Metascore
64

Generally favorable reviews - based on 28 Critics

Critic score distribution:
  1. Positive: 20 out of 28
  2. Negative: 0 out of 28
  1. Reviewed by: Roger Ebert
    Oct 20, 2010
    88
    Tamara Drewe is one of those British comedies in which, one way or another, we envy all of the characters.
  2. Reviewed by: Ella Taylor
    Oct 20, 2010
    85
    On its own terms, Tamara Drewe is a hugely exuberant black comedy, unfolding over four scenic seasons at a writer's retreat set in a rose-strewn village overrun by city bobos in search of authenticity.
  3. Reviewed by: Peter Rainer
    Oct 20, 2010
    83
    Erotic comedies are often attempted but rarely realized. Tamara Drewe is proof that sexy and funny need not be mutually exclusive.
User Score
6.5

Generally favorable reviews- based on 23 Ratings

User score distribution:
  1. Positive: 3 out of 6
  2. Negative: 0 out of 6
  1. Nov 29, 2012
    4
    Oh dear. This proved to be a fairly mediocre mess of a film. So much cliche, full of mostly bland, forgettable characters. Gemma Arterton is fine, as are most of the performers, but some like the excellent Tamsin Greig deserve better. One particularly cringeworthy scene features Dominic Cooper woo-ing Gemma Arterton by playing the drums on pots and pans with his feet... I guess that's love. It even manages to mess up the one good relationship in the whole film. Disappointing. Full Review »
  2. Jan 1, 2012
    4
    Other than a general tendency not to want to pan a movie entirely, I'm not sure what I'm giving it 4 for. The majority of the characters were uniformly unpleasant, the quantity of swearing off-putting (though that's how we know it's a Brit comedy I suppose) and the general themes rather over-worked and reworked without humour. Tamsin Greig's Beth was just about worthy, though coming across so down-trodden it was difficult to feel very much sympathy, even in the face of Nicholas' infidelity and insufferable smugness (something Roger Allam does very well). Arterton's Drewe is just plain colourless. Whilst the camera loved her curves, there was little else on show: no motivation, no sympathy, no humour.

    Comparisons with Hardy's Far From the Madding Crowd are obvious, but unworthy, and the fact that it was based on a graphic novel is no excuse for cartoon characters that are spiked with inhumanity, rather than leavened with humanity.
    Full Review »
  3. Feb 24, 2011
    8
    A solidly middling Stephen Frears film--not a masterpiece like "Laundrette" or "Liaisons" or "High Fidelity," but not a bomb like "Mary Reilly." In "Tamara Drewe," we see familiar strengths on display: fully fleshed characters navigating minefields of desire with consequences alternately dire and ridiculous. But something about the film seems a little stale. Familiar stories abound: e.g. the ugly duckling who becomes a swan; the adulterous writer who claims art as his license; Far from the Madding Crowd. A third of the way in, it's clear who will get a happy ending--and why and with whom. Snore. For me, however, two 15-year-old troublemakers save the film from mawkishness. Whether egging cars or dabbling in more serious crime, their desperate boredom reveals a dark side to country living, and the film makes them, at once, perfectly appalling and enormously sympathetic. Jessica Barden and Charlotte Christie are wonderful as the teenagers, sharing an appetite for an imagined life elsewhere but otherwise very different. And it's smart and ironic that so many plot developments issue from their meddling, given their limited understanding of what they do. All in all, "Tamara Drewe" kept me engaged as I was watching, but I didn't have much to chew on afterward. Full Review »