Boston Globe's Scores

For 5,451 reviews, this publication has graded:
  • 55% higher than the average critic
  • 2% same as the average critic
  • 43% lower than the average critic
On average, this publication grades 0.8 points higher than other critics. (0-100 point scale)
Average Movie review score: 62
Highest review score: 100 Boyhood
Lowest review score: 0 Cocktail
Score distribution:
5,451 movie reviews
  1. The tame, confused script eventually sinks the film, although Field shows skill directing actors.
    • Boston Globe
  2. Seeing her (Kidman) in junk like this is a bit like watching the Queen of England eat a Taco Bell chalupa.
  3. Noe's summation is an ideological sucker-punch from a filmmaker who gets off on abusive relationships. He may as well have thrown a big ''whatever'' up on the screen.
    • 39 Metascore
    • 38 Reviewed by
      Ty Burr
    A "great poet" movie, the poet in this case being Dylan Thomas, and it's utter bollocks.
  4. The horrible anticipation he [Aja] builds is derailed by a gimmick that makes the twist in, say, ''Fight Club" seem perfectly logical. To say more would be to ruin the movie, and why should I do that when its own makers have done it for you?
  5. The limp script actually has the characters spout ''Let's get outta here!'' more than once. Or maybe that's just a wise member of the audience talking.
  6. It’s just like the Kenny Rogers song says: “You’ve got to know when to hold ’em, know when to fold ’em.” It’s time for this Gambler to walk away.
    • 53 Metascore
    • 38 Reviewed by
      Ty Burr
    A noisy and lazy stopgap movie that goes absolutely nowhere and takes 2 1/2 hours to get there.
    • 35 Metascore
    • 38 Reviewed by
      Ty Burr
    Primeval is a hoot if you're in the mood, though, and it gets points for trying to stuff a little globo-think into the minds of Friday night mayhem fans (who will probably rebel, since only one skull pops like a grape).
    • 50 Metascore
    • 38 Reviewed by
      Ty Burr
    Not good enough to take seriously and, sadly, not bad enough to be any fun.
    • 62 Metascore
    • 38 Reviewed by
      Ty Burr
    Big Eyes may not be Tim Burton’s absolute worst movie — we’ll always have “Planet of the Apes” — but it’s pretty close to the bottom. It’s also the film that reveals his weaknesses as a director and, by their absence, his strengths. Gaudy, shallow, shrill, smug, the movie proves beyond a whisker of doubt that Burton has little interest in human beings unless they can be reduced to cartoons.
  7. At the very least, a movie like this requires coherence to stay afloat. Barring that, it needs a star to distract us.
  8. The one-sidedness of Farmageddon isn't just an artistic failing. It's an argumentative failing, too.
    • 40 Metascore
    • 38 Reviewed by
      Ty Burr
    Del Toro does remind you of Brando here; unfortunately, it's the Brando of ''Apocalypse Now,'' the one with the green face and puffy line readings. Jones fares better, even if he wears the same grieving-for-humanity expression throughout the film.
    • 34 Metascore
    • 38 Critic Score
    A veritable rip-off of 1995's "The Usual Suspects," Beach's crime caper not-so-subtly apes Bryan Singer's use of multiple red herrings and flashback-heavy interrogation scenes, but lacks the stylistic flair and sophisticated narrative skills to pull off a similar feat of cinematic intrigue.
    • 48 Metascore
    • 38 Reviewed by
      Ty Burr
    Works hard to give quirk a bad name.
    • 52 Metascore
    • 38 Critic Score
    It was possible to hope that Blade II would turn out to be good. Well, forget it.
  9. Nothing works. Or some of it works, but that doesn't matter because what's working is so deeply, painfully boring.
  10. Audiences are going to want to brace themselves, too – for a movie that refuses to recognize when it’s going too far, with its wince-eliciting jokes about jailhouse rape in particular.
  11. It's not boring to watch, but in the end it's too lame and too tame. [21 Apr 1995]
    • Boston Globe
    • 30 Metascore
    • 38 Reviewed by
      Ty Burr
    If most December movie releases are epic-length and Oscar-ambitious, then Punisher: War Zone has to be considered Hobbesian counterprogramming: It's nasty, brutish, and short.
    • 39 Metascore
    • 38 Reviewed by
      Ty Burr
    Young children and adults with high pain thresholds will enjoy the movie during its brief pause on the way to your On Demand menu.
    • 36 Metascore
    • 38 Reviewed by
      Ty Burr
    It must have looked great on paper. On screen, it’s a soapy mess that even Joan Crawford in her delusional late-period prime couldn’t save.
  12. Some bad movies can make you feel awful for the people who made them and worse for the audience that shows up. The actors, the script, the camera: There's nowhere good they can go. For Greater Glory is that kind of bad movie: a total embarrassment.
  13. Unlike most of what Moore has been in, Dedication is unlikely to delight retirement homes on movie night. But it's not imaginative, lively, or true enough to speak to its intended audience of American Apparel shoppers, either. It's a slog.
  14. The most popular facial expression for victims in The Grudge 2 is something I'd like to call "deep befuddlement." This time "deep befuddlement" goes double for paying customers.
    • 39 Metascore
    • 38 Reviewed by
      Ty Burr
    Watching Arthur and the Invisibles is like sticking your head in a Gallic pinball machine: It's hectic, technically impressive, and your skull starts to pound after a while.
    • 47 Metascore
    • 38 Reviewed by
      Ty Burr
    A torpidly precious love story about death-obsessed adolescents, the film's becalmed and embalmed in its own sensitive self-pity.
  15. The Hollywood version of one of those fawning "60 Minutes" segments about musical prodigies. For most of it, I could hear the congested awe of Morley Safer.
    • 49 Metascore
    • 38 Reviewed by
      Ty Burr
    A peppy, fast-moving, wafer-thin amusement that's fine for kids if you don't mind a lot of Three Stooges-style martial arts. For grown-ups, it's the equivalent of a 59-cent tin globe.

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