For 4,198 reviews, this publication has graded:
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64% higher than the average critic
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2% same as the average critic
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34% lower than the average critic
On average, this publication grades 3.8 points higher than other critics.
(0-100 point scale)
Average Movie review score: 65
| Highest review score: |
Critic Score
100
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| Lowest review score: |
Critic Score
0
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Score distribution:
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Positive: 2,814 out of 4198
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Mixed: 807 out of 4198
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Negative: 577 out of 4198
4,198
movie reviews
- By critic score
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Reviewed by
Dave Kehr 100
Beautifully wrought, darkly funny and finally devastating, My Own Private Idaho almost single-handedly revives the notion of personal filmmaking in the United States. [18 Oct 1991] -
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Reviewed by
Michael Wilmington 100
It's so thoroughly engaging, so beautifully made, strikingly shot and chock-full of humor and humanity, I can't imagine any intelligent audience not falling in love with it - if only they take the leap of faith to see it. -
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Reviewed by
Michael Wilmington 100
It's a joy. Altman does Dallas the way he did "Nashville" in Nashville or Hollywood in "The Player." -
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Reviewed by
Michael Wilmington 100
Vibrating with humanity, it's a potent portrait of love, ranging from the purely carnal to the impurely sublime. -
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Reviewed by
Michael Wilmington 100
Takes the raw truth and makes it jubilantly, terrifically entertaining. -
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Reviewed by
Michael Wilmington 100
The greatest rock concert movie ever made -- and maybe the best rock movie, period. -
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Reviewed by
Michael Wilmington 100
Some movies delight you. Some stimulate and provoke. Some enlighten and inform. And some simply hand you a rousing good time-- does all of that and more. -
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Reviewed by
Michael Wilmington 100
A rare example of a literary film that preserves the best of its source while creatively filling up on it. -
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Reviewed by
Michael Wilmington 100
Both the movie and Denzel Washington are knockouts. -
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Reviewed by
Michael Wilmington 100
Of all the movies I've seen in the past several years, this is one of the ones I love the most. -
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Reviewed by
Patrick Z. McGavin 100
This is a movie about the world at war with itself, and the result is riveting, sublime and unforgettable. -
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Reviewed by
Michael Wilmington 100
Kaufman's startling Quills gives us an anatomy of fear, images both silken swift and molten hot, scenes that disrupt and inflame the imagination. -
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Reviewed by
Michael Wilmington 100
82-year-old Ingmar Bergman takes one of the most painful, shameful episodes of his own life and, writing for director Liv Ullmann, transmutes it into magical, brilliant artistry. -
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Reviewed by
Michael Wilmington 100
A spectacular, engrossing, big-hearted film based on one of Korea's great national epics and made by that country's top filmmaker. -
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Reviewed by
Michael Wilmington 100
A movie bull's-eye: noir with an attitude, a thriller packing punches. It gives up its evil secrets with a smile. -
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Reviewed by
Michael Wilmington 100
Such a sour, mindlessly inflated experience that seeing it may temporarily put you off historical movies. -
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Critic Score 100
Has moments of profound poignance, though it lacks the overall dramatic impact of "The Long Way Home." -
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Reviewed by
Michael Wilmington 100
This is a film precisely constructed, brilliantly imagined. -
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Reviewed by
Michael Wilmington 100
Moretti gives us something different but very important. He shows us how life goes on. -
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Reviewed by
Michael Wilmington 100
A film poem of sometimes humbling beauty: a movie that opens up a new world to us - in the mountains of Iranian Kurdistan - with an enchanting freshness and austerity of vision. -
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Reviewed by
Michael Wilmington 100
A beautiful and genuinely spirit-lifting film about poverty and education. -
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Reviewed by
Michael Wilmington 100
A film which should gratify any audience starved for intelligent dialogue, realistic portrayals of romance and lovely, non-cliched open-air photography. -
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Reviewed by
Michael Wilmington 100
As we watch, we can sense, once again, the eye of a painter, the dreams of a poet and, tying them together, the vision of a master. -
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Reviewed by
Michael Wilmington 100
An amazing celluloid poem by a filmmaker whom Ingmar Bergman called "the greatest." He very nearly was. He was also, perhaps, too pure a creator and reckless a citizen to survive unscathed. -
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Reviewed by
Michael Wilmington 100
Blazes up constantly with a stunning, off-kilter brilliance, an incandescent force that sometimes explodes the space between us and the screen. -
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Reviewed by
Michael Wilmington 100
An absolute delight, one of the most sheerly pleasurable movies Altman has ever made. It's wry, jokey and sexy, a tart and delectable entertainment. And, like most of Altman's best work, it's graced with a top-notch ensemble of first-class [9 April 1999, Friday, p.A] -
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Reviewed by
Michael Wilmington 100
It's perhaps only because it can't be seen in its full glory on television that "Lawrence" isn't ranked more highly on some recent all-time "best film" lists. But it belongs near the very top. It's an astonishing, unrepeatable epic. -
