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Generally favorable reviews - based on 14 Critics What's this?

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Generally favorable reviews- based on 15 Ratings

  • Starring: Erika Bók, János Derzsi, Mihály Kormos
  • Summary: On January 3, 1889 in Turin, Italy, Friedrich Nietzsche steps out of the doorway of number six, Via Carlo Albert. Not far from him, a cab driver is having trouble with a stubborn horse. The horse refuses to move, whereupon the driver loses his patience and takes his whip to it. Nietzsche puts an end to the brutal scene, throwing his arms around the horse’s neck, sobbing. After this, he lies motionless and silent for two days on a divan until he mutters the obligatory last words, and lives for another ten years, silent and demented, cared for by his mother and sisters. Somewhere in the countryside, the cab driver lives with his daughter and the overworked horse. Outside, a windstorm rages. The horse refuses to move, and the man and his
    daughter struggle through their daily schedule. Food and water grow scarce. Beggars and gypsies come to their door. The horse stops eating. Slowly, the apocalypse approaches. (The Cinema Guild)
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Score distribution:
  1. Positive: 11 out of 14
  2. Negative: 0 out of 14
  1. Reviewed by: V.A. Musetto
    Feb 10, 2012
    100
    A sumptuous masterpiece by one of the greatest moviemakers of all time.
  2. Reviewed by: A.O. Scott
    Feb 9, 2012
    100
    The movie is too beautiful to be described as an ordeal, but it is sufficiently intense and unyielding that when it is over, you may feel, along with awe, a measure of relief. Which may sound like a reason to stay away, but is exactly the opposite.
  3. Reviewed by: Sam Wigley
    May 26, 2012
    80
    Tarr risks self-parody with recurring scenes of the pair tucking into scalding potatoes, but if you've got the stomach for it this is an intoxicating vision of life at the end of its tether.
  4. Reviewed by: Joe Neumaier
    Feb 9, 2012
    60
    This quiet drama is not for everyone. It may not even be for fans of Hungarian auteur Bela Tarr, whose spare, naturalistic films can be, well, trying. (The director has said that "Horse" will be his final film.)

See all 14 Critic Reviews

Score distribution:
  1. Positive: 2 out of 3
  2. Mixed: 0 out of 3
  3. Negative: 1 out of 3
  1. I don't agree with Cabrita, but maybe just 'cause i've been watching a lot of Tarr's movies, this is the last (or so he said) and so the end, and what an end (of the world).
    I personally prefer other movies of his, Satantango and Werkmeister Harmonies are some of those, but this is still a good one
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  2. I had a problem with its symbolic aesthetics, since it rarely provides opportunities for self-reflective projection. However, it can't be denied that this is beautiful trademark work of the master who made Satantango. Expand
  3. His use of mise en scene and film noir are great however technique on it's own does not add up to anything. I can appreciate art house films however this is simply bad art. It did not entertain my intellect by exploring themes nor did it entertain me on a manipulative level. This is where I differ with the critics they believe the film gave you a sense of awe, I believe the film gave me a sense of boredom. I have also seen the man from London which was also garbage. I'm going to give Tarr one more chance with Werkmeister Harmonies. Expand

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