• Summary: Alone and self-sufficient since childhood, Tony shuns emotions as illogical and immature. After finding his true vocation as a technical illustrator, he becomes fascinated with Eiko, whom he marries. His life changes, he feels vibrantly alive, and for the first time, he understands and fears loneliness. But when Eiko's all consuming obsession for designer clothes ends in tragedy, Tony finds himself alone again, sitting in his wife's closet, gazing at her treasured couture pieces, the whispering ghosts of her soul. Finally, Tony places an ad in the paper searching for a woman who fits Eiko's measurements perfectly. (Strand Releasing) Expand
Score distribution:
  1. Positive: 19 out of 22
  2. Negative: 1 out of 22
  1. The movie's underlying theme is the complex relationship between objects and memories, worked out through a taut, compelling story and superbly understated acting. Ryuichi Sakamoto composed the atmospheric score.
  2. 60
    This minimalist meditation on loneliness and loss is so spare and drained of color that it seems always on the verge of fading into invisibility.
  3. 20
    You really have to be in the right mood to sit through Tony Takitani. You have to be ready to take in a thoroughly depressing story that moves...very...slowly.

See all 22 Critic Reviews

Score distribution:
  1. Positive: 8 out of 10
  2. Negative: 0 out of 10
  1. JabezM.
    10
    This film, while admittedly short on narrative and action, has some of the most beautiful and haunting images I have ever seen in a film. They remain with me more than a year after viewing. With the proper mindset and expectations, Tony Takitani is richly rewarding. Expand
    • 0 of 0 users said yes
  2. StephenQ.
    10
    A Must see for the open-minded. A slow, engaging, thoughtful and emotionally fulfiled film. It relies on atmosphere, setting and color to really imprint the emotions of each scene. If you sit through it and pay attention, you'll look back and feel impacted. I was. Expand
    • 0 of 0 users said yes
  3. Kirsten
    5
    An exercise in existentialist angst...I lost patience with it. And the director's habit of going from one scene to another by panning to the right of frame became maddening to me. Expand
    • 0 of 0 users said yes

See all 10 User Reviews

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