Generally favorable reviews - based on 21 Critics What's this?

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Universal acclaim- based on 8 Ratings

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  • Summary: A handsome, successful fashion photographer (Poupaud) learns that he has a malignant brain tumor that will soon kill him. Hiding his diagnosis, he alienates his family and his young boyfriend, but during a short stay with his grandmother (Moreau), his vulnerability is met with a big heart and sound advice. A chance encounter with a roadside café waitress (Bruni-Tedeschi) results in an unusual bargain that provides a happy, playful dimension to the proceedings. (Strand Releasing) Expand
Score distribution:
  1. Positive: 15 out of 21
  2. Negative: 0 out of 21
  1. Another worthy performance comes from Valeria Bruni-Tedeschi.
  2. Reviewed by: David Ansen
    This is the most personal, deeply felt film from the gifted director of "Under the Sand" and "Swimming Pool." Ozon leaches his melodrama of all sentimentality, and moves us all the more.
  3. 88
    The film rests entirely on Poupaud's shoulders, and he rises to the demands of a complex, deeply unsympathetic role.
  4. The splendid, painterly melodramas of Douglas Sirk lurk behind every shot, but the tone is essentially pre-Raphaelite, sexy and cold.
  5. As with any Ozon film, Time to Leave comes across with unexpected moments of illuminated stillness.
  6. 67
    Ozon's disappointing new film Time To Leave is his "The Flower Of My Secret," a Douglas Sirk-inspired weepie about a terminal cancer victim making amends, but it's a little too sentimental and square even by his recent standards.
  7. 40
    This oddly dispassionate film about a young man dying of cancer is the French antidote to those Hollywood weepies in which the heroine courageously faces her own mortality with every hair in place.

See all 21 Critic Reviews

Score distribution:
  1. Positive: 1 out of 1
  2. Mixed: 0 out of 1
  3. Negative: 0 out of 1
  1. LenW.
    Jul 23, 2006
    Profoundly sad but with a small ray of hope, this beautiful film centers on a vain, selfish photgrapher and his struggle to bring meaning to the end of his life. Unable to tell his lover or family of his plight, he confides only in his grandmother (Jeanne Moreau) who similarly chose an outcast role when grief overtook her in the past. Expand