- Studio: Miramax Films
- Release Date: Sep 7, 2001
- Critic Score
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80For his robust and handsome The Musketeer, Hyams enlisted veteran Hong Kong stunt coordinator Xin-Xin Xiong to stage a clutch of spectacular action sequences that are amusing in the imaginative intricacy of their bravura.
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63I cannot in strict accuracy recommend this film. It's such a jumble of action and motivation, ill-defined characters and action howlers.
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60Quite handsomely produced, and there's a definite swashbuckling verve to it. Most of the characters have been contemporized, but the actors are engaging.
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50Its failure to be extraordinary is thus all the more cutting, and its redundancy all the more unforgivable.
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50If this is Dumas, there's a "b" in the middle and an extra "s" at the end.
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50A handsome but ho-hum swashbuckler that springs to life only during a few spirited scenes of acrobatic swordplay.
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50Rollicks and rolls, thanks mainly to Roth's over-the-top depravity and Xiong's swingin', "Crouching Tiger"-style choreography.
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50Moves in fits and starts, with some crafty and credible fight choreography by Xin Xin Xiong on either side of the pretty but boring middle hour.
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40The novelty value of seeing 17th-century French swordsmen fight like Chinese martial artists doesn't compensate for the film's generally wooden performances and clichéd dialogue.
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38A grotesque slumgullion of kung fu, studio schlock and pseudo-Dumas swashbuckling that leaves you longing for Doug Fairbanks --or even Don Ameche and The Ritz Brothers.
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38The images are pretty, and Gene Quintano's screenplay gets everybody from point A to point B, though with no discernible knack for wit or subtlety.
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33Appallingly flat.
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30East/West fusion aside, The Musketeer is a stale Euro-pudding.
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30Dramatically as well as visually, The Musketeer conflicts with itself by trying to blend grand old- school costume drama and MTV- style rhythm and attitude into the same movie. The juxtapositions are often preposterous.
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25The Musketeer is the worst Hollywood period film in -- it seems like ages since "American Outlaws."
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25An example of lazy, dumb and couldn't-care-less hack movie making.
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25What a stupefying thing it is.
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25The movie lacks the one thing that the classic "Three Musketeers" story can't do without: panache.
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25Musketeer's fight scenes are underlit, overmiked, and appallingly edited, with none of the spacious grace that even routine Asian action flicks get right. Worse, the narrative scenes make less sense.
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20Hyams ("End of Days," "Timecop"), who is his own cinematographer, has no idea how to shoot or compose Xiong's wired choreography.
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10There isn't a frame of The Musketeer that's believable even as a Hollywood re-creation of a fantasy world. It's conventionally picturesque, except in the nighttime and interior scenes, which are dark to the point of glaucoma.
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0Unspeakably awful.
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0Has the distinction of being the very worst of all the many film versions of Alexandre Dumas' classic novel, "The Three Musketeers." Nothing else in Musketeer movie history comes even remotely close to its staggering wretchedness.
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User score distribution:
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Positive: 2 out of 6
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Mixed: 1 out of 6
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Negative: 3 out of 6
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ShaneS.10I loved this movie. If you no anything about France during the 17th century you would love this movie.