Chicago Sun-Times' Scores

For 822 reviews, this publication has graded:
  • 64% higher than the average critic
  • 3% same as the average critic
  • 33% lower than the average critic
On average, this publication grades 0.7 points higher than other critics. (0-100 point scale)
Average TV Show review score: 65
Highest review score: 100 Spin City: Season 1
Lowest review score: 0 Back to You: Season 1
Score distribution:
  1. Mixed: 0 out of 564
  2. Negative: 0 out of 564
564 tv reviews
  1. Is he worth sitting through the entire show? It depends on how desperate you are for companionship.
  2. It's not quite up to the level of "The OC." Not yet anyway. [23 Sept 2003, p.41]
    • Chicago Sun-Times
  3. Clearly inspired in style and substance by "CSI: Crime Scene Investigation," its sick cases are more interesting than, say, NBC's new "Medical Investigation," but that's setting the bar awfully low. [16 Nov 2004, p.49]
    • Chicago Sun-Times
  4. This is a story of desperation, not liberation. Cox is too good for this.
  5. Haven succeeds at laying on the whimsy, and the dialogue is cute. But it's impossible to follow the investigation, and each discovery raises more questions--not about the supernatural, but about the holes in the script.
    • 58 Metascore
    • 50 Critic Score
    If the series is to find its legs after tonight's shaky first installment, it will have to recapture the movie's spirit. [26 Jul 2000]
    • Chicago Sun-Times
  6. This undercooked stew gets bogged down in attempts to show the softer side of men, though Dotrice's dotty bromides are good for a chuckle. [6 Oct 2000, p.55]
    • Chicago Sun-Times
  7. Littered with the Italian stereotypes that don't involve organized crime, it features Kent as a thirtysomething who throws over her idiot fiance (to the supposed shock and disappointment of her family and friends) and now looks to go to college. [6 Oct 2000, p.55]
    • Chicago Sun-Times
  8. Visually interesting but otherwise blah. [6 Oct 2000, p.55]
    • Chicago Sun-Times
    • 65 Metascore
    • 50 Critic Score
    Though it features dialogue delivered rapid-fire like the best David Mamet plays, the show isn't quite sure what it wants to be.
  9. The only times Rob flirts with funniness are when the stereotypes get turned around
  10. The new premiere isn't horrible, and it shows some promise.
  11. The only buoy that may keep you holding on week-to-week is the entertaining interplay between Blackbeard and honorable spy-surgeon Tom Lowe.
  12. Delany is as likable as possible in an extremely unlikable role. But the writing is a bit too tidy, and Delany's smarty-pants approach gets old in the first 10 minutes.
  13. At first blush, "Help Me Help You" looks like it will be terrible, but it's not. The actors are talented. The language and pacing are playful.
  14. "Four Kings" is a strange thing. The first episode of the new NBC comedy reeks. But there are moments in the next two episodes that make it seem as if it has the potential to be a male version of "Sex and the City," minus the naughty stuff HBO could show that NBC can't.
  15. Taylor, being one of Hollywood's underutilized great actresses, makes State of Mind interesting just by appearing in it. Taylor's supporting cast is quite good, too.
  16. The problem with the beginning of "24" isn't the plotting or the rusty acting. It's the pacing, the clunky rhythm of the action-adventure. Thank goodness, the quality of "24" fluctuates, so it has real potential to become great again in future episodes.
  17. Since there's no "Twilight" movie in theaters right now, there's no point in resisting The Vampire Diaries, some prefab filler premiering tonight.
  18. If you can get past the patronizing only-a-white-man-can-save-the-needy concept, the series could be an illuminating look at what's going on in the rest of the world. It's too educational and earnest for me to consider it "entertainment," but other viewers might be better people than me.
  19. This show may convince us the Simmonses are good people. But there's not much catchy drama in following the evolution of a teenager's party planning.
  20. The tone of this odd show (created by Greg Berlanti and Marc Guggenheim, and initially directed by Ken Olin) is both sweet and wacky, as if it were made by David E. Kelley, he of "Ally McBeal." But it's missing something.
  21. Pretty Little Liars doesn't have the sense of humor -- or the wardrobe -- of "Gossip Girl." In fact, a surprising number of scenes call for bikinis. But the ongoing mystery (not to mention a secret referred only to "the Jenna thing") may prove irresistible to young people.
  22. If you don't have a support group of pals to compare notes with, you could do worse than The Talk. Let's hope it stays lively.
  23. Despite two great character actors as support--Alan Rosenberg runs the legal clinic and Dabney Coleman is the dad--this manipulative and cloying series neither rings true nor strikes the emotional chords it all too transparently wants to pluck. [25 Sept 2001, p.47]
    • Chicago Sun-Times
  24. Wells' seemingly infallible memory takes some fun out of the guesswork and doesn't add enough spice to what's ultimately just another helping of TV comfort food.
  25. The WB is hoping you'll be so agog over the atmospherics and Aussie underwear model Travis Fimmel's sculpted pecs and abs that you don't notice the story's a little thin in this New York update of the old Edgar Rice Burroughs tale. [3 Oct 2003, p.49]
    • Chicago Sun-Times
  26. Coughlan finds the nice subtle undertones so Jenny seems more real and less cardboard.
  27. Samantha is more of a smiler than a laugher. That's fine. But the comedy straddles straight-up storytelling with clumsy moments of broad comedy (no insulting pun intended).
  28. Intelligence feels more like a dumb action movie.

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