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75I WANTED it to be a typical romantic comedy starring those two lovable people, Sandra Bullock and Hugh Grant. And it was. And some of the dialogue has a real zing to it. There were wicked little one-liners that slipped in under the radar and nudged the audience in the ribs.
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75Bullock is cute. Grant is even cuter. They have the timing and panache of a first-rate comedy team.
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75Anyone who prefers Hugh Grant and Sandra Bullock to Ralph Fiennes and Jennifer Lopez is bound to regard Two Weeks Notice and not "Maid in Manhattan" as the better candidate for romantic comedy of the season.
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75Knows what it needs to do for both its stars, does it, and doesn't make a federal case about it. I'd watch these two together again in a New York minute.
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75Grant's timing is flawless, his delivery is perfection, and he once again demonstrates himself to be the movies' unrivaled master of sophisticated verbal comedy.
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70Viewers looking for extremely light, romantic entertainment with a guaranteed happy ending could do worse.
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70It is a lovely, amusing diversion from the start, but the depth of its poignancy by the time it's over comes as a surprise.
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63If anything, Grant seems to be getting funnier, and he now has the ability to elevate material the way another Grant -- Cary -- did.
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63Lawrence just leans on Grant and Bullock, who could have done a movie this breezy from the set of their next one -- where, presumably, Bullock will be playing Medea.
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63A movie that is relentlessly inoffensive and completely unoriginal –- two qualities that combine to make it only sporadically charming and rarely (if ever) compelling.
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63The result may not make for a great adventure, but it's sure a fun ride.
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50Lead actors seeming like they're taking it easy is one thing. But a filmmaker trying to construct a smart romantic comedy actually must do some work.
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Two Weeks Notice is a lot like Trump's tonsorial tower: improbable and overteased.
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Lawrence isn't nearly as adept at romantic comedy as his stars. His rushed jokes and insensitivity to tone are yet more sad reminders that the genre is an endangered species not because we lack new Hepburns and Cary Grants, but because there are no more George Cukors.
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50Grant takes every stupid line and makes it funny, just by underplaying.
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50It's not a horrible film -- and it's a fuckload better than some other oops-we-fell-in-love comedies in recent years (e.g., J. Lo's doggy "The Wedding Planner"). It's just not very smart. Deeply rentable.
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50Lawrence is fortunate to have appealing pros like Grant and Bullock around to bail him out with romantic chemistry and enough crisply delivered one-liners to survive the barren stretches of script.
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50An affable but undernourished romantic comedy that fails to match the freshness of the actress-producer and writer's previous collaboration, "Miss Congeniality."
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42Suffers from poor comic timing and defective romantic pacing.
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38A romantic comedy need not be original to work. It just needs, you know, romance. Something to swoon over. What Two Weeks Notice provides, however, is a lot more messy.
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38Evokes such deja vu, you'd swear you'd already fallen asleep on the damned thing in the middle of the night on HBO.
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30Coarse, cliched and clunky.
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30It's a botched job through and through, made all the more distressing by Bullock's recent announcement that she's throwing in the romantic comedy towel for a while.
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30So busy rehashing rom-com clichés that it shirks the genitive, prelude to other flaws.
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30Breezing along on gusts of stale air and perky inanities, Two Weeks Notice is a romantic comedy so vague and sadly undernourished that it makes one of Nora Ephron's low-cal strawberry sodas seem as tempting as a Philip Barry feast.
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30Has the tired, over-baked feeling of a script that never quite worked but was tinkered with until every ounce of spontaneity or life was hammered out of it.
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30Bland comedy romance. Grant and Bullock fail to put across the tired dialogue, and many scenes seem ad-libbed--in desperation.
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25Sandra Bullock and Hugh Grant are distilled to the very essence of their annoying tics and quirks.
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20Manages to make its live actors sound -- and even sometimes look -- computer generated. This wan, sluggish comedy wouldn't pass muster as a premium-cable original, but here it is on the big screen.
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10A numbingly unfunny romantic comedy. I hated every minute of it
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