Boston Globe's Scores

For 1,319 reviews, this publication has graded:
  • 47% higher than the average critic
  • 3% same as the average critic
  • 50% lower than the average critic
On average, this publication grades 4.9 points lower than other critics. (0-100 point scale)
Average TV Show review score: 61
Highest review score: 100 The Office (UK): Season 3
Lowest review score: 0 The Real Wedding Crashers: Season 1
Score distribution:
  1. Mixed: 0 out of 670
  2. Negative: 0 out of 670
670 tv reviews
    • 99 Metascore
    • 100 Critic Score
    "The Larry Sanders Show" brilliantly exploits the medium as it mocks it. [19 Jul 1995]
    • Boston Globe
  1. "The Larry Sanders Show" begins its sixth season in top form, with no letup in its steady flow of spot-on sendups and ironic rubs. [13 Mar 1998]
    • Boston Globe
  2. The creeping sense of dread has been part of what has made Breaking Bad so engrossing.
  3. It's hard to imagine any other comedy series putting such a fitting cap on its run. [21 Oct 2004]
    • Boston Globe
  4. Chase has kept his vision unspoiled despite the torrents of praise, hyperbole, and Emmy nomination that have rained down on his show. Yes, the exhilarating sense of discovery that electrified the first season of "The Sopranos" is gone; the first cut is always the deepest. But last season's revelatory buzz is replaced by a certainty that this show has got legs, that the writing is as comic and edgy as ever, and that Chase has a few new monsters up his sleeve. [14 Jan 2000]
    • Boston Globe
  5. Television's blackest comedy. [13 Nov 1996]
    • Boston Globe
  6. Extraordinary. [2 Mar 2001]
    • Boston Globe
  7. The show doesn't seem to have lost any ballast moving forward from the intensity of season one.
  8. It's a riveting indication of what Lynch can do without words. Simple shots of traffic lights and waterfalls are enough to send chills up the spine.
  9. A taut exercise in withheld disaster, Breaking Bad is riveting.
  10. The show is back in magnificent form, with all its humor, psychological thorniness, and bleak tragedy intact. It remains the highest peak of series TV.
  11. The new season of Fargo shows TV-making at its most impressive, with every single aspect--the writing, the acting, the directing, the cinematography, the music, the set design--spot on and in sync.
  12. The best new network dramatic series since "Shannon's Deal" and "Twin Peaks" in 1990. [29 Jan 1993, p.21]
    • Boston Globe
  13. Game of Thrones continues to impress with its ability to depict how intimate choices can have epic consequences, and vice versa. Each of the actors rises to that challenge, whether playing opposite one person or a multitude of extras.
  14. This is a show about religion, politics, parent-child relationships, and the moral dilemmas of insurgency. Consider it a workplace drama where the business is armed resistance.
  15. A dazzling and fascinating season two.
  16. The drama remains as tense as ever, with strong, careful writing and an abundance of fine performances.
  17. It is depressing, brilliant, hysterical, excruciating, full of irony, and nothing you'd ever expect to find on American network TV. Rather than sweetening the workplace with fantasies of a home away from home, "The Office" heightens the reality and disconnection of corporate life until it is absurdly funny. The show doesn't touch your heart so much as tickle your spleen. [9 Oct 2003]
    • Boston Globe
  18. Back for its fourth season, Louie continues to be TV’s finest oddity.
  19. It's hard to know where to aim the praise first.
  20. The writing remains remarkable, as it toggles between the rhythms and cliches of 1950s movies and the timeless resonance of mid-20th-century theater. You rarely find such economical and evocative scripting on TV.
  21. More than a cartoon, it's TV's most intelligent comedy. [11 Oct 1990]
    • Boston Globe
  22. It’s a fantastic return to the story, if you’re in no hurry for action and can admire show creator Ray McKinnon’s quietly fraught set pieces.
  23. Of all the drama pilots I watched, this was my favorite.
  24. Right in the first episode, the relationships are well lived-in, the writing is honest and bound up with the actors, the tone effortlessly embodies drama, comedy, and life’s absurdities, the contemporary homes and locations click, and the ensemble acting is filled with little moments and jewels.
  25. There is much in the next few weeks that is touching, humorous, painful and admirable. But not insightful, or at least not insightful enough to make going back to high school something that seems like must viewing between 8 and 9 on Thursday nights...Still, My So-Called Life is likely to be as good as you're going to get this season as far as new shows are concerned. [24 Aug 1994, p.65]
    • Boston Globe
  26. This is a show that has taken the comedic rhythms of TV to a different level, that moves at the slower, more intimate pace of an independent film.
  27. It has been top-notch from the start--but in the new episodes available for review, the storytelling is more focused and straightforward, less aggressively confusing for casual viewers.... All you need to like to enjoy this unique series is exceptional and ambitious TV storytelling.
  28. As witty and well-written as comedy series get. ... They used to say it was impossible to satirize something as self-satiric as television. That was before "The Larry Sanders Show." [1 Jun 1993]
    • Boston Globe
  29. It is a vibrant, original pleasure.

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