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100Zero Dark Thirty is precise, definitive filmmaking, yet Bigelow refuses to hand over easy answers. Some people call that evasion. I call it the ultimate despair.
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100Gripping throughout, with an impressive central performance, this is like a Dogme 95 redo of a Chuck Norris film - by heroic effort, the good guys find and kill a bad guy. How you feel about that is something Bigelow leaves you to decide.
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89It's a mistake to confuse Zero Dark Thirty for "truth" – that would be a disservice to the high level of craftsmanship, from first-billed actors to below-the-line production crew, at work in this movie fiction – but there is admirably little fat on its bones.
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80Breathlessly tense, thrillingly orchestrated and intellectually complex, this damn fine piece of rigorous, meticulous filmmaking enhances Kathryn Bigelow's status as one of her generation's most accomplished directors.
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75Not everything about Zero Dark Thirty zips by. The middle hour of the film feels overstuffed with agency chiefs and national security advisors gazing on the feisty Maya with avuncular admiration.
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100The U.S. government did torture prisoners of war in the name of its so-called war on terror and, by extension, in the name of all Americans. What Bigelow and Boal seem to be arguing is that such actions take a deep cosmic toll on the people responsible -- whether directly, in the case of Chastain's character, or indirectly, in the case of you and me.
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83Viewers looking for a propagandistic take will be disappointed, but even those who doubt the overall framework and existence of the so-called War on Terror should appreciate this thrilling tale of the hunt for the world's most wanted man.
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100By and large, Zero Dark Thirty dispenses with sentimentality and speculation, portraying the final mission not with triumphalist zeal or rank emotionalism but with a reserved, even mournful sense of ambivalence.
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100Unlike too many films these days, Zero Dark Thirty dares to embrace complexity. And that makes it not just state-of-the-art entertainment, but a great film.
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88Zero Dark Thirty, like the mission that inspired it, commands respect, admiration, even awe in places for the logistical nightmares that had to be overcome to get it done. But it's a hard movie to love.
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100The last thing we see in Zero Dark Thirty is Maya's face and it is also ours, silently crying tears of reflection.
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88Maya is as consumed with finding bin Laden as Jake Gyllenhaal was obsessed with finding a serial killer in "Zodiac," only he was doing it as a hobby.
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100One of the most innovative and best made films of the past year. Every now and then, even Dick Cheney gets to like a great movie.
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100It's a movie made with the same coolly fanatical attention to craft the lead character displays in her work. Bigelow is now recognized as one of our true filmmaking naturals.
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100A great movie, an astonishing achievement on nearly every level.
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100The key American film of 2012 ... Its stance is extremely tricky. It's not a documentary. It's not a load of revenge nonsense. It's not '24.' I'm still arguing with myself over parts of it. And that's a sign that a movie will endure.
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100A monumental achievement that documents a coordinated and complicated response to a monumental tragedy.
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75Do we want to know more about Osama bin Laden and al Qaida and the history and political grievances behind them? Yes, but that's not how things turned out. Sorry, but there you have it.
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100Judged solely as a film, a partially fictionalized account of the decade-long search for bin Laden, it's superbly crafted and relentlessly dramatic. More than that, though, Zero Dark Thirty is a shock to the system, one that's bound to incite discussion of profoundly troubling issues.
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95Was the death of Osama bin Laden worth the moral price, the compromised ideals? The filmmakers could hardly avoid raising those questions, but they pointedly leave them for the audience to answer. This is not a triumphant story in their telling, but it is one uncommonly freighted with the weight of history.
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63While this decade-long look at the inner workings of the CIA is intriguing, the movie would have benefited by more character development and additional editing.
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100Like the fictional Clarice Starling in "The Silence of the Lambs,'' Maya is a consummate professional who brilliantly performs her job in an often hostile work environment.
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100One reason Boal makes such a potent combination with Bigelow is that her directing style moves us right along. She is so good with both action and creating a convincing look and feel for the film that the time it takes to get up to speed with the complicated plot does not feel like a problem.
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88A compelling contemporary thriller with the added benefit of also being an engrossing character study.
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Dec 18, 2012100It's a sensational performance by Chastain...She's a most unlikely leading lady, pale and slight of stature, with a raging mane of strawberry blond hair, but she holds the screen with a feral intensity, an obsessive's self-possession.
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100Zero Dark Thirty stands to become the dominant narrative about this important historical event, no matter its distortions, composites, or other slippery feints of storytelling. In that, it wields a dangerous power.
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50As a realistic political thriller about Americans in harm's way it is not half as suspenseful or entertaining as "Argo." We may never know the truth about how we found bin Laden, but I still believe what we do know makes a strong enough story on its own without Wonder Woman.
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100Ms. Bigelow's direction here is unexpectedly stunning, at once bold and intimate: she has a genius for infusing even large-scale action set pieces with the human element.
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100Hang on tight. The knockout punch of the movie season is being delivered by Zero Dark Thirty.
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80What finally sticks in the mind about "ZDT" is its precision. What the film says about getting information from terrorism suspects in an era of high-tech surveillance depends on your point of view. What is unquestionable is how powerful its full scope is.