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88A sophisticated thrill. And incandescent Thandie Newton is a worthy successor to Audrey Hepburn in 'Charade.'
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80Charlie doesn't have a point, doesn't give a damn about giving a damn. It is what it is: a beautiful goof, a drunken supermodel in search of one more party before the sun comes up.
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80Dazzlingly nimble and light on its feet, this breezy but densely textured love letter to modern, multicultural Paris in the guise of a romantic suspenser returns its director to the vibrant vein of his pre-Oscar work in "Something Wild" and "Married to the Mob."
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75The plot is essentially a backdrop, as it was in "Charade," for Paris, suspense, romance and star power -- If it is true that there will never be another Audrey Hepburn, and it is, I submit it is also true that there will never be another Thandie Newton.
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75Chalk this razzle-dazzle chase picture up as effective Friday-night entertainment, not the heart-stirring romantic thriller it might have been. That's the real truth about "Charlie."
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75The closer you get to sorting out the truth, the less likely you are to believe it, let alone comprehend it. The latter half of this movie is as outlandish as a Mexican soap opera.
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70Though indisputably a thriller, Charlie abandons itself to little cinematic rhapsodies, self-reflexive asides, and montages of Paris locations cued to a soundtrack of cool French pop, all of which often seems more vital than the main order of business.
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70It’s a movie for movie lovers -- playful, hip and light as a feather.
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70Viewers will be split between those who wonder about this silly, trumped-up story and those who already know and love the silliness for what it was. [4 November 2002, p. 110]
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67As an experiment in mood, as a love song to Paris and to the French New Wave, as a fun, flirty little number, Charlie provides a giddy satisfaction.
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67Comes across as a fairly weak retooling.
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63Demme gets a lot of flavor and spice into his "Charade" remake, but he can't disguise that he's spiffing up leftovers that aren't so substantial or fresh.
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63Think of The Truth About Charlie as a Parisian getaway that happens to have a movie percolating in the background.
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63Does briefly sizzle in the scenes between Newton and French actress Christine Boisson, as the bisexual French police commander assigned to the case.
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63It's not a great film but it's pure pleasure.
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63With a multiracial cast, an international spy-caper flick with "Mission Impossible" and John Woo overtones, and a series of comic turns, fantasy sequences and sly humour, it should be a fresh delight. Unfortunately, it's not.
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60As utterly disastrous movies go, this one's really got something.
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60You may be taken by the director's enormous enthusiasm, but the picture doesn't quite work.
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60I wish it were as much fun as its prospectus. The truth is that The Truth About Charlie gets increasingly tiresome.
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60If Wahlberg in a beret is your idea of fun, don't let me get in your way.
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50The meltingly beautiful Newton gives a solid performance, but she and Wahlberg do not glide like Astaire and Rogers, to put it delicately.
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50A sometimes interesting remake that doesn't compare to the brilliant original.
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50The trouble with The Truth About Charlie is that it really is after the truth about Charlie, a character we could hardly give a damn about. The only charade is the illusion that we might actually be entertained.
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50Another charmless Hollywood thriller.
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50Demme can't sustain the fizz, but seeing a real filmmaker try and fall short is still more fun than watching a hack hit the mark.
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50Neither the script nor the direction nor the acting has been able to make these characters into ones we want to invest ourselves in. The Truth About Charlie is one very busy film, but it's really not going anywhere.
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50So the awful truth about The Truth About Charlie is that it needed two movie stars and got one.
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50Newton may not be a great actor, either, but she's full of life and charm. She's the only thing holding this movie together at all.
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42It's nice that Demme reveres the Hollywood classic, the French cinema and the glamour of his actors. But nice is all The Truth About Charlie is -- a nice mess.
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40Where "Charade" unfolds in a fantasy Paris full of glamorous white people, Demme's film takes place in a gray tangle of streets teeming with multi-ethnic Parisians. Newton and Robbins mimic Hepburn and Matthau, while Wahlberg is the anti-Grant, lumpen and thuggish rather than beguilingly debonair.
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40The story itself falls to earth with a thud, not least because of a casting catastrophe. The boyish, goofily smiling Wahlberg is egregiously out of place as the kind of charming-ambiguous dreamboat you'd have to be Cary Grant to pull off.
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40Gave me a craving for something nouvelle, not a half-hearted Hollywood co-optation.
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40Donen got it gloriously right the first time. Why do it again? And why do it like this?
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38The Truth About Charlie...is that this "Charade" remake is a lumpen bore.
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30At once listless and overheated, giddy and utterly zipless, the current incarnation lacks not just the savoir-faire of its stylish predecessor but also the sex appeal.
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User score distribution:
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Positive: 2 out of 8
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Mixed: 1 out of 8
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Negative: 5 out of 8
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JohnS.10It was a good movie not as good as the original but pretty good on its own.
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James0