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65

Generally favorable reviews - based on 26 Critics What's this?

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7.5

Generally favorable reviews- based on 17 Ratings

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  • Starring: , ,
  • Summary: Tetro is Francis Ford Coppola's first original screenplay since "The Conversation." It is his most personal film yet, arising from memories and emotions from his early life, though totally fictional. It is the bittersweet story of two brothers, of family lost and found and the conflicts and secrets within a highly creative Argentine-Italian family. (American Zoetrope Releasing) Expand
Score distribution:
  1. Positive: 18 out of 26
  2. Negative: 0 out of 26
  1. Shot mostly in black and white and imbued with a romanticism that's at once nostalgic and exhilarating, Tetro sneaks up on you. What threatens to be a mere exercise in style proves to be as involving as it is inventive.
  2. As with "Youth Without Youth," this new movie feels like a transitional work but also an inspired one, the creation of a director who, having recently turned 70, has set off on a new adventure that requires more from his audiences than some might be willing to give. Which is itself a sign of vigorous artistic renewal.
  3. 75
    What a grand and dazzling route Coppola takes.
  4. 70
    For writer-director Coppola, Tetro is a cri de coeur, one more from the heart.
  5. Like Orson Welles, Francis Ford Coppola has gone from being the filmmaker of his time to becoming a make-it-up-as-you-go-along indie free-shooter.
  6. 50
    The more dramatic revelations and tragic inevitabilities that turn up, the harder it is not to laugh. Give credit to its maker for directing with an earnestness suggesting a pretentious 22-year-old. Having passed through the phases of Interesting Apprentice, Mad Genius, Chastened Bankrupt and Shameless Wage Slave, Coppola at 70 may be the world's oldest student filmmaker.
  7. Reviewed by: Richard Corliss
    40
    Alas, in Tetro he (Coppola) has made a movie in which plenty happens but nothing rings true.

See all 26 Critic Reviews

Score distribution:
  1. Positive: 4 out of 5
  2. Mixed: 0 out of 5
  3. Negative: 1 out of 5
  1. AlanY
    Jul 17, 2009
    10
    Visually and dramatically spellbinding. The dramatic tension is perfectly paced, the principal actors are riveting, and I especially liked the cinematography. This is not a mass-market film, but the work of an artist. Collapse
  2. Nov 11, 2013
    10
    Vincent Gallo is extremely talented in many ways. He is also complex sensitive, poetic and very funny. The public responses to him vary greatly. He is completely misunderstood and those who misunderstand his intensions and humor will certainly misunderstand his masterful works of art. Gallo's performance in Tetro is fantastic Expand
  3. Drew
    Jun 18, 2009
    10
    Coppola is back! I couldn't be happier with the film. It had a great story, great acting, it was beautiful to look at, and I was captivated by it the whole time. Bravo, Mr. Coppola. Expand
  4. CaroleG
    Jul 2, 2009
    8
    It is very hard to have a successful story based solely on revelations of what happened in the past. Somehow, magically, Coppola pulled this off with "The Conversation," in which he held us fascinated, as the puzzle of what happened slowly gets solved. With "Tetro," there is no coherent story, i.e., a story that utterly coheres. I have to ascribe this to Coppola's using material that is very personal and then trying to make it interesting to the viewer; alas, he drags in whatever he thinks will work, even though the action-enhancing parts are not all of a piece. Because there is no story to follow, we are dependent on the two main characters, but I was unable to care about either of them. All this negativity aside, the film is gorgeous to watch, in its dramatic black and white, an occasionally unexpected angle, the way the camera can make us focus on a small area as though it were the entire world, reminiscent of old Japanese films such a "Tokyo Story." I wanted to love this film. I barely liked it. The very beginning held my interest, and then for a long time the grievances were played and re-played, which I found boring, and finally there were bursts of action that took the film to a level of improbability from which it was impossible to suspend disbelief. I heard Coppola on the radio recently talking about himself--it was utterly fascinating. Great talkers and great directors are not necessarily great writers. I wish someone else had written "Tetro." Expand
  5. amk76mak
    Jun 28, 2009
    0
    Just want to say that i love the Dracula and Apocalypse But..... You everyone begging for FFC and don/t see that whole 15 years he shot holy crap.

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