Metascore

Universal acclaim - based on 42 Critics What's this?

User Score

Universal acclaim- based on 1115 Ratings

  • Starring: Andrew Garfield, Jesse Eisenberg, Justin Timberlake
  • Summary: On a fall night in 2003, Harvard undergrad and computer programming genius Mark Zuckerberg sits down at his computer and heatedly begins working on a new idea. In a fury of blogging and programming, what begins in his dorm room soon becomes a global social network and a revolution in communication. A mere six years and 500 million friends later, Mark Zuckerberg is the youngest billionaire in history... but for this entrepreneur, success leads to both personal and legal complications. From director David Fincher and screenwriter Aaron Sorkin comes The Social Network, a film that proves you don't get to 500 million friends without making a few enemies. (Sony Pictures) Expand
Score distribution:
  1. Positive: 41 out of 42
  2. Negative: 0 out of 42
  1. The film comes down to a mesmerizing portrait of a man who in any other age would perhaps be deemed nuts or useless, but in the Internet age has this mental agility to transform an idea into an empire.
  2. Reviewed by: Bob Mondello
    100
    Terrific entertainment - an unlikely thriller that makes business ethics, class distinctions and intellectual-property arguments sexy, that zips through two hours quicker than you can say "relationship status," and that'll likely fascinate pretty much anyone not named Zuckerberg.
  3. Reviewed by: Damon Wise
    80
    A rich, understated character drama that gleefully exposes the petty playground politics at the centre of one of the internet-era's most bitter court cases.
  4. It's an entertainingly cynical small movie. Aaron Sorkin's dialogue tumbles out so fast it's as if the characters want their brains to keep pace with their processors; they talk like they keyboard, like Fincher directs, with no time for niceties.

See all 42 Critic Reviews

Score distribution:
  1. Negative: 19 out of 302
  1. Eduardo Saverin: "Sorry! My Prada's at the cleaners! Along with my hoodie and my **** you' flip-flops, you pretentious douchebag!"

    The Social
    Network is DEFINITELY the best movie of the year about the substantial growth of the disreputable but well-off website, Facebook. Everything was magnificent, with the well-written screenplay of Sorkin and great direction of Fincher, its simply the best. People did give second opinions about this movie (being about facebook), but the Social Network is the complete opposite of what they thought.

    This film is set in 2003, about a Harvard sophomore named Mark Zuckerberg (Jesse Eisenberg), that comes up with an idea (while "intoxicated"). And creates a website that allows you to rate the hotness of girl in Harvard dorms, which reaches 200,000 views and brings it's attention to the Winklevoss twins. They meet up with Mark and tell their idea of making a social network, using "Harvard.edu". Thinking that he can do better, he meets up with his friend, Edwardo Saverin, and decides that they will make the website instead (splitting the share 30/70). when Facebook gets around, Sean Parker (Justin Timberlake), creator of napster, wants to get in with the project, and gets a warm welcome from everyone except Saverin.//

    I don't want to tell you the whole movie (even though you probably already know), so I think I'll stop there. The Social Network was directed by the one and only, David Fincher (Zodiac, Fight Club, Se7en, and more), and is his absolute best work. The best acting would have to be tied with Jesse Eisenberg and Andrew Garfeild, showing their best support for a movie. I wasn't surprised when I found out that Peter Travers (Rolling Stone) said that this was the best of the year, and it should of won the Grammy, instead of Kings Speech. But it did win the Grammy for best soundtrack by Trent Reznor and Atticus Ross, for film editing by Angus Wall and Kirk Baxter, and for the adapted screenplay (of course) by Andy Sorkin.

    In the two-disc collectors edition, it shows Fincher's distinctive technique in film making. shooting the first scene for ninety-nine times, David's patient directing tries to make this movie be perfect as possible, and of course, is successful. Fincher and Cronenweth made a great choice using the best High Def quality so far, by RED Digital Cinema. It interests me a lot that almost every known movie coming out recently, is being filmed in RED. I looked it up and most of the products they sell is well-over 20,000 dollars (must be really good). They're using it again while they reunite to work with a new remake of "The Girl With the Dragon Tattoo", which I have high hopes for.

    Andy Sorkin's adapted screenplay is one of the most intelligent and skilled I have seen so far. nonetheless the screenplay being so complex, it must of been complicated for the editors (Angus Wall and Kirk Baxter). But by cutting all the camera angles and showing everybody have their spotlight, they succeed and win an Oscar for their tremendous support. The costume design was nothing special, but is will put into, wearing the same clothing that they wore in real life (not exactly). You can never get enough of The Social Network, watching it the thousandth time still gives me the same satisfaction as the the first time, if not more. You can't miss a second of this movie! if you love this film as much as me, buy the two-disc collectors edition, because who wouldn't love over two hours of special features. Eduardo Saverin: "You better lawyer up **** because I'm not coming back for 30%, I'm coming back for EVERYTHING."
    Expand
  2. Although the movie starts as where you would expect and end as you would expect, David Fincher's "The Social Network" is heart warm and powerful, a perfect combination of Aaron Sorkin's witty script and David Fincher's smart direction. And yes, it is one of Oscar winning movies of the year. Expand
  3. Technically well-made but shallow and unsatisfying. Fincher's flashback storytelling didn't make me feel like I was getting different perspectives and narrative layers. Rather, I felt like I was watching an intervention where everyone else could freely speak except the very person at the centre of the screen. Instead of a balanced, well-rounded portrayal of the facts, the filmmakers dramatised the whiny testimonies of scorned 'victims' to depict a character so contorted and contrived he didn't look like a real human being. Someone as aware of his brilliance as the on-screen Mark Zuckerberg wouldn't feel insecure enough to crave acceptance into a final club. His natural genius would set him apart enough and he wouldn't waste time garnering adulation from less intelligent people to affirm that. The movie depicts the cinematic Mark Zuckerberg being so engrossed in creating revolutionary projects that he pays very little attention to social conventions and appearance. Yet the same acutely logical person wastes a chunk of the movie being envious that his friend Eduardo is more 'popular'. To create a Shakespearean-like tragedy, Aaron Sorkin afflicted the protagonist with various 'fatal flaws' to amplify conflict. Facts were twisted to fit into the salacious story the filmmakers wanted to tell. Real people were twisted to fit into the salacious characters the filmmakers wanted to show. The movie was nowhere as clever as it thought it was and by the end of the first scene you knew exactly what it was trying to say ('social misfit invents new way to socialise'). It's as if the filmmakers started the film with that message and then worked backwards, fitting real life people and events around that theme rather than use the truth. At its worst, TSN was slanderous non-fiction masquerading as entertainment. At its best, it was entertaining fiction masquerading as fact....Either way for me it didn't live up to its hype. Expand
  4. The worst movie by David Fincher. Because Facebook is so popular right now this movie comes to make sensation. In fact is a mediocre film who want to be popular. Expand

See all 302 User Reviews

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