• Summary: Tell No One is based on Harlan Coben's international best-selling thriller about pediatrician Alexandre Beck, who still grieves for his beloved wife Margot Beck, who was murdered eight years earlier. When two bodies are found near the scene of the original crime, the police reopen the case, and Alex becomes a suspect again. The mystery deepens when Alex receives an anonymous e-mail with a link to a video clip that seems to suggest that Margot is somehow still alive and with a message that says "Tell no one." (Music Box Films) Expand
Score distribution:
  1. Positive: 30 out of 30
  2. Mixed: 0 out of 30
  3. Negative: 0 out of 30
  1. Tell No One's plot thickens in about five ways at once, but they're all connected. The issue of how is a riddle that does more than tease --gives you an itch you won't want to stop scratching.
  2. 91
    The title Tell No One recalls the days when ads proclaimed, "No one will be seated after the first 15 minutes" and "Be considerate of your neighbors: Don't give away the ending of this picture." Both rules apply to this canny, refreshingly emotional and intuitive thriller.
  3. Spicing up the entire package is a screenplay by Canet and Philippe Lefebvre that bristles with wit and energy.

See all 30 Critic Reviews

Score distribution:
  1. Positive: 15 out of 22
  2. Negative: 4 out of 22
  1. RobertE.
    10
    A deep film; deeply plotted and deeply felt, brilliantly acted and intensely memorable: I thought about half a sleepless night. It reminded me of that best of noir films, Out of the Past Expand
    • 0 of 0 users said yes
  2. Something was missing, the movie was not as good as the book. Harlan Coben is a good writer. Turning one of his book into a movie was challenging this result is not as good as I expected even Canet is a good director. Expand
    • 0 of 0 users said yes
  3. EricL.
    3
    Watching or reading a Good Mystery should be like watching a Good Magician: you know you are being cleverly misled and relish the challenge of seeing through various feints and slight of hand to put the puzzle together. But mysteries only delight us when we know that we were given a fair chance--i.e. that the clues were there all along, but we were fooled despite our best efforts. Tell No One never gives the audience a chance: its like hearing a 7 yr old tell a story and realizing midway through she's been making it up off the top of her head (and has now lost the pt entirely). While the film's opening is terrific, once Canet force feeds Jeff Buckley's otherwise gorgeous "Lilac Tree" (at twice the film's normal volume), any discerning viewer will began to suspect a fraud. It goes downhill from there. I'm honestly shocked at how easily duped most critics (and apparently some viewers) are: the script isn't complex; it is incoherent. And with the exception of a few chases, the editing is merely confusing; not beguiling. A last pt: the film shows how easy it is to get good reviews simply by flattering the political and aesthetic sensibilities of film critics. Perhaps the most annoying thing about Tell No One is its smug and lazy liberalism (I say this as a life-long liberal). No wait: even more annoying is its preening, self indulgent and entirely uninspired musical score. You get the feeling Canet spent more time figuring out which songs from his 1990's mix tape to use than figuring out how to convey a fairly complex mystery novel in the space of two hours. Expand
    • 0 of 0 users said yes

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