- Studio: Arthouse Films
- Release Date: Mar 2, 2007
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88Cats is many things: a film diary of an odd-couple relationship, a profile of a forgotten man who slowly reconstructs his past, and the transcendently moving account of a man on the margins who gets reintegrated into society.
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80It's one of the best kinds of documentaries--not calculated but serendipitous.
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80The result is a movie that evolves naturally from the filmmaker's compassion for her subject; as much as possible, she remains off camera, and her immense act of charity is never permitted to become the film's focus. Instead this remarkable documentary offers a brief but satisfying look at a defiantly self-sufficient life.
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80Always surprising documentary makes excellent use of its many serendipidities.
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75The Cats of Mirikitani seems all too short; it has enough meat to be turned into an excellent dramatic film.
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75The person who can resist a formerly homeless senior citizen gradually restored to sufficient stability to the degree that he can take in his own "castaway cat" is hard-hearted indeed.
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75It takes a special first-time director to stick her neck out, personally as well as professionally. As much as anything else, The Cats of Mirikitani is a testament to good breeding.
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75In its best moments, The Cats of Mirikitani captures both the tragedy and transcendence of his life, from the Sacramento-born, Hiroshima-raised youth who returned to the States in 1937 rather than join the Japanese Imperial Army, to the proudly self-sufficient man who struggled through New York's fierce winters until gaining recognition both as an artist and a human being.
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70An irresistible fable of reconciliation and forgiveness.
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70The storytelling is so masterful that Hattendorf doesn't have to spell out the striking parallels between the persecution of Japanese after Pearl Harbor and the harassment of Muslims after 9/11.
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50Mirikitani is a colorful character and talented artist, and his story tugs at the heart. Problem is, Hattendorf insists on inserting herself in what seems like every other scene, a device that dilutes Jimmy's story.
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