Metascore
70 out of 100

Generally favorable reviews - based on 23 Critics

Critic score distribution:
  1. Positive: 19 out of 23
  2. Negative: 0 out of 23
  1. Reviewed by: Ken Fox
    88
    There is, however, considerable humor to what might have been an exceedingly grim film, and most of it comes courtesy of Mona's slippery brother, Marwan (Ashraf Barhoum).
  2. 80
    An extraordinary social comedy.
  3. Reviewed by: Tim Grierson
    80
    By crafting its message in mostly understated strokes, The Syrian Bride touches your heart, which you might not even fully realize until its deft, wordless final moments sweep by you.
  4. Written, directed and acted with real compassion and sympathy for the humanity of its characters, no matter who they are or on what side of these multiple issues they turn out to be.
  5. Reviewed by: David Ansen
    80
    The Syrian Bride would be an out-and-out comedy were it set anywhere but in the Middle East.
  6. 75
    Movies like The Syrian Bride are not overtly political, but nibble around the edges, engaging our tendency to take a big political position and then undermine it with humanitarian exceptions.
  7. Reviewed by: Michael Phillips
    75
    Like the whole of this easygoing plea for a better future, it's sweet.
  8. The result is both tragic and darkly comic - in this complex environment, blame and sorrow are locked in a partnership of absurdity.
  9. 75
    Tackling serious issues with humor and understanding, the film portrays Mona's woes as a microcosm of the entire mess in the Middle East.
  10. A keen observational seriocomedy, The Syrian Bride, like "Paradise Now," suggests that all residents of the Middle East, no matter their faith or their nationality, are more alike than not.
  11. By focusing on one family's dilemma, the movie brings home the messy Middle Eastern situation in a way easier to relate to than the headlines and opinion pieces.
  12. Reviewed by: Ty Burr
    75
    The Syrian Bride could be one of those big, teeming matrimony comedies like "Monsoon Wedding" or "Father of the Bride" but for the barbed wire running right down the middle of the aisle.
  13. The triumphs still are affecting, the setting is compelling and some of the human moments amid the political circus and culture wars are downright moving.
  14. The Syrian Bride manages to entertain even as it both moves and amuses.
  15. The film uses the situation to evoke a sense of the absurd, sometimes with dry, deadpan humor.
  16. On one hand, the movie is guilty of schematic arrangement...But at the same time, Israeli producer-director-writer Eran Riklis and Palestinian co-writer Suha Arraf use the device to reveal touching human complexity.
  17. Director Eran Riklis entertains without sermonizing, though the story clearly identifies women as the region's best chance for peace.
  18. While the film's depiction of bureaucratic frustrations and familial woe are universal, the characters themselves can be difficult to warm up to and often seem as arid as their surroundings.
  19. 63
    This Israeli film gives us an honest look at situations we never see in the news. It may have too many flaws to be a good film, but for its content, it is a winner.
  20. 60
    The Syrian Bride has no particular visual style, but it exudes affection, for its characters and their culture as well as the unprepossessing beauty of the scrubby terrain that holds them in thrall. Like all wedding films, it's essentially a comedy, albeit a sad one.
  21. Reviewed by: Leslie Felperin
    60
    Ambitious screenplay by helmer Eran Riklis (best known outside Israel for "Cup Final") and former journalist Suha Arraf puts plenty of human flesh on its characters, who span the religious and cultural spectrum of Golan Heights dwellers.
  22. 50
    Ultimately, The Syrian Bride becomes an overtly political movie, but with all its loose threads and random directions, it feels more like the pilot for an unmade miniseries.
  23. Reviewed by: Phil Hall
    40
    A strangely inert affair. The stories devolve into one-dimensional squabbling and too many loose threads flap around the edges.
User Score

Universal acclaim- based on 7 Ratings

User score distribution:
  1. Positive: 2 out of 3
  2. Negative: 0 out of 3
  1. Not much of a political statement and not much of a drama either. I did not connect to the main characters and after a while all I wanted to do was fast forward to the end. Solid performances by the whole cast did not save the film from mediocracy. Full Review »
  2. BenK.
    8
    A flim that exists at the intersection of family dynamics and governmental meddling. Mona, the title character, is an Israeli citizen from the Golan Heights who is due to marry a Syrian television star, whom she has never met, in Damascus. Because Syria and Israel do not have diplomatic relations once she marries she will not be allowed back into Israel. So on top of the apprehension of marrying a person you've never met is the reality of ones life being altered, both as a married person and as an exile. (In reality they may be the same thing.) The film is much more vibrant than my dour description of it. It's an entertaining and illumnitating film from a region that is producing some excellent movies. Full Review »
  3. HannC.
    8
    knowing the Jewish director, cameraman plus Palestinian screenplay, and majorly Arab casts, you will know it's not that hard to work and live together... although the plots are evolved with tiny fragments of lives we took it for granted, andyet, the message has been heard----no matter which side are you in, those people's life and lives and a part of it !!!! Thanks to Hiam Abbass's perfect portrait of a tough and mediating central role, though it not her peak yet, consider two other nearly perfect performance in "Sating Rouge"(by Raja Amari, 2002) and "Nadia et Sarra"(by Moufida Tlatli,2004 ) on her belt, you will know the drill. Full Review »