- Studio: Weinstein Company, The
- Release Date: Nov 23, 2011
- Critic Score
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100If nothing else, this is a cinematic high-wire act.
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100Drama, comedy, action and romance are intertwined in this gorgeously photographed and brilliantly directed film. Lead performances are thoroughly engaging despite - or perhaps because of - being wordless.
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100Strangely, wonderfully, The Artist feels as bold and innovative a moviegoing experience as James Cameron's bells-and-whistles Avatar did a couple of years ago. Retro becomes nuevo. Quaint becomes cool.
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100Michael Hazanavicius's love letter to classic cinema isn't perfect but it's close enough to make just about anyone who sees it ridiculously happy - and that includes children and grown-ups who have never come across a silent film.
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100Hazanavicius crafted more than a replica of the silent era; this feels like a time capsule found 80 years later, right on time to be revolutionary in a louder world. Yet The Artist is a masterwork that likely won't be imitated. How many movies in 2011 can you say that about? Only the best one.
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100The Artist is such an engaging, delightful film that, if you like movies, you will walk out of the theater with a smile. You just will; it's that inspired.
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100Here is one of the most entertaining films in many a moon, a film that charms because of its story, its performances and because of the sly way it plays with being silent and black and white.
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100In many ways - in all ways - The Artist is a profound achievement.
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100It's a picture that romances its audience into watching in a new way - by, paradoxically, asking us to watch in an old way. The Artist is perhaps the most modern movie imaginable right now.
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100This is not a work of film history but rather a generous, touching and slightly daffy expression of unbridled movie love.
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100With elements of "A Star Is Born" and "Singing in the Rain," The Artist is a rarity, an ingenious crowd-pleaser.
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100The delighted gasps in the theater will make you glad you took a chance on The Artist. Silent black-and-white movies are not coming back, but this one is such a rewarding labor of love by all of the artists involved that it just might make you wish they could.
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100Get ready for a smash hit. Gimmicky but delicious, this is a valentine to the movies I promise you will cherish.
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100The film's charm and delight of discovery, plus its sterling international performances, could make it a breakout hit in theaters.
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91It's a bit precious, yes, but its earnestness and joy carry you along, and its climax simply delights.
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91Days after I saw The Artist, I was still thinking (and grinning) about it, because the movie's real romance is the one between us, the jaded 21st-century audience, and the mechanical innocence of old movies, which here becomes new again.
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90Artist evinces unlimited love for the look and ethos of the 1920s as well for the style of the movies. The filmmakers clearly did their homework and took great pleasure in doing so, an enjoyment that is passed along in ample doses to any viewer game for their nifty little conceit.
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90This effort often manages to duplicate the magical pantomime of the era; a lovely scene in which Bejo drapes herself in the arms of a hung jacket as if it were a human lover could have come straight out of a Marion Davies picture.
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90In the long and fraught history of Franco-American cultural relations, this movie is more than a peace offering; it's a loving, goofy, joyous French kiss.
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90Beyond its craftiness and impeccable craft, the film sparks a warm connection with the viewer. Like a smiling cavalier swinging into view to rescue an imperiled maiden, The Artist brings salvation to melancholy movie lovers. For here is that rare film indeed that offers pleasure beyond words.
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88Hazanavicius isn't just making a "silent movie," he is attempting to enter a time warp and craft something that would fool all but the most studious and scholarly into believing it could have been a lost film from a bygone era. If his tongue is sometimes a little in his cheek, that's all part of the fun.
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88May be too cute to qualify as high art, but it's highly entertaining.
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88The Artist may not be great art, but it's pearly entertainment.
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88Talkies may have killed silent movies, the way TV serials and soap operas wiped out radio dramas. But there are stories most effectively told in the old style, and The Artist is proof.
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88Literally the kind of movie they just don't make anymore, Michel Hazanavicius' French-sponsored charmer The Artist is a gorgeous black-and-white love letter to silent Hollywood with old-fashioned English intertitles and just a single line of audible (English) dialogue.
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88The Artist is anything but mute, with a lush orchestral score and a little sonic wink at the the end; fewer movies this year reward listening - and watching - so lavishly.
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88The Artist encapsulates everything we go to movies for: action, laughs, tears and a chance to get lost in another world. It just might leave you speechless. How can Oscar resist?
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83The Artist plays around with the distinction between silent and sound cinema, resulting in the superficial entertainment value of a high concept film school joke. But it's a charming and supremely gorgeous joke -- sometimes too clever for its own good, other times not clever enough, and always at least an attractive diversion.
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83It's a beautifully shot, beautifully acted piece of fluff.
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80It combines delightful humor and charm with what movies at their best have always conveyed: the honest power of pure emotion. It is a movie love story and a love note to the movies, all at the same time.
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80In this film, a single word is worth more than all the expensive effects imaginable.
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80Silence makes the film interesting by enticing us to concentrate in ways we're not used to, while artistry carries the day. The Artist may have started as a daring stunt, but it elevates itself to an endearing - and probably enduring - delight.
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80The Artist is movie love at its most anodyne; where Guy Maddin has used the conventions of silent film to express his loony psychosexual fantasias for more than a decade, Hazanavicius sweetly asks that we not be afraid of the past.
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80A fascinating experiment is about to happen, and who doesn't want to be part of a little fun? That rarest of birds - a b&w silent film - is set to swoop into multiplexes. Trust us, it won't bite.
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Nov 21, 201180A love letter to silent cinema sealed with a smirk, The Artist reteams director Michel Hazanavicius with dapper "OSS 117" star Jean Dujardin for another high-concept homage, delivering a heartfelt, old-school romance without the aid of spoken dialogue or sound.
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80The Artist is not just about black-and-white silent pictures. It is a black-and-white silent picture. And it's French.
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78What's so intensely pleasurable about The Artist, however, is not its predetermined seriocomic trajectory but the endless parade of smartly creative and self-referential gags, which include all manner of sly, silent delights; the inevitable Jack Russell; and even an extended orchestral cue of Bernard Herrmann's, cribbed outright from "Vertigo."
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75The Artist is full of homages to many other films. I suppose it will be fun for cinéastes to pick out the references, but not all of them – like the ones from "Citizen Kane" or "Sunset Boulevard" – are especially germane.
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75A brazen stunt that pays off. Writer-director Michel Hazanavicius, simultaneously channeling "Singin' in the Rain" and "A Star is Born," tells a story about 1920s Hollywood made in the style of that era.
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70This slight but enormously likable picture seems destined to be an awards magnet.
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Nov 13, 201138The Artist neatly sidesteps this unsolvable dilemma by ignoring everything that's fascinating and memorable about the era, focusing instead on a patchwork of general knowledge, so eroded of inconvenient facts that it doesn't even qualify as a roman à clef.