There is a growing chorus of hosannas greeting "The Master" that will no doubt crescendo around Oscar time, but I would like to add my voice to the minority. There are very few negative reviews for this movie. Those I have seen have usually received a stream of venom from readers, who fill the comments sections with wounded outrage. The raves, meanwhile, are telling in their own way. Consider this quote from our own Kenneth Turan ("'The Master' mesmerizes in word and deed", LA Times, 9/13/12): "its interest is not in tidy narrative satisfactions but rather the excesses and extremes of human behavior, the interplay of troubled souls desperate to find their footing." Tidy narrative satisfactions. Here's another: "This is a superbly crafted film that's at times intentionally opaque, as if its creator didn't want us to see all the way into its heart of darkness." Anyone beginning to get a whiff of **** here? No? Perhaps we should take the advice of Entertainment Weekly's Lisa Schwarzbaum: "the movie may not even be fully comprehensible on first viewing, the bigger patterns in the narrative and the rhythms of the filmmaking revealing themselves more fully and clearly only with a return visit. Even then The Master is enigmatic." Well, you can't have everything. But Kenneth Turan deserves the final word: "it's disconcerting that the relationship between (Dodd and Quell) gets murkier rather than clearer as time goes on, (but) that is perhaps the point." Yes, we all love being disconcerted by murky enigmas, don't we? There's a certain feeling of sophistication that comes along with it. But this seems to me to be more like the shared thrill of a mob mentality, the kind of thing that gets dictators elected and cult leaders established, a projected fantasy of greatness that finds affirmation in incomprehensible mediocrity. We've seen it before. It would be perhaps too harsh to say that "The Master" is an example of this. There is no doubt a lot fine work on display in this film. But if I want opacity, I can always just stare at a wall.… Expand

It's tempting to label opaque films as profound. Their ambiguity hints at a well of feeling percolating just beneath the surface, one that touches on pain, loss, sadness, everything it is to be human. But, and this may be a hard pill to swallow, sometimes opaque films are just that: opaque. They are pointless exercises in nebulous action and inactive structure for the sake of appearing profound. The Master falls into this category. It is a full 2.5 hours of unbridled fatuous nonsense. Paul Thomas Anderson, who is no doubt a talented writer/director, seems to have gotten lost in his own reputation for literary mystique, and the result is one of the more narcissistic pieces of films I've had the displeasure of watching. Be assured that if any no-name writer/director submitted this script for financing, he/she would have been met with a resounding chorus of criticism, and the project would never have gotten off the ground. The Master presents no story, no real characters, nothing beyond a handsomely shot vacuous mess. The film's climactic moments fail to stir an emotional response because they signify nothing grander than the cinematic arrogance of an auteur that relishes the label auteur. If ever there was an example of narcissism in film, The Master is it. As for the throngs of adoring fans, I would only suggest that artistic output, particularly vague, nonsensical artistic output, has the unique ability to coerce accolades by intimidation. To suggest that there is nothing profound in The Master is to open oneself up to the criticism that he/she was incapable of picking up on the films nuances. It's tempting instead to nod along with the discordant soundtrack and addled story structure and pretend to get it. But I don't feel like nodding along to this because there is nothing here to get. And the unending stream of praise might be the most pointed example of insecurity since the Emperor sauntered out in public wearing his new clothes.… Expand

Lots to chew on here, but there will certainly be skeptics on this one, as A.O. Scott mentions. As epic as it feels in some respects, it is the smallest of epics. It follows one fairly hard to connect with man wandering and struggling and not much else, narratively speaking. There is some treasure for those who enjoy digging for it, but it is not as grandiose nor as tactually "enjoyable" as There Will Be Blood. Really, the thing *I* am beginning to most appreciate about PTA is what will drive many others away - that he's not scared of wrestling with failure. And with that sometimes comes moments that may surprise and bring something fresh to the screen, and other times one may feel he overreaches. But whereas I once maybe felt his over reaching was of an egotistical sort, I find them now to be rather selfless in a way. He has the command to make something impeccably polished and yet chooses to relinquish it, not to show off, but to explore something outside of that comfort zone. Anyway, interesting stuff. World class acting, and equally amazing score and cine. Will definitely see it again.… Expand

I watched this film today, from a 70mm print. It is one of a handful of movies I wish I had never seen. It is slow and ponderous for the first half. The two main characters are unlikeable, which would be OK if they engaged you, which they don't. I might have sympathized with Freddie and his obvious PTSD issue if he hadn't been such a crude violent drunken jerk. The Master never felt real; portraying a faker without looking and feeling fake must be harder than I thought. All the way through this film is distinctly 1950's shooting and editing. The professional critics apparently love this; but in the theater audience it felt distinctly weird. We have moved on a long way from Panasonic 65mm cameras. This film is a throwback. If you like retro films and plots that go nowhere, this film was made for you.… Expand

