- Studio: Oscilloscope Pictures
- Release Date: Mar 12, 2010
- Critic Score
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89Kazan appears in every scene of The Exploding Girl's perfectly paced 80 minutes, and you'd miss her if she ducked out for even a moment.
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83Gray has an artful, understated way of conveying what's going ?on inside, often simply by focusing his camera on Kazan.
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80This quietly poetic little gem contains many beautiful things, not least of which is leading lady Zoe Kazan, who lets every scene billow and swirl around her effortlessly.
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80When you have an actor as suggestive as Kazan, swallowing up the lens with allure and complexity, your writer-director becomes superfluous.
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80Small scale though it is, this is a film that knows what it wants to do and has thought out exactly how to go about doing it. The same must be said about the luminous nature of Kazan's performance, which won best actress last year at the Tribeca Film Festival.
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75Despite its title, The Exploding Girl is an oddly tranquil experience.
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75Kazan has a gift for letting you see her think, even when she's perfectly still; the film's title refers to the ferocious trauma happening between Ivy's ears and her silent struggle to keep it in check.
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75There isn't much to The Exploding Girl, but it's blessedly compact, and owns its no-big-deal-ness.
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The emotional detonations prove minor but movingly resonant in The Exploding Girl, an indie character study built four-square round Zoe Kazan's persuasive performance.
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Girl is narratively slight, but aesthetically and psychologically complex. At times, it feels more like an illustrated audio collage than a movie.
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63Those who can hang on through the mumblecore-ish narrative languor of the nicely photographed The Exploding Girl will savor a very talented actress' sensitive portrait of youthful awkwardness.
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50The Exploding Girl can also make you feel bad about wishing that she were just a little more interesting.
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50Both comely leads offer engaging presences, and there's some pretty imagery, shot adequately on HD, but it's all so slight and featherweight one viewer sneezing could blow it all offscreen.
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40Further exploration of this psychological question might have made for a more substantial, less enervating artfilm. One less liable to be experienced as an approximation of cinematic waterboarding.
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25There is no hope on the horizon for movies as leaden as The Exploding Girl.
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