• Starring: Katie Holmes, Kevin Kline, Paul Dano
  • Summary: A man who escorts wealthy widows in New York's Upper East Side takes a young aspiring playwright under his wing.
Score distribution:
  1. Positive: 13 out of 26
  2. Negative: 3 out of 26
  1. 85
    The Extra Man is something of a love letter to the marvelous weirdos of New York.
  2. This odd collection of oddballs doesn't quite play out as a satisfying movie.
  3. 30
    Based on a novel by Jonathan Ames, this drearily quirky mess wants to be "Secretary" for submissive males, but it's just a sitcom in a powdered wig and size 17 pumps.

See all 26 Critic Reviews

Score distribution:
  1. Positive: 2 out of 5
  2. Negative: 2 out of 5
  1. This was absolutely terrific. It could be compared to a Wes Anderson film that isn't trying to be so cool. The main characters are expertly written and acted and the whole thing is edited perfectly. We saw this in an indie theatre and the whole audience was thrilled by this film. Audiences these days are expecting crazy action or other ploys to constantly keep them interested but this film is made the old fashioned way with great acting, writing, wit and storytelling. Expand
    • 0 of 0 users said yes
  2. The trailer made this film look like a must-see, but I was disappointed by it. It's definitely quirky and weird, which I usually appreciate, but it's just to vanilla. It sits there, without much punch to it. And what the hell did the director do to John C. Reilly's voice? It didn't make a lot of sense to me. At first, I thought it might be going for a new "Harold & Maude" thing, but no. Expand
    • 0 of 0 users said yes
  3. The Extra Man is ridiculous. Did someone sketch out the plot and scenes on scratch paper in a library cubicle and then stop after the first draft? It is disjointed, choppy, and just an all around complete mess. Kevin Kline goes back in eccentric mode (think Otto from A Fish Called Wanda) but his eccentricities amount to nothing. He plays a modern day gentleman who has no particular employment except accompanying elderly women to formal dinner functions. He makes it clear he is not a gigolo, but an ‘extra man’ to maintain the female/male balance in the room. He also has no discernable past to explore or future to discuss. He is strictly an in the moment character who exists so other characters can react to just how eccentric he is being at this very moment. Paul Dano becomes his roommate after getting fired from his teaching job when his cross dressing interest takes over unexpectedly one afternoon. This fetish of his pops up every now and then in the film and could really be an interesting facet and issue to figure out, but no, we have to continually go back to Kevin Kline and remind ourselves how eccentric and odd he is being. John C. Reilly also shows up as an odd recluse with an unnaturally high voice. The Extra Man is directed by Shari Springer Berman and Robert Pulcini who brought us the amazing American Splendor. Did they run out of ideas? Did they think that just having Kevin Kline playing an odd guy would carry a film? They were wrong on all counts. This over written and over acted performance destroys any possibility that the rest of the film could make up for it. It’s not a buddy movie, it’s not a mentor/student movie, it’s not a try and get the girl movie, and it’s not a move to Manhattan and find yourself movie…it is muddled and confused nonsense. Expand
    • 0 of 0 users said yes

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