• Starring: Lena Endre, Michael Nyqvist, Noomi Rapace
  • Summary: In this last installment, Lisbeth Salander (Noomi Rapace) lies in critical condition, a bullet wound to her head, in the intensive care unit of a Swedish city hospital. She’s fighting for her life in more ways than one: if and when she recovers, she’ll be taken back to Stockholm to stand trial for three murders. With the help of her friend, journalist Mikael Blomkvist (Michael Nyqvist), she will not only have to prove her innocence, but also identify and denounce those in authority who have allowed the vulnerable, like herself, to suffer abuse and violence. And, on her own, she will plot revenge – against the man who tried to kill her, and the corrupt government institutions that very nearly destroyed her life. (Music Box Films) Expand
Score distribution:
  1. Positive: 19 out of 31
  2. Negative: 2 out of 31
  1. Reviewed by: Andrew O'Hehir
    Oct 29, 2010
    90
    The good news is that Alfredson finds his footing in The Girl Who Kicked the Hornet's Nest and delivers a rousing, grueling, almost operatically scaled finale to the series.
  2. Reviewed by: Tasha Robinson
    Oct 28, 2010
    58
    It's rarely tedious, but it's also rarely insightful or propulsive, and since there's nothing new to discover about the characters or their world, much of the film feels like a protracted, contrived pause, as everyone waits for Rapace to finally get back into the game.
  3. Reviewed by: Vadim Rizov
    Oct 29, 2010
    30
    Fans will presumably get what they came for; what anyone else gets out of it is hard to say.

See all 31 Critic Reviews

Score distribution:
  1. Positive: 12 out of 12
  2. Mixed: 0 out of 12
  3. Negative: 0 out of 12
  1. 10
    The ending of the movie trilogy. In totality, the three were each better than anything I saw released by the major domestic studios during 2010. And the third part is fulfilling if not as action packed as the other two. It'll be interesting to see if the American remake can beat this Swedish production. Noomi rocks the role of Lisbeth! Expand
    • 1 of 1 users said yes
  2. These Swedish films are based on author Stieg Larsson's very popular "Millennium" trilogy of books. The "Girl With The Dragon Tattoo" is the first, and "The Girl Who Played With Fire" is the second, while "The Girl Who Kicked The Hornet's Nest" is the last in the series. All three should be viewed in sequence. Be sure to get the Swedish originals instead of the Hollywood remakes. Each of the three is stylistically different, but each is qualitatively in the top 10 percent of movies ever made - a 10 rating. Tattoo is essentially a murder mystery and is nicely developed at a relaxed pace. The main point in this is the introduction of the girl, who is a fascinating personality that constitutes a underlying mystery within the mystery explored in the film itself. This mystery of the Girl is revealed in the next two films in the series. Fire is a mystery-action movie, and unlike the relaxed pace of Tattoo (to emphasis the mystery), Fire has a fast pace that emphasizes the action. The mystery of the Girl is completely revealed in Nest, the final movie. Simultaneous plots are shown in shifts back and forth, which is potentially confusing for some viewers. However, this is skillfully accomplished as the plots of the investigation, the trial, and the experiences of the girl through all of this are depicted. This is an outstanding set of three movies. People that don't speak Swedish and who do not like sub-titles may not like this aspect of the movies, but there is also a fine version of Tattoo (the first movie) that is English dubbed. English dubbed versions of the second and third of the set may be forthcoming. Expand
    • 1 of 1 users said yes
  3. 8
    This was a good film. What's interesting is that translations and titles are so important with the general perception of the film. I saw Millennium 3 with Spanish subtitles where I had seen the first two films with English subtitles. I found that even the title; "Millennium" vs. "The Girl who" created a different emphasis on the viewer. Watching Millennium the viewer feels like a reporter for the magazine, and as the mystery unfolds you find yourself asking the same questions the characters do. Should we publish this story? Can this be real? I agree this film was better than the second one. Overall the first film is the best of the bunch and is really the only one that you can view as a stand alone film. Having seen all three films within a two month period I found this was a good conclusion to the trilogy. I just would not recommend it unless you've seen Millennium 1 and 2. Expand
    • 0 of 0 users said yes

See all 12 User Reviews