Empire's Scores

  • Movies
For 3,626 reviews, this publication has graded:
  • 55% higher than the average critic
  • 3% same as the average critic
  • 42% lower than the average critic
On average, this publication grades 2.1 points higher than other critics. (0-100 point scale)
Average Movie review score: 65
Highest review score: 100 The Raid: Redemption
Lowest review score: 20 Baywatch
Score distribution:
3626 movie reviews
  1. Dark, twisted and beautiful, this entwines fairy-tale fantasy with war-movie horror to startling effect.
  2. It's been twelve years since "Titanic," but the King of the World has returned with a flawed but fantastic tour de force that, taken on its merits as a film, especially in two dimensions, warrants four stars. However, if you can wrap a pair of 3D glasses round your peepers, this becomes a transcendent, full-on five-star experience that's the closest we'll ever come to setting foot on a strange new world. Just don't leave it so long next time, eh, Jim?
    • 57 Metascore
    • 100 Critic Score
    One of the best mainstream action-thrillers [in] a decade.
  3. Iannucci’s brand of political satire is applied to one of the darkest chapters in modern history, with sensational results. The Lives Of Others with laughs, it’s farcical, frightening and a timely reminder that things could always be worse.
    • 87 Metascore
    • 100 Critic Score
    The real revelation here is Heath Ledger as the bruised and sometimes brutal Ennis. His tortured secret is the tragedy and the ecstasy of this powerful and moving film, a smart study of relationships that could but can't and never will be.
  4. That feeling you have as you leave the cinema - that buzzing in the fingers and lightness in the heart - is called joy.
    • 67 Metascore
    • 100 Critic Score
    Astonishing. Kaufman has surpassed himself with a film that will delight and confound. You will want to see it again. And again.
    • 63 Metascore
    • 100 Critic Score
    Spielberg has mounted a courtroom drama to rival the finest Grisham, with a coruscating civil rights debate resonating both within the film and into the present as the audience knows it.
  5. Among the plethora of innocent charms on offer, there's the near perfect script by Zemekis and Bob Gale which not only negotiates its time travel paradoxes with deft, exuberant wit but invests the light-hearted plot machinations with a seasoning note of honest drama.
  6. It's an intelligent, well-written, excellently played movie, with top flight gore/horror effects, perverse humour and a provocatively bleak vision. Also, it has the world's first true zombie hero in Bub, who listens to Beethoven and eats people.
  7. Terrifying and beautiful, believable and fantastical, this is one of the best children's films in years and Selick's finest -- better even than "The Nightmare Before Christmas."
  8. Max’s re-enfranchisement is a triumph of barking-mad imagination, jaw-dropping action, crackpot humour, and acting in the face of a hurricane.
  9. Arrival is a beautifully polished puzzle box of a story whose emotional and cerebral heft should enable it to withstand nit-picky scrutiny. And like all the best sci-fi, it has something pertinent to say about today’s world; particularly about the importance of communication, and how we need to transcend cultural divides and misconceptions if we’re to survive as a species.
  10. Gripping throughout, with an impressive central performance, this is like a Dogme 95 redo of a Chuck Norris film - by heroic effort, the good guys find and kill a bad guy. How you feel about that is something Bigelow leaves you to decide.
  11. With so many films dedicated to the agonies of filmmaking, Singin’ overflows with the pleasure of movie creation, stitching together references to Hollywood history with more alacrity than Tarantino. One of the highpoints of hoofin’ history but, more importantly, an unadulterated joy.
  12. To call WALL•E Pixar's best film would potentially denigrate films that deserve no scorn. But this is their most ambitious undertaking since "Toy Story" and storytelling of such charm and visual wit that it can stand proudly alongside the studio’s best. Absolute heaven.
  13. Some of his Salgado's depictions of human suffering are not for the faint-hearted but, like this fine film, demand to be seen. Unmissable.
  14. The Last Samurai is much more fun than a mere history lesson.
  15. In essence, Dark Star has what all great comedy has: a sense of desperation and pathos allied to an abiding humanity which elevates it high above the realm of mere spoof.
    • 82 Metascore
    • 100 Critic Score
    Beautifully crafted, sinister, frightening, erotic and thought-provoking, Alain Guiraudie’s multi-faceted Cannes triumph is already one of the most provocative, intriguing films of the year.
  16. Jarecki's film brilliantly illustrates the fallibility of memory, the slippery nature of 'facts' and even people's invention of events that may never have taken place.
  17. A terrific, sophisticated comedy that tackles serious issues with a lightness of touch and a spirit of steel, Philomena is the British film to beat come BAFTA time.
  18. Short Term 12 is a miracle of a movie. Beautifully written and perfectly played, all of human life is here: the good, the bad, the messy and the uplifting.
  19. Admirably low-key, deeply compelling and their warmest movie since Fargo.
    • 90 Metascore
    • 100 Critic Score
    A vivid reworking of Daniel Woodrell's novel that brings the book's conflicted heroine to searing life in a piece of unhurried filmmaking too rarely seen these days.
    • 83 Metascore
    • 100 Critic Score
    With the visuals and soundtrack given a wax and polish job for the big screen, Scott’s masterful use of shadows, framing and sound has never been more terrifying. No matter how many times you’ve seen this, you’ll still be hiding behind your fingers at every conceivable juncture.
  20. Even if you’ve skipped the Dardennes’ work until now, this is a talking-point movie — and an outstanding lead performance — you need to see. It’s a rare film of unforced simplicity that will stick with you for a long time. And it’s honest right to its perfectly judged ending.
  21. Arguably Harrison Ford’s finest performance, and one of the strongest thrillers to emerge from the heady gloss of the ‘80s, this is director Peter Weir at his most adept.
    • 100 Metascore
    • 100 Critic Score
    The sheer audacity and delight Welles takes in flouting conventions and inventing new ones is what keeps it fresh.
  22. Bold, gruesome and melancholic, this Gothic horrorfest offers us much to sink our teeth into: Cruise - who effectively disappears from the screen for half the film's duration - is terrific, Dunst eerily compelling, Banderas hypnotic.

Top Trailers