- Studio: Miramax Films
- Release Date: Dec 1, 1995
- Critic Score
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75It's a perversely comic movie ride into the wild blue of crime and punishment.
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70Moviegoers who can make it past "Denver's" excessive violence--no small thing--and get on this film's off-center wavelength will find a grave noir comedy heavy with romantic regret, a cocky piece of work that flaunts its style and attitude and dares you not to be impressed.
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70Tartly written and vividly performed by a fine ensemble cast, Gary Fleder's bracingly entertaining first feature covers familiar ground in a fresh, breezy way.
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63On balance, I think it's an interesting miss, but a movie you might enjoy if (a) you don't expect a masterpiece, and (b) you like the dialogue in Quentin Tarantino movies.
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63Colorful. [1 December 1995, p.D13]
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63More of a pretender than a contender in a field that includes superior entries like "Reservoir Dogs" and "The Usual Suspects."
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60Mr. Garcia gives one of his sleeker dreamboat performances.
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60Alas, most of the surprise and the wit to be found here ends with the title.
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50The movie features a very cool soundtrack and more hip lingo than two ears can absorb. But, like the air in Denver, this movie is spread awfully thin.
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40Largely vapid, borderline homophobic, and surprisingly treacly.
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Its greatest achievement is that there isn't a single convincing scene in it.
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30An overwrought gangster fable.
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25Like a nincompoop version of "The Usual Suspects."
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25Has that title going for it, which might annoy or provoke you. It makes me suspicious. It's the kind of flashy, meaningless title that's usually given to drab, pointless films.
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25Things to do in the movie theater until you mercifully die of boredom sums up this witness' response to the ordeal of sitting through this movie.
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10Ought to be the subject of an obituary, not a review. A creepy film noir modeled on Quentin Tarantino's "Reservoir Dogs," it was a stinking stiff on arrival.
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