|Columbia Pictures | Release Date: September 27, 1995||CRITIC SCORE DISTRIBUTION|
Kidman crafts a characterization of breathtakingly controlled artifice, dead-on timing, dizzyingly precise humor. Her part is a knockout--in every sense of the word. [6 Oct 1995]
Scathingly hilarious...To Die For could be the "Dr. Strangelove" of its genre, a movie that puts even John Waters' somewhat similar "Serial Mom" in the shade.
The cast of To Die For is perfect all around, but Kidman trumps them all with a gutsy, uncompromising performance...It's an audacious performance for a movie that dares to be nasty.
Van Sant and crew appear to have had a blast making this film, and I had a blast watching it. The subject matter is very dark and yet it is handled with a very light touch.
The most accurate assault against the media age since "Network," To Die For's killer lines and wicked sensibility are given added poignancy by the off-center, sensitive performance of Joaquin Phoenix, River's younger brother, the only person more deluded about Suzanne than she is about herself. Read full review
To Van Sant's credit, let's note that he has evoked more lightness and variety from Kidman, more scrimshaw gesture and inflection than I thought she could muster. [23 Oct 1995]
An irresistible black comedy and a wicked delight. [27 Sept 1995]
Nicole Kidman does the best work of her career in a character that seems to fit her tighter than pantyhose. Swathed in camera-friendly pastels, she's dead from the neck up (a scene with uncredited George Segal confirms that) but she's got legs like scissors, ambition like a knife, and a will of pure steel. Read full review
Delivers continuous pinpricks of irreverent humor and subversive cultural commentary.
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