- Studio: THINKFilm
- Release Date: Apr 23, 2004
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100As a documentary, The Agronomist, in its excitingly fractured, modern manner, does what Lawrence of Arabia and The Leopard do: It traces the upheaval of a civilization in the profile of a magnificent individual. It's a 90-minute nonfiction film with the impact and the greatness of an epic.
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90Free speech isn't merely a shibboleth in The Agronomist. As embodied by Dominique, it's a fire-breathing force.
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90Driven by Dominique's personal magnetism, The Agronomist is a haunting, inspirational valentine to free speech and human resilience.
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90This affecting eulogy underscores not only Demme's own tribute to Dominique but also the film's homage to radio. This is a motion picture that's in love with the magic of airborne speech.
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90Director Demme has done other potent and meaningful films, but The Agronomist defers to none of them in its effectiveness and its power.
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90It seems almost unthinkable that such a charismatic, generous and lively man could be gone. It also makes you understand what it means for a country like Haiti to lose a citizen like Jean Dominique.
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90Demme's movie exuberantly crosses the border from documentary into hagiography and from hagiography into celebration.
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88After his murder, Michele Montas goes on the air to insist that Jean Dominique is still alive, because his spirit lives on. But in this film Haiti seems to be a country that can kill the spirit, too.
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88This film--one of the best and most memorable documentaries of the year so far--brings that truth-teller to us once again.
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88Enlightening documentary.
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83The film verges on hagiography as one interviewee after another testifies to Dominique's positive influence on his nation, but in this case the cynical notion that there must be another side to the story is easy to tamp down.
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83A rousing celebration of a genuine people's hero and a timely reminder that a free press is the greatest weapon in the arsenal of democracy and freedom.
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80Compelling.
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80Although the film may be about 20 percent overweight, the human story of a man who -- for four decades -- spat in the eye of his tormentors and gleefully accepted his role as a latter-day Sisyphus commands the viewer's attention.
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Demme's film is as inspiring and moving as its subject, a man who brought critical news and information to the people of Haiti even as a series of dictatorships sought violently to shut him down.
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80Melds a great cause and Dominique's incandescent charisma with care using research from nine years of filming and reporting.
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80We are left with vivid images of Dominique, whose desire to change his country, despite formidable intimidation, is an inspiration to any supporter of democracy.
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80Has important things to tell viewers about global politics, and in an eerily resonant way.
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Demme's moving documentary turns the story of his dead friend into the story of Haiti.
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78Remarkable, melancholy, and ultimately hopeful documentary.
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75Watching Demme's documentary is both a crash course in the nation's tumultuous past and a provocative visit with one of its most colorful citizens.
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75Until he was shot to death in 2000, Haitian radio journalist Jean Dominique was a lone voice for truth and freedom in his politically riven country.
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75The Agronomist uses archival footage and music to tell a moving story that's all too common in the Third World.
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75The story of an amazing life.
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75Smartly filmed (aside from a few distracting editing fripperies), but it's so dazzled by its subject and saddened by his martyrdom that it never moves past the heroic politics of dissent.
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70Jonathan Demme gets personal with this affectionate tribute to courageously outspoken radio broadcaster Jean Dominique, the pro-democracy advocate whose unflagging support for president Jean-Bertrand Aristide eventually cost him his life.
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70The film reveals a man whose wiry build, relentless passion, fearless guile, and bravery made him a beloved human rights activist in his strife-ridden country.
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67As Demme's audienc we're at the mercy of political passion overshadowed by style.
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63Not an extraordinary portrait, but it does portray an extraordinary man.
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