Entertainment Weekly's Scores

For 1,878 reviews, this publication has graded:
  • 65% higher than the average critic
  • 15% same as the average critic
  • 20% lower than the average critic
On average, this publication grades 7.8 points higher than other critics. (0-100 point scale)
Average TV Show review score: 72
Highest review score: 100 Friday Night Lights: Season 4
Lowest review score: 0 Justice for Natalee Holloway
Score distribution:
  1. Mixed: 0 out of 1433
  2. Negative: 0 out of 1433
1,433 tv reviews
  1. In its sizzling fourth season, Teen Wolf has simply never been this good.
  2. Brooklyn Bridge is beguiling, simultaneously the warmest and most intelligent new show of the season. It's also a vindication of artistic control in the TV industry.
    • 52 Metascore
    • 91 Critic Score
    You know men who devote an absurd amount of time to mocking one another? I do, and I call them ''me and my friends.'' Maybe that's why I so enjoyed this sitcom about a group of thirtysomething pals and their fantasy football league....Or maybe it's just darn funny.
  3. The most visceral moments emerge from Buscemi's conversations with his former colleagues and lifelong friends at Engine Co. 55, rendering vivid and tearful accounts of tragedies.
  4. Between [Peter Griffin's] hiring of a "penis butler," his purchase of a solid-gold tuxedo at the "nonsense store," and his riff on the "dreadfulness" of True Blood, it's easy to forgive the plot for being as old as the hills.
  5. Almost preposterously enjoyable. [16 Jun 2006, p.67]
    • Entertainment Weekly
    • tbd Metascore
    • 91 Critic Score
    There's blood, drama, and edge-of-your-seat action--no zombies necessary.
  6. Silly, weird, occasionally sweet, and always very, very funny, 'Scrubs,' which just wrapped its third season, is one of the best comedies on TV.
    • 80 Metascore
    • 91 Critic Score
    Where the series could get preachy, it's tempered, and above all, the whole thing's just a lot of fun.
  7. [Its] quality has, if anything, improved in its second season.
  8. It returns with an emotional and surprising (hint: you'll never look at icicles the same way) premiere.
  9. A gleeful, fizzy race through Hollywood.
  10. One of the addictive things about Damages is its ability to work what initially seems to be a peripheral character like Olyphant's into the series' core plot in a startling way. All credit is due to the show's creators--brothers Glenn and Todd A. Kessler and Daniel Zelman--who wrote the first two episodes with smoothly intricate plotting and bursts of melodrama that rarely spill over the top.
  11. Without the annoying melodrama [like "Desperate Housewives"], you become more emotionally hooked by the lives of the four complex and original characters.
  12. Horton Foote's 1953 teleplay proves as durable as ever in this transfer of 2013's hit Broadway revival. Cicely Tyson is as fiercely magnetic on a small screen. [7 Mar 2014, p.62]
  13. I can assert that the series has benefited artistically from the business decision that concluded last season. In shuttering Sterling Cooper and launching SCDP, the show is immediately jazzed by the renewed energy and willfulness that often accompanies a start-up.
  14. It's a midlife triumph, a series that takes a well-worn theme and makes it unpredictable, freshly funny, and sometimes moving.
  15. [Helen] Mirren is terrific — hard-boiled but never macho; always suggesting a sort of bitter humor. Some of the scenes between Mirren and her enlightened teddy bear of a boyfriend (Tom Wilkinson) are soggy, but most of the time, Prime Suspect ... is wonderfully tense entertainment.
  16. The largely improvised series is a jangly American version of 'The Office,' with its best comedy revolving around race, gracelessness, despair, and a glorious lack of self-awareness, courtesy of the kinds of outsize characters who inhabit the typical workplace.
  17. As a profane peek into current showbiz, Entourage is excellent, dirty fun.
  18. Like a James Brown show, the result is both generously proportioned and extremely tight.
  19. A holiday special done right. [30 Nov 2007, p.126]
    • Entertainment Weekly
  20. This reality show tracks, with admirable and hilarious straight-facedness, the follicularly oriented infighting that plagues Beard Team USA (a name I will never tire of writing), as well as their attempt to dethrone the presumably more regimented Germans as planet Earth's top whisker warriors.
  21. While Seduced and Abandoned may be hard to categorize, it is easy to sum up: amazing.
  22. The Game is next-level entertainment, courtesy of smart scripts and a cast of finely drawn characters.
  23. The series' brilliant conceit is that enemies are often sane and rational, and many good guys and gals are obsessed, flawed, and ruthless.
  24. Brooklyn South is a high-intensity street cop show, familiar yet fresh, as if Hill Street Blues had been sampled and remixed by a televisual Sean ''Puffy'' Combs.
  25. Ken Burns' documentary about the "black blizzards" that swept across the Great Plains during the 1930s is at once rigorously sourced and heartbreakingly emotional.
  26. Talking heads such as Daniel Okrent are eloquently pithy. And narrator Peter Coyote is as soothing as a tumbler of fine Scotch.
  27. The show's energetic fearlessness in depicting someone who is fearful in her loneliness gives Ally McBeal an overriding purpose. The result is irresistible television, whether you experience it as a sexual-differences safari or as a blueprint for your own life.

Top Trailers