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Ten
Ten Image
  • Summary: A look at the modern sociopolitical landscape of Iran as seen through the eyes of one woman as she drives through the streets of Tehran over a period of several days. Her journey is comprised of ten conversations with various female passengers. (Zeitgeist Films)
Score distribution:
  1. Positive: 19 out of 21
  2. Negative: 0 out of 21
  1. Iran's greatest filmmaker is fond of stripping personalities bare through conversations they have while riding in cars. Here he pushes his favorite dramatic device to its limit.
  2. A minimalist film, Ten looks and feels like a documentary. At the end, there is no big denouement, but a profound realization that the people we see on camera are all aching for answers -- and struggling to come to terms with their lives.
  3. 50
    The shame is that more accessible Iranian directors are being neglected in the overpraise of Kiarostami.

See all 21 Critic Reviews

Score distribution:
  1. Positive: 4 out of 4
  2. Mixed: 0 out of 4
  3. Negative: 0 out of 4
  1. 8
    After the first conversation, the relationship between mother and son was well established; the film would have been stronger if the son hadn't shown up as much, especially since every other character was far more fascinating. Touching and intelligible, if not, at times, trying. Expand
    • 0 of 0 users said yes

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