Boston Globe's Scores

For 1,075 reviews, this publication has graded:
  • 46% higher than the average critic
  • 3% same as the average critic
  • 51% lower than the average critic
On average, this publication grades 6 points lower than other critics. (0-100 point scale)
Average TV Show review score: 59
Highest review score: 100 Behind the Candelabra
Lowest review score: 0 Sons Of Hollywood: Season 1
Score distribution:
  1. Mixed: 0 out of 524
  2. Negative: 0 out of 524
524 tv reviews
  1. The pop allusions (to Carson Daly, Alfred Hitchcock) and the fog-machine-based production design are flat and unambitious. But “The Vampire Diaries’’ nonetheless satisfactorily opens up yet another TV world of heightened youth, where blood-sucking is a metaphor for a whole range of fears and desires.
  2. The VH1 series is slight, but it has a certain charm and the potential to grow into a harmless, soapy amusement.
  3. If only the endeavor felt more worthy, and less prefabricated at some offshore factory where workers in mouse ears plug in the parts: the underconfident girl with a surprisingly pretty voice, the semi-bad boy with a sensitive side, the meticulously choreographed musical numbers, the heartfelt Disney lessons about self-love and self-expression.
  4. The debut isn't disastrous by any means, it just doesn't crackle.
  5. Tim Allen proved at the Emmys just how tired his shtick has become. [16 Sep 1992]
    • Boston Globe
  6. It’s an ambitious work that is always fascinating, if not always successful. When all is said and done, Boardwalk Empire may be TV’s best uneven series.
  7. While it pales next to the original movie, it is an enjoyable Saturday-matinee-styled Western show with a charismatic cast and the potential for savvy plots reflecting the complications of race and violence in the post-Civil War West. [3 Jan 1998]
    • Boston Globe
  8. The different elements hang together as a nicely faceted whole--until the final minutes, that is. Ultimately neither movie nor series, neither beginning nor end, Virtuality is a flight with no destiny.
  9. The L Word will get some notice because of its frank, soft-core-tinged portrayal of lesbian sexuality. Just as gay men are neutered in the mainstream, shown only as fit, fashion-obsessed, show-tune-savvy fellas, gay women are still trying to shake the Boston marriage image.
  10. The documentary has its flaws: the flashiness of the editing, an overly insistent score, the sheer annoyingness of many of the talking heads.
  11. Sedgwick ... deserves better than "The Closer," but she still makes TNT's conventional new homicide drama worth checking out. [13 Jun 2005]
    • Boston Globe
  12. Olbermann is still Olbermann: left-leaning, punctuated by ironic humor, veering into bombast, and underpinned by sincerity. You'll just need to look a little harder in the far reaches of cable to find him.
  13. It would be great to see the network come up with something as honest as, say, “My So-Called Life,” or as original and amusingly metaphorical as “Buffy the Vampire Slayer,” or as thought-provoking as a movie like “River’s Edge.” But in the meantime, a mostly happy dramedy like Chasing Life will do, marrying strong female roles with CW-style 20-something melodrama that’s as mindlessly angsty as the Bon Iver on the soundtrack.
  14. These actors help save the show from pure whimsy and excess.
  15. The show, from Greg Berlanti and Nicolas Wootton, does a good job of making Clark both appealing and overly ambitious.... What doesn’t work at all in the first two episodes of Golden Boy is the more familiar procedural material.
  16. The familiar show, which is set in Boston but too clearly filmed elsewhere, adds in some romantic intrigue, as both Harmon and Alexander appear to be interested in the same FBI agent (Billy Burke). But the dominant theme on Rizzoli & Isles, as on "The Closer,'' is fighting crime and not fighting tears.
  17. It's completely stupid, although somehow, on top of it all, it manages to pull out a laugh or two if you're willing to channel your inner juvenile.
  18. Somewhere in this big pile of plot is a potentially enjoyable series, if the producers can figure out how to balance the week-to-week procedural elements of McDeere's court cases with the overarching mystery of his new associates' sinister secrets.
  19. While little about The Cape could be deemed fresh - from its noir-ish "Dark Knight"-esque color palette to the sometimes boilerplate dialogue - the show has several elements going for it.
  20. The first episode feels like a trial run. The second episode, which looks at the idea of fantasy, feels less disjointed.... Those moments when we see what a thousand people can create together are surprisingly inspiring.
  21. 'Kitchen Confidential" is the kind of new TV show that fits perfectly beside the adjective ''promising." Pilots sometimes strain to set up the entire series, and tonight's episode of ''Confidential" has its share of forced material.
  22. There’s a hint of “Arrested Development” in the air, but Working the Engels is ultimately a much more common kind of dysfunctional family sitcom.
  23. Jewel is a bit of a host-and-judge-bot, delivering her lines with a steely stiffness, but DioGuardi is usually worth listening to....Platinum Hit has a few flaws. The casting is far too predictable. All the songwriters are pretty and, with one or two notable exceptions, pushy.
  24. Even if the tale is not particularly captivating, the actors, in particular Sarsgaard and Newton, enliven the quotidian details.
  25. "Million Dollar Listing" is a pretty collection of vignettes about people with money making more money, and it's a little obscene.
  26. It succeeds as a charming, silly, and idealistic piece of whimsy along the lines of "In and Out."
  27. Clearly, the action in ''Black. White." has been manipulated and edited to justify its existence as a spark-filled TV look at black-white relations. Indeed, the show... can be downright hokey. But it nonetheless pushes you into questions about your own behavior and feelings.
  28. Donnie Loves Jenny is a reality show that delivers scenes that were clearly prefabricated, comments that were likely calculated for effect, and intimate moments that feel awkward because we are in the room.... And yet, I found the hour surprisingly endearing.
  29. The two-part miniseries makes missteps aplenty, with tone and plot changes from the novel that will likely offend purists. But it nonetheless has a warm spirit and an original vision, which is more than I can say for Roman Polanski's rote 2005 version.
  30. At this point, Scrubs has turned its original style into a formula; the fantasy sequences are more predictable, the earnest denouements are automatic. It’s a good formula, but one that’s no longer vibrant.

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