Dallas Observer's Scores

  • Movies
For 1,519 reviews, this publication has graded:
  • 47% higher than the average critic
  • 3% same as the average critic
  • 50% lower than the average critic
On average, this publication grades 3.7 points lower than other critics. (0-100 point scale)
Average Movie review score: 58
Highest review score: 100 Spider-Man 2
Lowest review score: 0 Little Nicky
Score distribution:
1,519 movie reviews
  1. Philosophy imbues this inescapably self-reflexive movie with a rare compassion.
  2. Writer-director-actor Cedric Klapisch simultaneously shows great moviemaking flair and reveals a very peculiar worldview.
  3. Thankfully, Emily Watson comes to his rescue with her spot-on portrayal of the killer's blind girlfriend; her rich performance works wonders in the absence of Jodie Foster. Now, if only they could remake Hannibal before they assemble that boxed set.
  4. The whole thing is absolutely beautiful to look at, even when it has a bad case of the cutes.
  5. Once in a while a film comes along that is as sound, smart, sweet and significant as can be, and Whale Rider is such a film.
  6. The fractured structure, which moves from one species to another while following a generally chronological overall arc, can occasionally leave your mind to wandering, but for a film with no plot or characters to focus on it is remarkably gripping.
  7. Northfork may be doomed, but the Polish brothers and cinematographer M. David Mullen (who worked with the brothers on their previous features, "Twin Falls, Idaho" and "Jackpot") make the place feel like heaven on earth.
  8. The plot's a trifle, but so what. Director Lynn (My Cousin Vinny) stages a series of seamless, ebullient show-stoppers that encompass every musical style from gospel and soul to contemporary R&B and hip-hop, and the choreography ranks with anything you'll find on Broadway.
  9. The charismatic Jamal has the spirit of a young Antoine Doinel, and Winterbottom shoots him to evoke the memory of Truffaut's young hero.
  10. The most life-affirming film about death to come along in ages.
  11. Thanks to the performances and McCarthy's understated script and direction, the film walked off with both the Audience Award at the Sundance Film Festival and the Waldo Salt Screenwriting Award.
  12. This is provocative stuff--and not just for its searing indictment of Brazilian society.
  13. It's a melodrama more than a drama, a light thriller –- which is not to say that it is not wonderfully entertaining and satisfying. In fact, it is both.
  14. It just feels like the real thing, which is a trick few writers can muster and even fewer directors can master.
  15. As a film it's mostly top-notch work. Kiwi director Christine Jeffs has taken the poignant, thoughtful screenplay of erstwhile documentarian John Brownlow and rendered it a moving mood-piece of subtlety and ever-encroaching sorrow.
  16. Ryan's performance burns with a rare and passionate veracity. The other half of the delight comes from director Jane Campion, whose sensualist eye and scabrous heart infuse In the Cut with guts and glory.
  17. Hopkins' beautifully detailed, deeply felt acting remains a joy to watch...But an even greater pleasure, at least for my money, is Kidman's dark turn as Faunia Farley.
  18. This brutal film borders on the brilliant. Beautifully structured and edited, with a chilling central performance by Ian McKellen and an exceptional score by John Ottman, who also edited the picture, it churns up emotions and leaves the viewer feeling stunned and depleted.
  19. This is not pleasant stuff, but it's important, and thoroughly heart-wrenching.
  20. For the most part the film is a miracle of accomplishment, elegant and bold and artful in a world devoid of resources.
  21. Tokyo Godfathers just might be the equivalent of "It's a Wonderful Life" or, to be hip and new-millennium about it, "Elf."
  22. Director Kevin Rodney Sullivan (How Stella Got Her Groove Back) and editor Paul Seydor serve it up beautifully.
  23. An unabashed flag-waver and one of the best feel-good sports movies ever, this authentic charmer does for its young hockey players what John Wayne used to do for the U.S. Marines, and it lifts us, too, onto the boys' cloud of belief.
  24. The Dreamers is a real humdinger, at once an intimate romance, a glimpse into a rather unconventional friendship and a beautifully focused celebration of cinema itself.
  25. If you're in the mood for a quiet, beautifully acted little drama, liberally spiked with comedy, about the universal desires of the human heart, this may be the obscure gem you're looking for.
  26. This is a beautiful, important film, and you should see it.
  27. Stupid camera shenanigans aside, theater veteran Crowley deftly directs his large, stellar cast, and playwright-cum-screenwriter Mark O'Rowe serves up a wild knot of character arcs pitched somewhere among the neighborhoods of Ken Loach, Mike Leigh and Danny Boyle.
    • 85 Metascore
    • 80 Critic Score
    This subtly entrancing paean to seasons earthly and emotional is to the developing male psyche what "Whale Rider" is to the female, and deserves equal acclaim.
  28. Those seeking a spiritual counterpart to the yin of Lynne Ramsay's masterfully moody "Morvern Callar" will find their yang in David Mackenzie's exquisitely sorrowful Young Adam.
    • 56 Metascore
    • 80 Critic Score
    This is escapism, pure and simple. And few know the power of such purity better than Terry McMillan.

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