- Studio: Picturehouse Entertainment
- Release Date: Sep 12, 2008
- Critic Score
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75As a well-crafted, well-written and well-acted entertainment, it drew me in and got its job done.
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75It's intermittently amusing, and Bening actually gives a performance instead of a star turn, but the claws should have been sharper.
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63English wrangles her talent like a virtuoso. Best is Murphy Brown herself, Candice Bergen.
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63This is Diane English's directing debut, and it shows. Also in evidence is her familiarity with television. The movie is shot like a TV show, with frequent intercut close-ups.
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The film repeatedly sacrifices dramatic punch for political correctness.
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Very earnest, often engaging, but not quite as much of a pleasure as the original.
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50For all its current political incorrectness, the original film at least attacked hypocrisy; this one practises it.
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50The movie is a feminist lesson instead of what it should have been (and once was): a tough, synthetic, high-gloss entertainment that wears its heart on its lacquered fingernails.
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50Feels the scratches of too much time and tinkling and is as disjointed as a dislocated shoulder.
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50It's fascinating trying to separate the thirties material from the mostly maladroit additions.
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40Becomes unfocused as it stumbles over all the points it wants to make.
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40The Women is less about getting even than about inspiring that same mushy sense of female empowerment you might find in a Tyler Perry meller, complete with manic mood swings and full-blown diva moments.
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It's a high-powered cast, but it has painfully little to work with, apart from widely varying humor.
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38Defanged and drippy, the remake of 1939's The Women seems to have been made for the dullard granddaughters of the sassy, sharp society matrons in George Cukor's campy original.
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38The movie is a work of ambivalence. Is English making fun of these women? Or is she making a pilot for Lifetime?
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38It would be sad if Tinseltown used this poorly executed remake as proof that there's no audience for female-driven films, because that's not the case at all.
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38This Women doesn't take place in reality or even in a glamorous urban fantasyland. It's strictly TV Land.
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33The original was a tart dipped in acid; this one's a biscuit sprinkled in Splenda.
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30Falls flat at every turn.
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30Ryan, barely refining her "When Harry Met Sally" persona, is a dud; Annette Bening, playing the best friend who sells her out to a tabloid, is better in the scenes she doesn't share with her.
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25It's a major dud.
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25It's not every movie that makes you wish Vin Diesel would run in and start blowing up stuff.
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25A total disaster.
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25So consistently, outrageously wrongheaded in every way it's hard to know where to start.
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25Is there anything more depressing than when middlebrow filmmakers decide to remake bona fide classics that did not, under any circumstances, need to be remade?
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20Is it an exaggeration to call The Women the worst movie of the year? Well, yeah, probably. But it may be the most disappointing, given all the effort that went into it.
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20The whole vibe is so shrill and frantic that the truly accomplished actresses, like Bening and Bergen, are left to flounder. The less nuanced ones -- that would be you, Debra Messing -- are, to use the idiom of the movie, as pleasant to watch as a bikini wax is to feel.
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Isn't so much incompetent as it is hopelessly tame and muddled.
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10A witless, straining mess.
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10The funniest thing about The Women is that Mick Jagger is one of the producers.
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0It's not particularly fun, or funny, for starters.
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0One of the worst movies I've ever seen.
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User score distribution:
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Positive: 4 out of 13
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Mixed: 2 out of 13
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Negative: 7 out of 13
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TomG1
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3
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KendraS.8Fun to watch with women.