Boston Globe's Scores

For 5,243 reviews, this publication has graded:
  • 55% higher than the average critic
  • 2% same as the average critic
  • 43% lower than the average critic
On average, this publication grades 0.6 points higher than other critics. (0-100 point scale)
Average Movie review score: 62
Highest review score: 100 Winter's Bone
Lowest review score: 0 Gigli
Score distribution:
5,243 movie reviews
  1. Spacey is diamond-brilliant in a role that plays as if custom-made for him.
  2. Riveting tale of family dynamics packed with as much drama, conflict, and poignancy as the best feature film.
    • Boston Globe
    • 80 Metascore
    • 100 Reviewed by
      Ty Burr
    At its most unsettling level, Spellbound asks us to consider what words are for and what childhood should be. It's as profound as anything you'll see this year, and, yes, it should have won the Oscar.
  3. But then Being John Malkovich is a brilliant juggling act, too, brilliantly brought off.
  4. Watching it is a nonstop high.
    • Boston Globe
    • 96 Metascore
    • 100 Reviewed by
      Ty Burr
    Is ''Dr. Strangelove" Kubrick's best movie? Along with ''Paths of Glory," absolutely.
  5. Like no movie before it, Adaptation risks everything -- its cool, its credibility, its very soul -- to expose the horror of making art for the business of entertainment.
    • 67 Metascore
    • 100 Reviewed by
      Ty Burr
    It's a unique trip that flirts with hokeyness at the surface but that grows more compelling, awe-inspiring, and tragic the deeper you go.
  6. It isn't often that lives of quiet desperation are served up with such pearly restraint.
    • 90 Metascore
    • 100 Reviewed by
      Ty Burr
    Gorgeously stoic art film.
  7. This is a love letter from one auteur to another that doesn't feel like a term paper. Instead, Far From Heaven is an honest-to-God drama with resonance all its own.
    • 89 Metascore
    • 100 Reviewed by
      Ty Burr
    Longer on atmosphere and observation than on story, but you don't mind: Coppola maintains her quietly charged tone with a certainty that would be unbelievable in a second film if you didn't suspect genetics had a hand.
  8. Nothing momentous happens here, but Philibert has a magical sense of how to find the simple poetry lurking in the universal routine of being a kid. A lot of the film's lyricism is extracurricular.
  9. The worst thing about the first Quentin Tarantino picture in five years is that after 93 minutes of some of the most luscious violence and spellbinding storytelling you're likely to see this year, Kill Bill ends.
    • 100 Metascore
    • 100 Reviewed by
      Ty Burr
    To see Au Hasard Balthazar is to understand the limits of religious literalism in movies -- the limits, even, of movies themselves. Bresson pares everything away until all that's left are the things we do and the hole left by the things we could have done but didn't.
  10. The atmosphere is hypo-stylized, vividly generic and worse than real, like a doomy Frederick Wiseman documentary.
    • 91 Metascore
    • 100 Reviewed by
      Ty Burr
    All you really need to enjoy "Triplets" is a taste for the weird and the wonderful.
    • tbd Metascore
    • 100 Reviewed by
      Ty Burr
    So clear-eyed and three-dimensional that it makes the recent ''Pearl Harbor'' look like a bunch of kids playing dress up. Aspects of the film have dated, but in the important things it's more mature than anything proposed lately by modern Hollywood.
    • 96 Metascore
    • 100 Reviewed by
      Ty Burr
    Chaplin's sentimental politics and peerless comic invention dovetailed more perfectly in this film than in any other he made.
    • 94 Metascore
    • 100 Reviewed by
      Ty Burr
    The Battle of Algiers is a thinking person's action film in which there are winners -- but no heroes.
  11. This is the first beautiful performance in the year's first great movie.
    • 92 Metascore
    • 100 Reviewed by
      Ty Burr
    The film that many consider the finest of its decade, Raging Bull, has aged well, and not just because it was filmed in black and white.
    • 83 Metascore
    • 100 Reviewed by
      Ty Burr
    The result is insanely good, and the best time I've had at the movies in ages.
    • 75 Metascore
    • 100 Reviewed by
      Ty Burr
    Unfolds with the serenity of a fable but underneath it draws intelligent, deeply troubled connections between the personal, political, and spiritual.
  12. Freshly viewed, the movie's melancholy seems to fit uncannily well in the moment we find ourselves now. In the film there are mentions of nuclear annihilation and worries that heedless lust and wanton partying could bring Rome a second fall.
    • 79 Metascore
    • 100 Reviewed by
      Ty Burr
    About the search for common ground, among journalists on all sides of the conflict and, through them, between viewers in America and the Arab world. Only within that common ground, Noujaim believes, can something like a workable, personal truth be found.
    • 100 Metascore
    • 100 Critic Score
    One of his (Bergman's) most life-affirming films.
    • 90 Metascore
    • 100 Reviewed by
      Ty Burr
    That rose in the desert, a sequel that improves in every way upon its beloved predecessor and a romance that slowly builds a fire from embers thought dead.
    • 76 Metascore
    • 100 Reviewed by
      Ty Burr
    The result is one of the most unforgiving ground-level documentaries about the music business ever made -- the six-string equivalent of "Hoop Dreams."
  13. A masterpiece.

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