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Generally unfavorable reviews - based on 32 Critics What's this?

User Score

Mixed or average reviews- based on 33 Ratings

  • Summary: Madonna's W.E. is a tale about the search for true love in the modern world, viewed through the prism of one of history's most fabled romances. The year is 1998, and Manhattan is abuzz with anticipation about the upcoming auction of the estate of the Duke and Duchess of Windsor. But the auction is far more than a diversion for Wally Winthrop, a transplanted Southerner trapped in an unhappy and abusive marriage. Transfixed by the exquisite artifacts of the Windsors' lives, Wally becomes obsessed with the love story of Wallis Simspon, the chic, charismatic American who captured the heart of King Edward VIII. As she learns more about the sacrifices Wallis made in choosing to be with Edward, Wally finds the courage to follow her own heart and create her own happiness. (CanalStudio) Expand
Score distribution:
  1. Positive: 3 out of 32
  2. Negative: 9 out of 32
  1. Reviewed by: Diego Costa
    Dec 12, 2011
    75
    W.E.'s is a kind of dynamic pleasure that allows for non-shameful identification with the feminine and a fantasy of becoming what we see.
  2. Reviewed by: Damon Wise
    Jan 16, 2012
    60
    An uneven study of a notorious love story, raised by some superb performances and nuances, but brought down by awkward direction.
  3. Reviewed by: J.R. Jones
    Feb 9, 2012
    60
    The auction makes for a pretty good hinge between the two narratives and, more importantly, allows Madonna to indulge her fetish for fine English things.
  4. Reviewed by: Ann Hornaday
    Feb 9, 2012
    38
    Conceived and directed by Madonna, W.E. is a gorgeous mess.

See all 32 Critic Reviews

Score distribution:
  1. Positive: 7 out of 8
  2. Mixed: 0 out of 8
  3. Negative: 1 out of 8
  1. I guess my score is high simply because it's nowhere near as bad as all the reviews prepared me for. It's a very feminine film, from a very feminine point of view, and a very specific point of view at that. And considering the state of the economy right now, you will either feel offended by the opulence on screen or, like me, simply get lost in how beautiful and luxurious it all looks. Visually it's a great escape from the boarded up shops and austerity going on in the country right now. As far as the story goes--well--I was too busy being lost in how gorgeous it all looked. But honestly, it's not anywhere as bad as some of the reviews have said. It's just a mediocre story with some of the most exceptional costumes and visuals for a period piece I've ever seen. And the musical score is superb too. But yeah, the story is mediocre. Hopefully M will direct a script someone else writes next time. That could be something to behold. Expand
  2. 8
    Like a Moving Tapestry W. E. is a delightful movie that blends two love stories, a biography and history.

    There were many moments when the
    camera work is stunning.

    The actors deftly bring to life a gripping story line.

    The beautiful costumes and lovely sets give this show a rich texture.

    Madonna directed this and I look forward to more works of art she directs.
    Wikipedia informs me she also co-wrote this so I am even more amazed. I would highly recommend this for Date night whether married or single
    Romantics
    Expand
  3. W.E. is one of three biopics I have seen this year, after The Iron Lady and J Edgar. Of the three I think W.E. is probably the best, but all three tread the path of the mediocre. What W.E. gets right is Wallis Simpson, Riseborough is fantastic in the lead role and has great chemistry with James D'Arcy. The biggest problem with the film is the the second tier of the romance with Abbie Cornish's Wally Winthrop, though the romance picks up momentum around the one hour mark, it slows down the pace of the Wallis Simpson segments.

    The script has high and low notes, the romance at times is reduced sappiness, but these are forgivable even when they are at there worst. What is probably the biggest weakness in W.E. is the often close up hand held camera shots. The occasional one works nicely, but these shots are put in far too often and take you out of the story. In most cases the camera work could have been more simplistic, it too often feels erratic which isn't good in the more tender moments of the film.

    The music in W.E. is beautiful and the addition of "Masterpiece" in the credits is a lovely song to go side by side with the film. However sometimes the music is a little over powering, once again just a case of less is more. The much discussed and derided scene with Wallis dancing the Charleston with a tribesman to The Sex Pistols "pretty Vacant", I really liked. I felt the scene was a good way to show how frivolous the character could be, using the modern day Wally's imagination to keep the scene from feeling alien.

    Undoubtedly the best part of W.E. is the costume and lighting. The attention to detail in this department is incredible. Every costume looks stunning and is meticulously put together down to the nearest diamond, and the lighting makes the landscapes almost feel like paintings it really is stunning.

    All in all W.E. is a great attempt from Madonna to craft a stunning looking film, though the storytelling can be muddled and the film takes around 40 minutes to really get going, its doesn't completely take away from the overall film. Historical inaccuracies put aside would have made this film a 7, but not exploring the Nazi element could have made this so much more interesting. The negative reviews of this film aren't looking at it from fair perspective and anyone with half a brain can see though not amazing, W.E. is at least half decent and for a directors second film pretty damn good.
    Expand
  4. Conceived and directed by Madonna, W.E. is a gorgeous mess.

See all 8 User Reviews

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