- Studio: First Look International
- Release Date: Aug 11, 2000
- Critic Score
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75He (Walken) is a gifted classical actor...and here he understands Victor Kelly from the inside out.
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58Skillfully made, yet the film would have been better if it had tapped a bit of that Walken madness.
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60The plot isn't what makes this movie worth watching anyway -- it's the performances and the ambiance.
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75Walken gives a beautifully understated performance.
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60Modestly made and modestly charming.
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90A small gem.
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75It's a character study, nicely realized.
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70Fair amount of grit and charm.
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75The movie is small and familiar, but this time, those turn out to be strengths.
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67Not only are these characters beautifully underplayed, but they're underplayed by two of the most enthusiastic scene-stealers around: Walken & Lauper.
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75Studded with sturdy acting.
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80This is one of the best-photographed pictures of the year, but not ostentatiously so; the look is organic to the less-than-glamorous badlands of Sunnyside, Queens.
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58Ultimately emotionally flat and eminently forgettable.
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75Enjoyable, intelligent little heist movie.
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75Goes soft in the end, but not ruinously so. Meanwhile, its loose cannons bounce off one another deliciously.
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75Playing a perpetual victim like Victor (Walken) might be easy, but making audiences want to watch him for 97 minutes isn't.
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58It's amiable enough, but the only real opportunity here is to see Walken step out of the shadows.
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80It's Walken who's most impressive.
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75A brilliant performance (Walken).
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50Once Connell finds his feet, he just may stride forth with his Important American Movie. Until then, The Opportunists is simply a whiff of great unwashedness yet to come.
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90Filled with vivid and likable characters, The Opportunists could be the basis for a TV series as captivating as "The Sopranos."
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80A very small film, as they say in the movie business, but its stylish suspensefulness is nicely leavened by Connell's obvious, and welcome, love for his hapless characters.
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75An engaging, well-written film that is surprisingly gentle in tone and easily paced.
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Contains ample dry humor and its share of surprising turns, but they operate on a human level rather than with the kind of empty flash we've come to expect from the post-Tarantino crime flicks.