Boston Globe's Scores

For 5,884 reviews, this publication has graded:
  • 55% higher than the average critic
  • 2% same as the average critic
  • 43% lower than the average critic
On average, this publication grades 0.5 points higher than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 4 Months, 3 Weeks and 2 Days
Lowest review score: 0 P2
Score distribution:
5884 movie reviews
    • 85 Metascore
    • 88 Reviewed by
      Ty Burr
    Writer-director Coogler could easily have turned Fruitvale Station into a work of agitprop — a film to work you into a froth of anger — but he’s after things that are harder to grasp: the measure of a man’s life and the smaller struggles, satisfactions, and injustices that can fill it.
  1. Such moral outrage, apart from the artistry in which it is embedded, tells us that the forces of change are stirring in Iran.
    • Boston Globe
  2. Riveting tale of family dynamics packed with as much drama, conflict, and poignancy as the best feature film.
    • Boston Globe
  3. What an amazing presence Gorintin has. Never mind her hunched back and white hair, she's no crone. She makes Eka needy for happiness but susceptible to heartbreak. It's a great performance, full of both joy and the quiet, disappointing parts of being alive that come with knowing change is part of life.
  4. The film has sprung from the mind of the Frenchman Leos Carax and ought to be seen to be believed, on the largest screen you can find, and probably sober, too, since it becomes its own narcotic.
    • 84 Metascore
    • 100 Reviewed by
      Ty Burr
    With at least nine primary characters and running two and a half hours, it's a big, fat novel of a movie - a domestic epic that fuses bitterness and forgiveness in completely satisfying ways.
  5. It's so simple, so obvious - and a revelation.
  6. This is an extraordinary artistic breakthrough from a Mexican director who was already fearlessly good to begin with.
  7. Revanche was a foreign-language Oscar nominee this year, and it's a better movie than most of the films in the main race. The word "revanche" means "revenge" in German, but "waiting" would have been just as good.
  8. It seems more a geek show than a slab of marketing wizardry.
  9. It's a quiet little gag homage both to Boris Karloff and to the set up of shelf-loads of pulp novels and films noir. And Peltola, with his flat, serious face and damp, oil-black hair, happens to look, at times, like Richard Widmark and Kirk Douglas.
  10. Moonrise Kingdom is Anderson's seventh movie, and it's the first since "Rushmore" that works from the opening shot to the final image.
  11. Filled with affection and verve and will do very nicely until the next shipment of Latin jazz comes along.
    • Boston Globe
    • 84 Metascore
    • 100 Reviewed by
      Ty Burr
    In his masterful and haunting documentary Up the Yangtze, Yung Chang shows the old China drowning helplessly under the weight of the new.
  12. Never settling for mere irony, High Hopes becomes a small banner of sanity and good humor among the social ruins. Leigh never shies away from his unflinching dead-end class view of contemporary London. Nor does he wallow in '60s nostalgia. Which is part of the reason his passionate, life-embracing High Hopes is so exhilarating. [31 Mar. 1989, p.30]
    • Boston Globe
    • 84 Metascore
    • 100 Critic Score
    Generations from now, when people talk about horse movies, they won't be talking about "National Velvet" or "My Friend Flicka," they'll be talking about the majestic beauty of Carroll Ballard's The Black Stallion. [07 Feb 1980]
    • Boston Globe
  13. Haunting, powerfully acted, penetratingly written, it's about people coming home -- and not coming home -- to their marriages.
    • 84 Metascore
    • 88 Reviewed by
      Ty Burr
    What Moreau does with this role is as inscrutably moving as anything Séraphine Louis painted.
    • 84 Metascore
    • 100 Reviewed by
      Ty Burr
    No matter their wealth or social status, these people share disappointments and elations and a sense that life, in the end, may be what life is about.
  14. Naked is one of the most scorchingly compelling films in years, Mike Leigh's masterpiece, an unflinching vision of civilization in retreat, life as apocalypse. [4 Mar. 1994, p.51]
    • Boston Globe
    • 84 Metascore
    • 100 Critic Score
    Broadcast News grows in your memory. It recalls an era when movies were made by, for and with three-dimensional characters you cared about. Let's hope it doesn't take James L. Brooks another four years to make another one. We can't wait that long. [25 Dec 1987, p.53]
    • Boston Globe
  15. By nearly every measure, Milk is a beautifully made, far less conventional movie biography than most.
  16. From beginning to end, it bristles with ironies in classic Eastern European absurdist style.
    • Boston Globe
    • 84 Metascore
    • 75 Critic Score
    An epic film in every respect.
  17. This is a love letter from one auteur to another that doesn't feel like a term paper. Instead, Far From Heaven is an honest-to-God drama with resonance all its own.
  18. Another complex and magnificently acted melodrama.
    • 84 Metascore
    • 88 Reviewed by
      Ty Burr
    War Witch deals with a reality so horrific that the film’s touches of magical realism are welcome, even necessary — the only way to retain one’s bearings and sanity in a world without signposts.
    • 84 Metascore
    • 88 Reviewed by
      Ty Burr
    Maddin's Winnipeg is a rich, funky, funny stew of fears and desires, of mangled civic chronology mashed up with hothouse private emotions. This is a secret history, and it's a wonder.
    • 84 Metascore
    • 100 Reviewed by
      Ty Burr
    Elegantly depraved and immaculately degenerate, Park Chan Wook’s The Handmaiden is an astonishment. The filmmaking is masterful, very near to Hitchcock in its sly, controlled teasing of the audience.
    • 84 Metascore
    • 75 Reviewed by
      Ty Burr
    This is at bottom a pulp thriller that strains -- sometimes pretentiously, at other times with gutter magnificence -- to reach the level of basic human truths.

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