In the end, the film is self-important- a hodgepodge of shiftless vignettes that add up to something tiresomely less than their sum. An incredible acting performance from Phoenix is diminished and finally dissolved in a stagnant reservoir of anti-plot where the maddening fact that nothing ever happens is justified audaciously and insultingly by the old highbrow notion that each non-happening is so meaningful in itself as to make the need for story irrelevant. Adding salt to the wound, the audience is consistently made to feel guilty and ashamed for its terribly middle class inability to appreciate or connect with such a vaunted and critically acclaimed "masterpiece." Viewers are finally left to wonder if even Scientology itself could take their eleven dollars while offering such straight-faced, masturbatory nonsense in return.… Expand

I use metacritic to help make my movie selections, so someone needs to say this! Yes, good acting. Yes, unusual music, though disturbing. Yes, good cinematography that you expect for any movie. But expected for any movie is a plot, a story, a reason to exist, to watch, to understand, to persuade, to enjoy or even to hate. There's nothing here. After 2 1/2 hours, thankfully it ends and you're grateful that you at least had a comfy chair and hot buttered popcorn to waste your time!… Expand

This movie is not fast-paced, unthinking entertainment. Rather, it is an eery, haunting exploration into the minds of two madmen and the general cult insanity of America in its 50s. Through outstanding performances, Anderson takes us through the painful, moment-by-moment mix of reality and delusion, fantasy and belief which is the hallmark of cult life and followers. Often humorous, but always disturbing, this film is unlike no other. The themes have no easy answers, so there is no neat bow and tie here. This is a landmark movie which makes any viewer think twice - about loyalties to any group or individual based on need.… Expand

This is a very polarizing film. I recall at least three people walking out. What does that mean? If you've come to watch a typical Hollywood movie, with typical storytelling and a predictable ending, I'm afraid you might be utterly disappointed. Possibly disgusted. This film isn't for you. It's creepy, uncomfortable, awkward, tense, exhilarating, vile, hilarious, somber, and beautiful. The lead actors deliver stunning performances. Their on-screen relationship is natural and believable. The supporting cast is also brilliant, there are no weak links in this chain. The unsettling, off-putting, gorgeous score from Jonny Greenwood is near perfect. The cinematography feels new, fresh, inspired. There is nothing else like this being done in major Hollywood productions. Without sounding pretentious, this film is a piece of art, first and foremost. If you want to see a beautiful film made by a director and actors at the top of their game, this just may be the film for you.… Expand

For me, this movie was a case of the critics serving the cool-aide and us moronic masses following their leaders (cult)! While I'll admit that the individual performances were good, the collective was an uninteresting mess. I had zero connection to any of the characters and could have cared less what happened to them. Dreadfully long, dreadfully boring. Our entire group simply hated it.

I wanted to like this movie because the director has made great movies in the past, but this movie has no redeeming value whatsoever. Two lead characters who are jerks from the very beginning of the movie to the end, what was the point? It seems to me the movie was some kind of joke played by the director on the audience, why do you hate us mr. Anderson? What did we do to you? I wanted to walk out because of how intensely detestable these characters were but I stayed until the end hoping something redeeming would happen. I want the 2 hours of my life I wasted on this movie and my money back with an apology mr. Anderson.… Expand

I went to see this movie because Joaquin Phoenix and Philip Seymour Hoffman were in it and it had great reviews. I think at the time it had an 88 here on Metacritic. That is pretty much a no lose situation. Well there are always exceptions to the rules.... OK first let me say I found the acting of Joaquin Phoenix, and Philip Seymour Hoffman to be brilliant. That being said this movie was excruciating to watch. My favorite part was the end because that signified the last of my suffering. I never cared about the story itself or the characters involved. I kept waiting for it to go somewhere or get interesting but for the most part it never did. If you want to see brilliant acting and don't care about the story then I highly recommend The Master. If you want an interesting/entertaining story then I would select another movie.… Expand

I am with the other 19 reviewers giving this a negative review. People think way too hard. Any one who was coming out of this thinking that the movie was some grand statement or beautiful work saw a different movie than what I saw. I kept wanting to leave the movie, and didn't--just because I thought maybe, just maybe it would get better in the end. I have never run out of a theatre as fast as I did when that was over. It was really just a bore, and made me very, very upset, and taught me not to use Metacritic to pick which movies to see. Please don't see this. I'll feel bad if you do.… Expand

If Malick, Antonioni and Kubrick had a baby he would have made The Master. This may be be PTA's most impressive movie, but you need to give it time to digest.

