is clichéd and laughable. It's a film far more concerned with style - architectural, vehicular and wardrobe-related - than substance.
  12. 50
    There is plenty of nonsense, a great deal of stylish posturing and clothes-horsing, and a few action sequences that manage to be both gripping and preposterous.
  13. The new heist movie Takers is surprisingly okay.
  14. After sitting through Takers with my stomach rearranged by hyperactive camera spazzing, I hereby formally request all directors and cinematographers to just get a grip already and STOP. WIGGLING. THE CAMERA.
  15. 45
    It comes to the party overdressed and still fails to make an impression.
  16. At least they do look sharp in those suits.
  17. Reviewed by: Ty Burr
    38
    Takers might have made a perfectly decent little B heist movie, but someone had to go and forget to give the cameraman his Ritalin.
  18. Did I mention the dialogue? Well, really the armored car driver put it best when he said, "We're in trouble here…" No joke.
  19. 25
    Rapper, producer, and mogul Tip "T.I." Harris was recently named "global creative consultant" for Rémy Martin cognac. Coincidentally or not, he's also the star and producer of Takers, a heist thriller that feels suspiciously like a feature-length commercial for expensive liquor.
  20. What helps salvage the film (much to the surprise of director and co-writer Lussenhop and his fellow writers Peter Allen, Gabriel Casseus and Avery Duff) are the unintentional laughs generated by the film's outrageous gun battles, childish dialogue and an action chase featuring Brown that seems to go on forever.
User Score
7.0

Generally favorable reviews- based on 90 Ratings

User score distribution:
  1. Positive: 13 out of 24
  2. Negative: 4 out of 24
  1. Sep 27, 2011
    3
    "Takers" is a teenage crime thriller (or is it drama?). It's so crappy and terrible you can say its the "Twilight" of the crime genre.
  2. Sep 18, 2010
    3
    Black Ocean's Eleven targeted towards a hip-hop audience. No, I didn't see this movie. Atleast two of the actors commited felonies in realBlack Ocean's Eleven targeted towards a hip-hop audience. No, I didn't see this movie. Atleast two of the actors commited felonies in real life, so I guess I was disappointed that they couldn't even convince me they were criminals in the trailer. Full Review »
  3. Sep 3, 2010
    4
    This review contains spoilers, click full review link to view. Check his docket and pray for a romantic comedy, a sci-fier, a western, anything, really, even a porno. That's because Matt Dillon has a weakness for armored car heist scripts. Should the former Flamingo Kid make one more of these routine genre movies, he'll have himself a trilogy. Just last year, he played a "taker", a guard, in Nimrod Antal's "Armored"; this time, he's blue, a good guy who stops the "Takers", a detective named Jack Welles. Maybe next time he'll play the truck. Maybe next time Dillon will star in a movie that's worthy of his talent. While "Armored" was by no means a brilliant piece of moviemaking, at least the actual robbery was halfway plausible; far-fetched, perhaps, but plausible enough to stave off laughter from the moviegoer. Unlike "Takers", where Detective Jack Welles faces criminals who are practically performance artists when it comes to hijacking armored cars. After the bravura bank robbery that opens the film(featuring an escape plan that is flat-out ludicrous), the thieves(featuring Hayden Christensen reimagined as Jason Bourne; a born-again Christensen) up the stakes with an even more daring caper. In broad daylight, the thieves steal the trucks on a busy street during rush hour, where a whole bunch of hypotheticals come into play which would prevent the job from being successfully pulled off. These armed robbers have a David Blaine-mentality when it comes to armed robbery, an exhibitionist streak, as there are just too many people who are watching them steal the loot. Although "Armored" had its share of credibility issues(in particular, no GPS system on the truck), "Takers" expects the moviegoer to believe that the police wouldn't be able to ferret out a fake road construction crew during the interim leading up to the implosion, and that there's not a cop around during the shootout between the guards and the thieves. When Ghost(T.I.) had explained the job to his "boyz", the crew's initial hesitation was due to the expediency of the job, which posed an affront to their professionalism. This would seem downright laughable, since there's nothing professional looking about the set-up. In a good heist pic, the more painstakingly intricate the preparations are, the better. Needless to say, "Takers" is no "Ocean's Eleven". The group sorely lacks a charismatic ringleader. They need somebody like, say, Matt Dillon. As the straight and arrow detective, Detective Welles, however, isn't going to garner any votes for "father of the year"; his impromptu take-your-daughter-to-work day could have gone horribly wrong. When "Takers" introduces the detective's daughter, it doesn't spend the time needed to portray Jack as a caring father like how the filmmaker probably had intended. Since "Takers" wastes time on an extended foot race between Dillon and a perp(Chris Brown, in an impressive feat of...running), the filmmaker compresses Jack's personal and professional life in one scene without realizing how it makes the detective look. He looks like a jackass. Full Review »