Metascore
49

Mixed or average reviews - based on 17 Critics

Critic score distribution:
  1. Positive: 3 out of 17
  2. Negative: 1 out of 17
  1. Reviewed by: Bill Goodykoontz
    Oct 20, 2011
    50
    The story simply doesn't stand up, with its combination of well-worn plot elements and confusing red herrings -- or maybe they're just details that don't add up.
  2. Reviewed by: J.R. Jones
    Oct 20, 2011
    50
    Michael Mann was one of the producers, and his daughter Ami Canaan Mann directed; a couple more Manns fill out the credits, which makes you wonder why they couldn't just have a nice picnic and softball game at a state park somewhere.
  3. Reviewed by: Roger Ebert
    Oct 19, 2011
    50
    Texas Killing Fields begins along the lines of a police procedural and might have been perfectly absorbing if it had played by the rules: strict logic, attention to detail, reference to technical police work. Unfortunately, the movie often seems to stray from such discipline.
  4. Reviewed by: Eric Kohn
    Oct 13, 2011
    50
    The younger Mann goes through the motions of a gritty murder mystery with plenty of technical proficiency but only a modicum of soul. The Mann touch is not only in the DNA of the director but in her movie, which inadvertently makes the case that atmosphere is more hereditary than innovation.
  5. Reviewed by: Betsy Sharkey
    Oct 13, 2011
    40
    As good as Worthington, Chastain, Moretz and Morgan can be as they try to untangle the morass and the menace - and get caught up in it - they just can't quite pull it off. The real killer, sadly, is the script.
  6. Reviewed by: Stephanie Zacharek
    Oct 14, 2011
    55
    Moretz brings some natural gravity to a role that hasn't been adequately fleshed out.
  7. Reviewed by: Joe Neumaier
    Oct 14, 2011
    20
    Rote, dull and point-blank obvious.
  8. Reviewed by: Lou Lumenick
    Oct 14, 2011
    50
    Basically "csi: East Texas,'' the debut feature of Ami Canaan Mann is long on style and short on coherent storytelling, not unlike numerous efforts by her director dad, Michael, who serves as a producer here.
  9. Reviewed by: Andrew O'Hehir
    Oct 16, 2011
    70
    It's an intriguingly murky B-movie that should satisfy genre buffs.
  10. Reviewed by: Nick Schager
    Oct 9, 2011
    50
    Texas Killing Fields's mood is one of drowning in quicksand, though said atmosphere is the byproduct of both Ami Canaan Mann's often dreamy direction and an editorial structure that intermittently devolves into elliptical incongruity.
  11. Reviewed by: Keith Phipps
    Oct 12, 2011
    67
    Without "The Wire" and its like as a point of comparison, Texas Killing Fields might seem the natural heir to a gritty '70s cop drama. But with great contemporary TV around, it seems strangely incomplete.
  12. Reviewed by: Neil Young
    Oct 2, 2011
    50
    A just-OK second feature from Ami Canaan Mann – daughter of Michael Mann, one of two credited producers here – and the latest outing for "Avatar" and "Clash of the Titans'" Sam Worthington.
  13. Reviewed by: Neil Genzlinger
    Oct 13, 2011
    50
    Ms. Mann (Michael's daughter) does stage a bracing car chase, and Mr. Morgan makes an impression despite a story that's sometimes hard to follow.
  14. Reviewed by: Richard Corliss
    Oct 16, 2011
    70
    Applying Dad's directorial style of sweaty closeups, prowling telephoto shots and an ominous electronic score (by ex-Tindersticks member Dickon Hinchliffe), the younger Mann has dished out a meaty drama with familiar ingredients from the Law & Order kitchen but a distinctively bitter taste.
  15. Reviewed by: Keith Uhlich
    Oct 11, 2011
    60
    When it comes to scenes in which characters are asked to say more than two words, however, the filmmaker's a decided amateur; Moretz, in particular, seems hopelessly stranded as the attitudinal wild child.
  16. Reviewed by: Leslie Felperin
    Oct 2, 2011
    40
    Script by former DEA officer Don Ferrarone isn't that bad in itself, but matters aren't helped by the mumbled performances and poor sound, which make it hard to hear what anyone's saying, while sloppy editing wreaks havoc on the story.
  17. Reviewed by: Nick Pinkerton
    Oct 11, 2011
    60
    The plot is a chaos of underdeveloped relationships and frayed loose ends, but every so often, Mann does something so right that it makes this seem less a matter of narrative disorganization than a commentary on the anarchy intrinsic to any investigation.
User Score
6.4

Generally favorable reviews- based on 16 Ratings

User score distribution:
  1. Positive: 1 out of 6
  2. Negative: 2 out of 6
  1. Feb 12, 2012
    5
    Sloppy and confusing, this movie just didn't know what it wanted to be. Midway through I knew it wasn't going to right itself again and at least in that respect it didn't disappoint. Full Review »
  2. Jun 10, 2013
    5
    The film tries to be good with no success. It's a pity as the story is good and the actors Chloe) are outstanding. I guess that the whole production didn't go very well. Thumbs up for Chloe. Full Review »
  3. Jun 29, 2012
    9
    Does this movie satisfies the requirements of the genre? Yep. The Genre being: Methodical Crime Thriller. The movie is not slow: It takes its time setting up ambiance and characters, and strives for gritty realism. So expect that, and you will find a nice thriller with a wicked story. Full Review »