- Studio: Hart Sharp Video
- Release Date: Apr 7, 2006
User Score
6.6
out of 10
Generally favorable reviews- based on 12 Ratings
User score distribution:
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Positive: 8 out of 12
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Mixed: 0 out of 12
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Negative: 4 out of 12
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alicApr 7, 20062Pretty bad and unfunny.
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BlisterfishCafeOct 7, 20061Toilets. All I could think about while watching this film was toilets. I don't like men in funny hats. I don't like men who light candles when their mouth is open. Bad film. Please use your time and money in a better way.
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RobertT.May 10, 20060ANYBODY that even found this movie bearable to sit through needs his or her head checked.
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HarryC.Oct 11, 200610Delightful! I am not surprised this film gets both 1's and 10's - it is extreme, and that's exactly what makes it wonderful. If you like pap, this is not for you, but if you have a sense of humor and depth in your heart, you will relish this. And as for the critics - BLAH BLAH BLAH, PC nonsense.
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EricA.Apr 11, 20069Sweet, poignant, surprising and ultimately spiritual. For anyone who has endured a comedic, dysfunctional family holiday gathering, and certainly for Seder lovers.
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JaimeD.Apr 14, 200610A movie that extends the limits of conventional comedy and established good taste. It portraits the decadence of american society ( not only jewish). A must see to mirror ourselves .Despite it's anti conventions, this movie gives redemption and uplifting. Welcome to the USA.
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PhilipF.Apr 7, 200610A terrifically funny comedy of a dysfunctional family. A religious holiday is the backdrop but is only that: backdrop. The real dramatic interest is a family at a holiday time. It can be any family in any holiday: Passover, Christmas, it doesn't matter.
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LoriOMay 13, 200710
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50A debut film that's more well-intentioned than funny.
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In his sour little movie When Do We Eat?, the director Salvador Litvak, like many before him, misses the target, landing instead in the adjacent territories of Tries Too Hard and Bad Taste.
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63Litvak's broad comedy has novelty on its side, and though the script never rises above sitcom-style one-liners and sight gags, strong performances invest both the jokes and the syrupy moments of forgiveness and reconciliation with no small measure of, yes, heart.