Hypnotic and mesmerizing. I felt entranced throughout many portions of this movie. Such a beautifully filmed piece of work; and the score by Jonny Greenwood was both jarring and unsettling, helping to maintain the unique observatory tone of this film. Is it possible for Joaquin and Philip to split the best actor Oscar? They keep you engaged at levels I've hardly experienced before (and Joaquin's physical presentation is astounding!). The film explores so many ideas and leaves so many questions unanswered I don't know where to begin. I definitely plan on seeing it again!… Expand

It's an absolutely beautiful film - shot for shot - especially if you're seeing it in 70mm. A couple of shots, actually, were probably the most amazing I've ever seen (ie., the boat leaving SF Harbor). Phoenix and Hoffman deliver absolutely phenomenal performances - I was transfixed by the first couple of "processing" sequences. The jailhouse scene is incredible. What prevented it from getting a higher score from me what that it loosened up toward the end and lost some focus. It simply wasn't as coherent and tight as the artists best work - There Will Be Blood, Punch Drunk Love, et al.… Expand

This movie should be called "Blah, Blah, Blah". I tried to love it. I wanted to love it. I admire and respect all the creative artists involved. It was pretty. It was well acted. But somewhere in the second hour (it would be incorrect to call it an "act", there are no "acts" in this film), I found myself wanted to chew through my arms to release myself from the theater. Perhaps if I had seen it in 70 mm the drive, character arcs or (god forbid art house movie lovers)... the PLOT might have been revealed in greater detail. As it was, I left shaking my head and wondering what I could have done if I got those 2 1/2 hours back...… Expand

If this show is considered good - then I don't get it! Although, I don't consider myself a prude and can tolerate brief nudity this was BEYOND my tolerance! The whole theme of the movie was disgusting and nauseating! This is really about degenerate men doing degenerate things. I saw no redeeming qualities in the men or the show. Some of the scenery was beautiful - but is spoiled by what goes on in the movie. I can't think of a movie I have watched that was a disgusting as this one - the only 10 it gets from me is 10 for disgusting.… Expand

I have never seen so many people walk out of the theater about halfway through the movie. To those of you expecting an Oscar-caliber film, while it may undeservedly be nominated for Oscars, this movie is nothing but a collection of beautifully shot but meandering scenes. There's no story, no narrative arc, just two unlikeable characters interacting in crazier ways. It becomes tiresome, fast.

This is a great film that requires multiple viewings and thoughts. Here

Whenever the critics rate a movie above 80 I start to get nervous. The closer to 100 the movie gets to 100 the chance the movie will be either great or an "artsie" disaster. This movie was long, dull at times, and its message was obscure. It wasn't a disaster but too "artsie" to be enjoyable. Most in the theatre left with a look of "what did I just spend 2 hours looking at". I gave the movie a solid 5… Expand

Some people go to a movie to sit back, relax and be entertained. Others don

I could not, for the life of me, believe in the premise of the movie, that the Seymour-Hoffman character was supposed to be this charismatic figure people flocked to. His character was so uncharismatic, so completely banal -- why would any of the characters in the movie be interested in anything he said? I was bored beyond caring halfway through the movie and wished I was watching Burt Lancaster in Elmer Gantry instead.… Expand

A masterpiece and one of the best films of all time. If you dislike this film, then you shouldn't watch movies. Beautiful, haunting and flawlessly executed in all areas, it's a movie that will be analyzed and talked about for decades

This is a mesmerizing film. I haven't a clue if it's a good film, but it sure struts itself out as one. The acting is beyond superb, even if Phoenix made me squirm with his part psycho, part PTSD, neanderthal, as loose a cannon that ever strode the silver screen. It's not a profound film, just made to look like one, but the film making is awesome. And I would love to see the Director's cut. It reminded me a lot of Orson Welles best work, minus the heavy metaphors (except of course the sand lady). It's as quintessential American as any movie I've seen. Power, religion, ego, violence, unconscious self loathing, all wrapped into one complicated, and perplexing picture. And scene after scene of either/or hold your breath, squirm in your seat, shake your head tension, or all three.… Expand

I sat through this movie for almost 2 hours wondering where it was going and when. Maybe it was to artsy or just over my head. Whatever it was, I haven't been so confused about a movie since Memento, even Memento made you think. The master will probably win an Oscar, it only made me feel like I was punked.

This is by far the best film of the year! The Master has two incredible performances (Phoenix, Hoffman), beautiful cinematography, and a powerful message. This film will tear out your heart by subtly exposing people for who they are at their core. I believe this to be true for all of the masterpieces creating by Paul Thomas Anderson. Bravo, sir, bravo!

Cinephiles are not animals. We are not part of the animal kingdom. This movie is not for animals. Animals will not enjoy this movie. Cinephiles will enjoy this movie.

Beautifully crafted, perfectly acted and a genius score to go with it. But, you cant help feel that the storyline was rather weak. you really want to connect with the characters and really get into the film, but it just doesn't seem to give as much as you want it to. Saying that it is still a brilliant piece of cinema!