Mixed or average reviews - based on 22 Critics

Critic score distribution:
  1. Positive: 13 out of 22
  2. Negative: 1 out of 22

Where To Watch

Stream On
Stream On
Stream On

Critic Reviews

  1. 83
    A clever and affecting thriller/comedy about a subject that absolutely cannot be written about in a daily newspaper or website that's for a general audience. The film is a giddy pastiche of styles -- slasher picture, faith film, social satire, teen romp, '50s atom bomb monster movie -- and it makes you laugh and squirm and grin in appreciation.
  2. 80
    Like a deranged version of “Clueless,” the film is light-hearted, yet subversive, displaying a surprisingly wicked bite…literally.
  3. Campy, shameless and sophisticated, Lichtenstein's debut is gutsy and original, and it makes "Juno" look positively tame by comparison.
  4. 75
    Teeth is not only odd but it's genre-defying. The film doesn't limit its field of choice: it's a black comedy, it's a drama about teen angst, it's a romance gone bad, it's a B-grade horror film, it's an allegory about female empowerment.
  5. The film should have the edgy wit of "Election" here, but instead is played so straight it's hard to make the shift when things start getting really crazy. But stick with it and you'll be rewarded with a new kind of superhero and a couple of the ghastliest, most outrageous penis jokes ever imagined.
  6. A smart and creepy fable in which the myth of the vagina dentata - yes, a toothed sex organ - is transplanted to teen suburbia.
  7. Funny, very clever and still packs some cover-your-face bloody thrills that top any "Saw" or "Hostel" movie.
  8. The most alarming cautionary tale for men with wandering libidos since "Fatal Attraction." It may also be the first horror movie that women drag men to see rather than the reverse.
  9. 67
    It's a brilliant concept for a horror movie, not least because the genre is usually so dedicated to male gratification, but the material requires a consistent tone, and first-time director Lichtenstein (son of pop artist Roy) can't quite get a handle on it.
  10. Director Mitchell Lichtenstein finds new ground in the over-tilled suburbia of David Lynch and John Waters.
  11. 63
    An anti-date movie if there ever was one, Teeth is a darkly engaging if uneven horror movie spoof centering on men's fear of castration.
  12. 63
    Teeth is the "Incredible Hulk" of sex satires.
  13. Teeth is about female exploitation and male castration.
  14. 60
    This is going to be a notorious film that young audiences will be daring themselves to see, but it's actually funnier, darker and more troubling before it turns into a carnival of repeated dismemberment.
  15. Most of the movie works because the blonde Weixler has a darling-daffy face (a pinch of Alicia Silverstone, a dollop of Drew Barrymore) and a should-I-or-shouldn’t-I ambivalence about sex that’s part realism, part screwball.
  16. Reviewed by: Todd McCarthy
    A game, disarming lead performance from Jess Weixler, who won a jury acting prize at Sundance, goes some way toward making palatable this mish-mash, whose provocative nature could carve out a certain commercial niche.
  17. 50
    Veteran actor Lichtenstein, the son of Pop artist Roy, rarely finds a workable tone, muffling the splattery mayhem with sluggish pacing and a tendency toward camp. Still, even if the movie's little more than a curio, I love the thought of Lichtenstein at the pitch meeting: "It's Jaws meets The Vagina Monologues!"
  18. Teenage horror-movie spoof, John Waters parody, No Nukes protest movie, twisted sex-education film, quasi-feminist fable, outrageous stunt: Mitchell Lichtenstein’s clever, crude comedy, Teeth, is all these and more.
  19. The film's mix of cheap gags, macabre coming-of-age story, social satire and Cronenbergian body horror is apparently meant to gel into black comedy, but it never quite does.
  20. 50
    Turnabout is fair play, to be sure, but ultimately virtually everyone in Teeth ends up using sex as a weapon, edged or otherwise, to the detriment of all concerned. Just say "Ow."
  21. There's no scarier myth for males, and Mr. Lichtenstein turns various images of emasculation into a black comedy that flirts, fairly tediously, with pornography.
  22. Reviewed by: Glenn Kenny
    Lichtenstein's putative switcheroo on the Vagina Dentata trope is to play it as some kind of token of female empowerment, but it's pretty clear that the writer/director didn't think things through on any counts, contenting himself that the putative outrageousness of the concept could see him through.
User Score

Mixed or average reviews- based on 56 Ratings

User score distribution:
  1. Positive: 6 out of 17
  2. Negative: 4 out of 17
  1. Dec 15, 2012
  2. PAlex
    May 13, 2008
    When I watched the trailer I really thought this could be a good movie because of its original content. But the humor and drama don't When I watched the trailer I really thought this could be a good movie because of its original content. But the humor and drama don't hold up well over the poor pacing and unreasonable direction it takes. The main character is pretty but seriously, no man seems to be able to cross her path without wanting to rape her? Full Review »
  3. ChadS.
    May 9, 2008
    Concerning Dawn's killer vagina, the filmmaker had two choices. The vagina could either be in tune with Dawn's mind, or a rogue Concerning Dawn's killer vagina, the filmmaker had two choices. The vagina could either be in tune with Dawn's mind, or a rogue element in the girl's body that tunes her out. The filmmaker decided that a telepathic vagina, rather than an impervious vagina, better served his story. When Dawn(Jess Weixler) senses trouble, her "p****" throws a hissy fit and acts on the girl's behalf. The men get what they deserve. Their advances are either non-consensual(to be frank, it's rape), or duplicitous. But what if Dawn actually fell in love, and wanted to express her love physically? Now that's one vagina monologue I'd love to hear; a plea to her vagina that it grant passage to a benevolent, albeit "angry" penis. Ryan(Ashley Springer) looks like he's in love with Dawn, but inexplicably, the film turns him into a rapist. This awkward tonal shift clumsily introduces the truth about Dawn's vagina. If "Teeth" had a brain, and more importantly, a heart and soul, it actually had the makings of an "Edward Scissorshands" for girls. Full Review »