Twentieth Century Fox Film Corporation | Release Date: August 9, 1989 CRITIC SCORE DISTRIBUTION
62
METASCORE
Generally favorable reviews based on 14 Critics
Positive:
7
Mixed:
6
Negative:
1
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75
If you end up cursing, try not to forget The Abyss' spectacular oil-rig collapse, a killer chase scene, two fine leads, and one Oscar-worthy "creature'' special effect midway through. Do forget the rest - unless you really dig Casper, the Friendly Ghost. [9 Aug 1989, Life, p.1D]
75
Both Mastrantonio and Harris are terrific, never missing a beat, always convincing, even when playing the most extreme emotions. [9 Aug 1989, Daily Datebook, p.E1]
75
The Abyss is at its best during such moments of reverie-when the abstract metaphors and the unique physicality of the deep sea setting come together to produce powerful, unvoiced meanings. The film does have its beckoning depths; what it needs is a more polished surface. [9 Aug 1989, Tempo, p.1]
50
Harris and Mastrantonio do have a strong death and resurrection sequence, but long before that, one is pining for a rubber shark or a plastic octopus -- anything, in fact, out of a good old low-tech thriller. [14 Aug 1989, p.79]
50
But the climax of "Close Encounters" was breathtaking and the climax of The Abyss is downright embarrassing; in the light of day, its payoff effect looks like a glazed ceramic what's-it your 11-year-old made in crafts class. It's criminal. [9 Aug 1989, Calendar, p.6-1]
38
The Abyss' isn't abysmal, but it's a replay of hits we've already seen - a recycled "close encounters of the wet kind'' with far too few ideas of its own. [18 Aug 1989, Arts, p.10]