• Starring: Andrew Garfield, Jesse Eisenberg, Justin Timberlake
  • Summary: On a fall night in 2003, Harvard undergrad and computer programming genius Mark Zuckerberg sits down at his computer and heatedly begins working on a new idea. In a fury of blogging and programming, what begins in his dorm room soon becomes a global social network and a revolution in communication. A mere six years and 500 million friends later, Mark Zuckerberg is the youngest billionaire in history... but for this entrepreneur, success leads to both personal and legal complications. From director David Fincher and screenwriter Aaron Sorkin comes The Social Network, a film that proves you don't get to 500 million friends without making a few enemies. (Sony Pictures) Expand
Score distribution:
  1. Positive: 41 out of 42
  2. Negative: 0 out of 42
  1. The film comes down to a mesmerizing portrait of a man who in any other age would perhaps be deemed nuts or useless, but in the Internet age has this mental agility to transform an idea into an empire.
  2. Reviewed by: Bob Mondello
    100
    Terrific entertainment - an unlikely thriller that makes business ethics, class distinctions and intellectual-property arguments sexy, that zips through two hours quicker than you can say "relationship status," and that'll likely fascinate pretty much anyone not named Zuckerberg.
  3. It's an entertainingly cynical small movie. Aaron Sorkin's dialogue tumbles out so fast it's as if the characters want their brains to keep pace with their processors; they talk like they keyboard, like Fincher directs, with no time for niceties.

See all 42 Critic Reviews

Score distribution:
  1. Negative: 18 out of 278
  1. Top 10 Movies of all time. The movie of how facebook was created. Its a classic. Loved the plot. i loved every thing on here this a very classical movie a one u wont regret Expand
    • 2 of 2 users said yes
  2. Technically well-made but shallow and unsatisfying. Fincher's flashback storytelling didn't make me feel like I was getting different perspectives and narrative layers. Rather, I felt like I was watching an intervention where everyone else could freely speak except the very person at the centre of the screen. Instead of a balanced, well-rounded portrayal of the facts, the filmmakers dramatised the whiny testimonies of scorned 'victims' to depict a character so contorted and contrived he didn't look like a real human being. Someone as aware of his brilliance as the on-screen Mark Zuckerberg wouldn't feel insecure enough to crave acceptance into a final club. His natural genius would set him apart enough and he wouldn't waste time garnering adulation from less intelligent people to affirm that. The movie depicts the cinematic Mark Zuckerberg being so engrossed in creating revolutionary projects that he pays very little attention to social conventions and appearance. Yet the same acutely logical person wastes a chunk of the movie being envious that his friend Eduardo is more 'popular'. To create a Shakespearean-like tragedy, Aaron Sorkin afflicted the protagonist with various 'fatal flaws' to amplify conflict. Facts were twisted to fit into the salacious story the filmmakers wanted to tell. Real people were twisted to fit into the salacious characters the filmmakers wanted to show. The movie was nowhere as clever as it thought it was and by the end of the first scene you knew exactly what it was trying to say ('social misfit invents new way to socialise'). It's as if the filmmakers started the film with that message and then worked backwards, fitting real life people and events around that theme rather than use the truth. At its worst, TSN was slanderous non-fiction masquerading as entertainment. At its best, it was entertaining fiction masquerading as fact....Either way for me it didn't live up to its hype. Expand
    • 7 of 11 users said yes
  3. Talk, talk, talk, snarky comment repeat. Socially inept rich kids whining about wanting more money and recognition. Unlikeable characters and absolutely no drama. I spent two hours waiting for the movie to begin and it never did. Simply an awful movie going exprerience. Expand
    • 37 of 96 users said yes

See all 278 User Reviews

Trailers

Related Articles

  1. The 2011 Oscars: Winners, Losers, and Analysis

    The 2011 Oscars: Winners, Losers, and Analysis Image
    Published: February 28, 2011
    Were there any surprises among last night's Oscar winners? How accurate were expert and user predictions? And just how terrible was the telecast? We have the answers to those questions and more inside our Academy Awards wrap-up.
  2. Metacritic Users Pick the Best of 2010

    Metacritic Users Pick the Best of 2010 Image
    Published: January 10, 2011
    Our users have spoken, the votes have been tallied, and we have your picks for the best of 2010 in movies, games, TV, and music. Don't expect another victory for Kanye West or The Social Network; Metacritic users had something else in mind.
  3. The Best and Worst Movies of 2010

    The Best and Worst Movies of 2010 Image
    Published: January 7, 2011
    In our annual report, we reveal the best- and worst-reviewed movies of 2010 in a variety of categories.
  4. 2010 Film Awards and Nominations [Updated Feb. 28]

    2010 Film Awards and Nominations [Updated Feb. 28] Image
    Published: December 14, 2010
    Over the next three months, we’ll be tracking the awards and nominations handed out by 40 different organizations, from the Academy Awards to honors from press and critic groups and the professional guilds. Find out which 2010 films, actors, directors, and writers have been honored the most.
  5. 2010 Film Critic Top Ten Lists [Updated Jan. 6]

    2010 Film Critic Top Ten Lists [Updated Jan. 6] Image
    Published: December 9, 2010
    Throughout the next two months, we’ll be tracking the year-end Top Ten lists published by dozens of film critics and publications. Find out which movies currently rank among the best films of the year.
  6. The Social Network: Inside the Reviews

    The Social Network: Inside the Reviews Image
    Published: October 6, 2010
    David Fincher's "The Social Network" is attracting critical praise like no other film released so far this year. We take a closer look at the reviews to find out exactly what makes the film so good, and what faults might be present despite the high Metascore.
  7. This Week: What We Learned About Lone Star, The Social Network, and Let Me In

    This Week: What We Learned About Lone Star, The Social Network, and Let Me In Image
    Published: October 1, 2010
    This week, our focus is on three extremely infrequent events: a major film with phenomenal reviews ("The Social Network," which, by one measure, is now the best film in our database); a horror remake with critical acclaim ("Let Me In"), and an early fall cancellation victim that was well-liked by critics ("Lone Star").