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78

Generally favorable reviews - based on 8 Critics What's this?

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  • Starring: ,
  • Summary: Becoming closer to his dream of leading a normal life, a professional safecracker agrees to do a job for the mafia, who have other plans for him.
Score distribution:
  1. Positive: 6 out of 8
  2. Negative: 0 out of 8
  1. Reviewed by:  Ignatiy Vishnevetsky
    Jan 15, 2014
    100
    Michael Mann’s Thief is one of the most confident directorial debuts of its era, the product of an unprecedented amount of research and preparation.
  2. Reviewed by: David Ansen
    Jun 24, 2013
    90
    Brutal and precision-made, Thief is a high-tech crime movie that closes in on its subject with such relentless purpose that it approaches abstraction. Nothing enters Mann's frame that is not designed to be there: the expertise he honors in his criminal hero is mirrored by his own meticulous craftsmanship. He gets the job done--and blows you away while doing it. [30 Mar 1981, p.82]
  3. Reviewed by: Scott Tobias
    Jan 28, 2014
    90
    Debut features are rarely this confident and accomplished, much less such a perfect blueprint of what to expect from a filmmaker down the line.
  4. Reviewed by: Staff [Not Credited]
    Jun 24, 2013
    80
    Although there are points where he gets bogged down in the technical aspects of thievery, the film is a slick Chicago crime-drama with a well-developed sense of pathos running throughout.
  5. Reviewed by: Jay Scott
    Jun 24, 2013
    75
    Realism by nature offends the dogmatic, and Michael Mann, in a writing-directing debut that makes one want to see his next movie instantly, is a devotee of the realistic in factual essentials, if not in esthetics. [27 Mar 1981]
  6. Reviewed by: Gary Arnold
    Jun 24, 2013
    60
    It's the most exaggerated example yet of the abiding imbalance in modernist filmmaking, where an abundance of texture fails to conceal a minimum of substance, although it frequently makes the act of concealment pictorially exciting. [27 Mar 1981, p.C1]
  7. Reviewed by: Vincent Canby
    Jun 24, 2013
    50
    Mr. Mann may well become a very good theatrical film maker but, among other things, he's going to have to learn how to edit himself, to resist the temptation to allow dialogue that is colorful to turn, all of a sudden, into deep, abiding purple. Time after time scenes start off well and slip into unintentionally comic excess.

See all 8 Critic Reviews

Score distribution:
  1. Positive: 0 out of
  2. Mixed: 0 out of
  3. Negative: 0 out of

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