Entertainment Weekly's Scores

For 5,106 reviews, this publication has graded:
  • 68% higher than the average critic
  • 2% same as the average critic
  • 30% lower than the average critic
On average, this publication grades 3.8 points higher than other critics. (0-100 point scale)
Average Movie review score: 65
Highest review score: 100 Startup.com
Lowest review score: 0 Saving Silverman
Score distribution:
5,106 movie reviews
  1. It's a mad cycle of arrogance and despair, and Bloody Sunday etches it onto your nervous system.
  2. Her
    Jonze's satiric, brave-new-world premise is undeniably clever, but it's also a bit icy emotionally.
  3. Leaves you shaken and ecstatic at the same time, transported by the vision of a major film artist.
  4. You could trawl the seven seas and not net a funnier, more beautiful, and more original work of art and comedy than Finding Nemo.
  5. This is a great film, and a triumph of creativity and courage over repression.
  6. Topsy-Turvy reminds us that, in any age, creative expression is at once the most personal and most communal of enterprises.
  7. The most excitingly original movie of the year.
  8. The new film, which unfolds in real time over the course of 80 minutes, is a deeper, darker, altogether more memorable experience. It doesn't extend the characters so much as fulfill them.
  9. Dazzlingly beautiful, funny, and meaningful.
  10. Crowe, staying close to his memories, has gotten it, for perhaps the first time, onto the screen.
  11. American Splendor presents Pekar as drawn on the page, Pekar as brilliantly interpreted by Paul Giamatti, and the actual Pekar, in the double role of narrator and interview subject -- sometimes all at once. The magic act is thrilling, and truly surprising.
  12. Rachel Boynton’s gripping doc shows you what happens when the greed of oil companies meets the chaos of postcolonial Africa.
  13. The movie might almost be winking at the fact that any single one of these performers could easily be the featured star of his or her own upper-crust period piece.
  14. Pulling the bandage of sentiment cleanly away from oozing concepts like ''heroism'' and ''our nation's war on terror'' in the aftermath of recent wounds, here's a drama about the most politically charged crisis of our time that grants the dignity of autonomy to every soul involved.
  15. A beautifully sinister and transfixing entertainment-age daydream.
  16. An extraordinary film; it may be the most haunting documentary since ''Crumb.''
  17. It's a film of jaw-dropping virtuosity and pleasure, one that leaves you revved, enthralled, tickled, moved, and amazed.
  18. The Passenger isn't finally the masterpiece some have made it out to be, but it retains a singular intrigue: It's the first, and probably the last, thriller ever made about depression.
  19. The movie sparkles with witty self-awareness.
  20. What's astonishing about Sofia Coppola's enthralling new movie is the precision, maturity, and originality with which the confident young writer-director communicates so clearly in a cinematic language all her own.
  21. Like a great novel from a more expansive bygone age, The Best of Youth is full of big thoughts; like a great soap opera, it's also full of sharp plot turns, vibrant characters, and great talk. It is, in short, the best of cinema.
  22. Utterly riveting fictional drama.
    • 89 Metascore
    • 83 Critic Score
    Surprisingly, given Lee's penchant for experimentation, there's nothing remotely innovative about this sober, often intensely moving exploration of a community's lingering grief and outrage -- just the usual talking heads, stock footage, montages of stills, and such.
  23. An outrageously gorgeous spectacle of balletic aggression. At the same time, it offers something we rarely encounter in a whirling martial-arts extravaganza: a romantic passion that's woven into the very fabric of the action.
  24. Ida
    With her brassy, determined aunt, Ida sets off to find answers and discovers life beyond the convent walls in this leisurely but satisfying journey.
  25. The gorgeous music includes Ralph Vaughan Williams' wafting tone poem ''The Lark Ascending'' -- apt in describing an artist who might well be part bird.
  26. A film of droll and dry observational precision, its emotional minimalism is almost fetishistic -- and, by the end, a tad frustrating.
  27. When Baron Cohen works without a net, he flies.
  28. Ferguson spotlights two massive mistakes: the looting that was allowed to continue, destroying Iraqi infrastructure and morale; and--far more revelatory -- the apocalyptically stupid decision to disband the Iraqi army, sending half a million angry soldiers into the streets.
  29. The result is a playful, elusive movie that isn't so much heartwarming as soul-cleansing.

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